The Dialect of Modernism: Race, Language, and Twentieth-Century Literature by Michael North | Paperback | Barnes & Noble
The Dialect of Modernism: Race, Language, and Twentieth-Century Literature

The Dialect of Modernism: Race, Language, and Twentieth-Century Literature

by Michael North
     
 

ISBN-10: 0195122917

ISBN-13: 9780195122916

Pub. Date: 01/28/1998

Publisher: Oxford University Press, USA

The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism.

Rebelling against the standard language, and literature written in it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked

Overview

The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism.

Rebelling against the standard language, and literature written in it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language.

At the same time, however, another movement, identified with Harlem, was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself.

Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other.

Product Details

ISBN-13:
9780195122916
Publisher:
Oxford University Press, USA
Publication date:
01/28/1998
Series:
Race and American Culture Series
Edition description:
New Edition
Pages:
272
Product dimensions:
9.10(w) x 6.00(h) x 0.60(d)
Lexile:
1610L (what's this?)

Table of Contents

PART I Against the Standard 3(34)
1. Against the Standard: Linguistic Imitation, Racial Masquerade, and the Modernist Rebellion
3(34)
PART II The Dialect of the Expatriate 37(90)
2. The Nigger of the "Narcissus" as a Preface to Modernism
37(22)
3. Modernism's African Mask: The Stein-Picasso Collaboration
59(18)
4. Old Possum and Brer Rabbit: Pound and Eliot's Racial Masquerade
77(23)
5. Quashie to Buccra: The Linguistic Expatriation of Claude McKay
100(27)
PART III Plain American 127(70)
6. Race, the American Language, and the Americanist Avant-Garde
127(20)
7. Two Strangers in the American Language: William Carlos Williams and Jean Toomer
147(28)
8. "Characteristics of Negro Expression": Zora Neale Hurston and the Negro Anthology
175(22)
Notes 197(48)
Index 245

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