Dexter Calling...

Editorial Reviews

All Music Guide - Michael G. Nastos
Dexter Gordon's second recording for Blue Note is a solidly swinging affair, yet constantly full of surprises. It's not unexpected that Gordon's tenor at this time 1961 was one of the most enjoyable in mainstream jazz, but his transition from the cool California scene to the hotter music environs of New York City had energized his sound and attitude. A first-time pairing with bassist Paul Chambers has something to do with this, but it also inspires pianist Kenny Drew to a great extent, while drummer Philly Joe Jones is his reliable, energetic self, and always works well with Gordon. Where Gordon's fluent melodic sense is perfectly demonstrated during the simple-as-pie...
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Editorial Reviews

All Music Guide - Michael G. Nastos
Dexter Gordon's second recording for Blue Note is a solidly swinging affair, yet constantly full of surprises. It's not unexpected that Gordon's tenor at this time 1961 was one of the most enjoyable in mainstream jazz, but his transition from the cool California scene to the hotter music environs of New York City had energized his sound and attitude. A first-time pairing with bassist Paul Chambers has something to do with this, but it also inspires pianist Kenny Drew to a great extent, while drummer Philly Joe Jones is his reliable, energetic self, and always works well with Gordon. Where Gordon's fluent melodic sense is perfectly demonstrated during the simple-as-pie groove waltz "Soul Sister," the steady, steamy bopper "I Want More," and the familiar Charlie Chaplin evergreen "Smile," his sense of expanding the specific line upon soloing is truly remarkable. He constantly keeps the song form in mind, riffing on and on without violating the basic note structures, constantly reharmonizing, shuffling the chords like a card dealer and updating the song form. "The End of a Love Affair" takes this concept into an area where his deep, subtle voice is translated directly into the low-slung voicings of his horn. The remarkable "Modal Mood" combines hard bop with Drew's three-chord piano repetitions and Gordon's soulful, simplified sax, while the equally impressive "Clear the Dex" steamrolls the competition as the band -- cued by Jones -- skillfully pushes or pull tension and release elements, then busts loose into joyous swinging in a true signature tune that is immediately recognizable as only the long, tall tenor man. The sad ballad "Ernie's Tune" is based on a yin/yang theme via Freddie Redd's stage play The Connection and the crazy character that ran wild or tame. The excellent band, solid musicianship, and memorable music on every track make this one of the more essential recordings of Gordon's career.
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Product Details

  • Release Date: 6/29/2004
  • Label: Blue Note Records
  • UPC: 724359242026
  • Catalog Number: 92420
  • Sales rank: 41,937

Tracks

Disc 1
  1. 1 Soul Sister (7:45)
  2. 2 Modal Mood (5:23)
  3. 3 I Want More (5:20)
  4. 4 The End of a Love Affair (6:53)
  5. 5 Clear the Dex (4:54)
  6. 6 Ernie's Tune (4:16)
  7. 7 Smile (3:23)
  8. 8 Landslide (5:15)
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Album Credits

Performance Credits
Dexter Gordon Primary Artist, Tenor Saxophone
Kenny Drew Piano
Philly Joe Jones Drums
Paul Chambers Bass
Technical Credits
Leonard Feather Liner Notes
Micaela Boland Art Direction
Charlie Chaplin Composer
Michael Cuscuna Reissue Producer
Rudy Van Gelder Engineer, Remastering
Alfred Lion Producer
Francis Wolff Cover Photo
Bob Blumenthal Liner Notes
John Turner Composer
Gus Skinas Author
Edward Redding Composer
Steve Hoffman Mastering
Kevin Michael Gray Mastering
Geoffrey Parsons Composer
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