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The Dial-a-Ghost Agency finds good homes for ghosts. And Fulton and Frieda Snodde-Brittle are looking for a few frightening ghosts to "accidentally" scare their young cousin and heir, Oliver, to death. The ladies at the Dial-a-Ghost Agency have the perfect match: the Shriekers, two bloodstained and bickering horrors. But thanks to a mix-up at the agency, the Wilkinsons, a kind family of ghosts, arrive instead. Can they put a stop to the ...
The Dial-a-Ghost Agency finds good homes for ghosts. And Fulton and Frieda Snodde-Brittle are looking for a few frightening ghosts to "accidentally" scare their young cousin and heir, Oliver, to death. The ladies at the Dial-a-Ghost Agency have the perfect match: the Shriekers, two bloodstained and bickering horrors. But thanks to a mix-up at the agency, the Wilkinsons, a kind family of ghosts, arrive instead. Can they put a stop to the Snodde-Brittles' schemes before it's too late?
Illustrated by Kevin Hawkes.
A family of nice ghosts protects a British orphan from the diabolical plans of his evil guardians.
Take one 10-year-old orphan, add a pair of conniving relatives, top it off with a mix-up by the dithering owners of a placement agency for ghosts, and the result is this utterly delectable farce.
Then suddenly he was awake... A hand! A pale hand coming through the wardrobe door, its fingers searching and turning...The hand was attached to an arm in a white sleeve: a wan and lightless limb, sinister and ghastly.
The wailing nun? The murdered bride?
The other arm was coming through the fly-stained mirror now -- and dangling from it on a kind of string was something round and horrible and loose.
Its head. The phantom was carrying its head.
Knowing that his end had come gave Oliver a sudden spurt of strength. Managing to draw air through his lungs, he sat bolt upright and switched on the light. "Come out of there," he called, "and show yourself."
The figure did as it was told. If it was a nun or a bride, it was a very small one, and it seemed to be dressed for bed.
"Who are you?" asked Oliver, between the chattering of his teeth.
The ghost came forward. "I'm Adopta Wilkinson," she said. "There's no problem about that. But who are you, because you're certainly not a nun."
Oliver stared at her. She seemed to be about his own age, with a lot of hair and sticking-out ears. "Why should I be a nun?" he asked. "It's you who are supposed to be a nun. And headless."
"Do I look headless?" she asked, sounding cross.
"No. I thought... your sponge bag was your head."
The ghost thought this was funny. "Would you like to see what's inside?" she asked.
Ghosts and hags, wizards and banshees, mermaids and mistmakers—all are part of the magical worlds that Eva Ibbotson creates in her fantasy books for children. Even her more realistic stories are set in exotic places like the Amazon River in South America, where the natural world creates a mystical sense of wonder. Ibbotson introduces us to an array of fascinating characters and creatures: some from real life, some from folklore and mythology, and some completely original. What readers discover in her books is a love for the natural world in all its forms, plus fast-moving plots that emphasize the importance of showing kindness to others and never being quick to judge those who are different from ourselves. Humor plays an important role in her stories, for they are meant to be entertaining above all. Yet long after the last page is turned, the deeper meanings that emerge from these rollicking adventures linger in the reader's mind.
About the Book
Miss Pringle and Mrs. Mannering run an agency that matches ghosts who need a home with people who want their dwellings haunted. And they do a very good job of it... until an error by their hapless office boy mixes up two assignments. This mistake is disconcerting to the nuns who requested a family of quiet ghosts for their old country abbey and end up with the Shriekers, a couple who scream constantly and terrorize the livestock. But it's a very fortunate error for Oliver, a small boy whose scheming cousins hoped the Shriekers would frighten him to death so that they could take over his inheritance, a huge manor house. When the gentle Wilkinson family arrives at Helton Hall instead, they immediately befriend the boy, and he is delighted to have such kindly ghost company. They decide to help Oliver escape the clutches of his evil cousins, Fulton and Frieda Snodde-Brittle. But Fulton has more wicked plans of his own. Dial-a-Ghost is a fast-moving romp through a plot with more twists and turns than you can count and a cast of characters who are loving and heartless, comfortable and cruel, charming and chilling, whether they are made of flesh or ectoplasm.
ABOUT EVA IBBOTSON
Eva Ibbotson was born in Vienna, Austria, in the years before World War II. Her mother was a playwright and her father a scientist, but the marriage was unhappy and they soon went their separate ways. Eva's early childhood was spent shuttling back and forth in trains across Europe, from one parent to the other. When Hitler rose to power, Eva's father went to Great Britain, and her mother, after remarriage to a Russian philosopher, soon followed him. Eva switched languages and spent the rest of her childhood in a progressive boarding school, striving to become British. After taking a degree in Physiology at London University, she went on to do research at the University of Cambridge, but she found the experiments she had to perform on living animals very distressing. The results of her experiments were "peculiar," she relates, so when a fellow student, Alan Ibbotson, suggested she could do less harm to science by leaving it and marrying him, she accepted without hesitation. The couple moved to Newcastle, in the north of England, where they raised four children and Eva began writing short stories. When the youngest son started school, she wrote her first full-length novel for children and continued to write for children and adults alternately, much to the delight of her many readers.
by Lloyd Alexander
HC: Dutton Children's Books, 0-525-45415-2
PB: Puffin Books, 0-14-038073-6
The Cat Who Wished to Be a Man
by Lloyd Alexander
PB: Puffin Books, 0-14-130704-8
by Gail Carson Levine
HC: HarperCollins Children's Books
The Ghost Belonged to Me
by Richard Peck
PB: Puffin Books, 0-14-038671-8
Ghosts I Have Been
by Richard Peck
PB: Puffin Books, 0-14-131096-0
Going Through the Gate
by Janet Anderson
HC: Dutton Children's Books, 0-525-45836-0
PB: Puffin Books, 0-14-130698-X
James and the Giant Peach
by Roald Dahl, illus. by Lane Smith
HC: Knopf Books for Young Readers
PB: Puffin Books, 0-14-037424-8
The Shaman's Apprentice: A Tale of the Amazon Rain Forest
by Mark J. Plotkin and Lynne Cherry
HC: Gulliver Books
The National Trust
The National Trust is an organization dedicated to the preservation of the countryside, coastline, and important buildings and gardens in England, Wales, and Northern Ireland. This site lists interesting places to visit.
Site of the National Geographic Society. Look up maps of London and the Amazon River. Search the sea around the British Isles for places where the Island might be found.
Ghost Watch UK
An English organization that specializes in paranormal investigations. Their site includes stories and anecdotes of people's encounters with ghosts and ghostly phenomena.
AN INTERVIEW WITH EVA IBBOTSON
Magical beings are central to many of your books. Have you always been interested in the supernatural?
No, curiously I was never particularly interested in the supernatural—quite the contrary. Ghost stories frightened me badly as a child, although I didn't really believe that ghosts existed. I think I began to write about ghosts and witches and magic generally to make children less afraid; to turn these beings into creatures much like us but of course able to do more interesting things. My ghosts and witches are more like underdogs, people on the fringes who need sympathy and help. And the witches in Which Witch? are based on my relatives—the nice witches anyway!
Your main characters all seem to come up against people who are more interested in money and power than in feelings and compassion. Is this a theme you consciously set out to explore in every book?
I think of my books as entertainments, a kind of present I give the reader, and any serious themes that come up are a by-product. But of course when I am creating "baddies" for the purposes of the plot, I find myself choosing people with the characteristics I dislike most—and there is nothing I despise more than financial greed and a lust for power.
Humor is an important element in most of your stories. What do you think is the role that humor plays in shaping our lives and our personalities?
I don't really know how to define humor or how to describe it; it is something you have to show. But I do know that both in my personal life and in my work I would be completely lost without humor...without the ability to turn things upside down, to extract something ridiculous out of the most solemn moment. Incidentally, when I'm writing I find humor—jokes that aren't forced or silly—by far the hardest thing to pull off.
In Journey to the River Sea you have written a more realistic story with a strong theme about the importance of nature to the human spirit. What was your inspiration for this story?
I wrote Journey to the River Sea not long after my husband died. He was a committed naturalist, someone who combined a deep knowledge of animals and plants with a spiritual outlook that had been strengthened by his war service in India and Burma. I think I felt at that time that I needed a rest from my usual fantasy stories—though goodness knows the Amazon landscape is fantastical enough in its own right! I wanted to write a story that was simple and old-fashioned and direct. But I have to say that the reasons one gives for writing anything tend to be made up afterwards. At the time you just find yourself doing it!
Posted June 10, 2010
Oliver Smith, an orphan, finds out he is the rightful owner to his families' mansion, Helton Hall. But his greedy cousins, Fulton and Frieda Snoddle-Brittle, are less than thrilled. They decide to hire ghosts from the Dial-A-Ghost agency and try to scare him to death. Will the ghosts end up being friends or foes?
The Wilkinson's are a sweet, loving family that became ghosts when a bomb fell on their house. They were forced to live in a store until they found the Dial-A-Ghost agency. They were due to go to their new home the same day as the nasty, hated Shriekers. But, the guy in charge of the folders that have the homes each ghost is going to have a big secret that might change everything.
Eva Ibbotson did an amazing job at making me feel like I was at Oliver's side the whole time. I could feel everything he felt. She made the end very surprising and shocking. I recommend this book to anyone who likes a good story with lots of action and stuff you never expected!
Posted May 4, 2009
Dial-a-ghost is the story of a friendly family of ghosts called the Wilkinsons who were killed by a bomb during an air raid in the Second World War. As many years go by their house is rebuilt and is non longer suitable for them. They move to London to find more space but it is even more crowded there and they are forced to haunt a knickers shop in a shopping mall. In London, Adopta, a young ghost from the Victorian era who is being taken care of by the Wilkinsons, discovers a building with a large flashing sign that says Adopt-a-ghost. The ladies from the Adopt-a-Ghost Agency meet the Wilkinsons and decide to send them to an old abandoned chapel that nuns there have offered up as a home for a suitable family of ghosts. Meanwhile an orphan boy named Oliver is told that he is the owner of Helton Hall. His cousins, a brother and sister, want the inheritance. They visit Oliver's orphanage to tell him the news and to bring him back to Helton hall. They order two terrifying ghosts called the shriekers from the Adopt-a-Ghost Agency to scare Oliver to death. The folders of the Wilkinsons and the shriekers at the agency are mixed so the two ghost families are sent to the wrong addresses where chaos and confusion ensue. Dial-a-ghost is a wonderful story that excites your imagination and makes you feel in sympathy for the characters. Eva Ibbotson writes mainly fictional ghost stories for children and young adults in an easy and strait forward fashion. I would highly recommend this exciting and interesting book to anyone who is looking for something fun to read. Some other books written by Eve Ibbotson are the beasts at Clawsone castle, which witch?, and journey to the river sea.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 4, 2005
I love this book. It is one of my favorites because it is such a good storyline, so original, and has plenty of humor. I loved hearing the plight of the ghosts, and the tragic mix-up. The result was one of the funniest books I've ever read. I would'nt reccommend reading this book in public; you'd laugh too hard. But this book is an outstanding piece of literature and I love it and will cherish it forever.
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