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Dial MacEo
     

Dial MacEo

5.0 1
by Maceo Parker
 
Undoubtedly one of the best known sax players in the history of funk, predominantly through his work with James Brown ("Play, Maceo!"), Maceo Parker has had a spotty recorded solo career. His eighth album as a band leader finds the horn honker expanding his palette by aiming his instrument at smooth jazz and rap, while inviting fans Ani

Overview

Undoubtedly one of the best known sax players in the history of funk, predominantly through his work with James Brown ("Play, Maceo!"), Maceo Parker has had a spotty recorded solo career. His eighth album as a band leader finds the horn honker expanding his palette by aiming his instrument at smooth jazz and rap, while inviting fans Ani DiFranco, James Taylor (?!), and Prince to add superstar spice to his soul stew. Although it's refreshing that these folks wanted to lend a hand, none of their contributions help define the album, and, in Prince's case, even waters it down. Certainly Parker doesn't need any assistance as smoking versions of the Isley Brothers' "Work to Do," the album's opening stuttering funk salvo of the self-composed "Rabbits in the Pea Patch," and "Coin Toss" (DiFranco's track) makes clear. The talented Parker, who is only slightly less adept at the flute and piano, rips into scorching solos equally as energetic as anything he did with Brown or George Clinton. Unfortunately, a shift to easy-listening fusion with treackly covers of Robert Flack's "The Closer I Get to You" and especially Paul McCartney's icky "My Love" move him into slick, supper club territory as the disc closes. His horn still sparkles, but without the deep R&B party sounds to work with, the latter part of the album sinks into formula. On the other end of the spectrum is "Black Widow," featuring Parker's son Corey rapping over a slow, sparse backing as dad plays flute in an attempt to push his musical envelope, which never quite gels. Nor does an almost unrecognizable James Taylor singing vocal harmony on "My Baby Loves You," a joyously upbeat track. By trying to touch too many bases, Maceo Parker only dilutes his most stunning attribute -- the tough, groove machine fury of his sax. That makes this another good, but not great, release from a legendary artist whose flame remains white hot, but whose albums never quite catch fire.

Product Details

Release Date:
04/18/2000
Label:
What Are Records
UPC:
0744626003822
catalogNumber:
60038
Rank:
60358

Related Subjects

Tracks

Album Credits

Performance Credits

Maceo Parker   Primary Artist,Flute,Piano,Alto Saxophone,Vocals
Prince   Vocals,Multi Instruments
James Taylor   Vocals
Vincent Henry   Tenor Saxophone
Sheryl Crow   Harmonica,Background Vocals
Ani DiFranco   Guitar,Vocals
Michael Bland   Drums
Will Boulware   Synthesizer,Strings,Hammond Organ
Rodney Curtis   Bass
Kevin Hupp   Percussion
Audrey Martells   Background Vocals
Bruno Speight   Guitar
Ron Tooley   Trumpet,Flugelhorn
Sweet Charles Sherrell   Vocals,Background Vocals
Corey Parker   Vocals,Background Vocals
Jamal Thomas   Drums

Technical Credits

Prince   Arranger,Producer,Engineer
Paul Mitchell   Engineer
Maceo Parker   Arranger,Liner Notes
Joachim Becker   Executive Producer
Rob Gordon   Executive Producer
Marcus Miller   Engineer
Daniel Wise   Producer,Engineer
Natasha Maddison   Executive Producer
Joachim Oster   Concept

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Dial MacEo 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
Legendary funk sax player Maceo Parker totally grooves on what is certainly his best effort to date. The songs with The Artist and Ani DiFranco are really great collaborations.