Dialogue: The Art of Verbal Action for Page, Stage, and Screen

Dialogue: The Art of Verbal Action for Page, Stage, and Screen

by Robert McKee
Dialogue: The Art of Verbal Action for Page, Stage, and Screen

Dialogue: The Art of Verbal Action for Page, Stage, and Screen

by Robert McKee

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Overview

The long-awaited follow-up to the perennially bestselling writers' guide Story, from the most sought-after expert in the art of storytelling.

Robert McKee's popular writing workshops have earned him an international reputation. The list of alumni with Oscars runs off the page. The cornerstone of his program is his singular book, Story, which has defined how we talk about the art of story creation.

Now, in Dialogue, McKee offers the same in-depth analysis for how characters speak on the screen, on the stage, and on the page in believable and engaging ways. From Macbeth to Breaking Bad, McKee deconstructs key scenes to illustrate the strategies and techniques of dialogue. Dialogue applies a framework of incisive thinking to instruct the prospective writer on how to craft artful, impactful speech. Famous McKee alumni include Peter Jackson, Jane Campion, Geoffrey Rush, Paul Haggis, the writing team for Pixar, and many others.


Product Details

ISBN-13: 9781455591916
Publisher: Grand Central Publishing
Publication date: 07/12/2016
Pages: 336
Sales rank: 211,820
Product dimensions: 6.20(w) x 9.10(h) x 1.40(d)

About the Author

Robert McKee, a Fulbright Scholar, is the world's most sought-after lecturer in the art of story. Over the last 30 years, he has mentored screenwriters, novelists, playwrights, poets, documentary makers, producers, and directors. McKee alumni include over 60 Academy Award winners, 200 Academy Award nominees, 200 Emmy Award winners, 1000 Emmy Award nominees, 100 Writers Guild of America Award winners, and 50 Directors Guild of America Award winners.
 

Table of Contents

Preface: In Praise of Dialogue xiii

Introduction xvii

Part 1 The Art of Dialogue

Chapter 1 The Full Definition of Dialogue 3

Dramatized Dialogue 5

Narratized Dialogue 5

Dialogue and the Major Media 10

Dialogue Onstage 11

Dialogue Onscreen 13

Dialogue on Page 14

Indirect Dialogue 19

Chapter 2 The Three Functions of Dialogue 22

Exposition 22

Characterization 40

Action 42

Chapter 3 Expressivity I: Content 45

The Said 46

The Unsaid 47

The Unsayable 48

Action versus Activity 49

Text and Subtext 51

Chapter 4 Expressivity II: Form 53

The Conflict Complex 53

Dialogue Onstage 58

Dialogue in Film 61

Dialogue on Television 67

Dialogue in Prose 68

Chapter 5 Expressivity III: Technique 77

Figurative Language 77

Paralanguage 79

Mixed Techniques 80

Line Design 81

Economy 89

The Pause 90

The Case for Silence 91

Part 2 Flaws and Fixes

Introduction: Six Dialogue Tasks 95

Chapter 6 Credibility Flaws 97

Incredibility 97

Empty Talk 99

Overly Emotive Talk 99

Overly Knowing Talk 99

Overly Perceptive Talk 100

Excuses Mistaken for Motivation 100

Melodrama 102

Chapter 7 Language Flaws 105

Clichés 105

Character-Neutral Language 106

Ostentatious Language 107

Arid Language 109

Prefer the Concrete to the Abstract 109

Prefer the Familiar to the Exotic 109

Prefer Short Words to Long Words 109

Prefer Direct Phrases to Circumlocution 112

Prefer an Active to a Passive Voice 113

Prefer Short Speeches to Long 114

Prefer Expressive Language to Mimicry 115

Eliminate Clutter 116

Chapter 8 Content Flaws 117

Writing On-the-Nose 117

The Monologue Fallacy 121

The Duelogue 123

The Trialogue 128

Chapter 9 Design Flaws 131

Repetition 131

Misshapen Lines 135

Misshapen Scenes 141

Splintered Scenes 142

The Paraphrasing Trap 143

Part 3 Creating Dialogue

Chapter 10 Character-Specific Dialogue 147

The Two Talents 147

Vocabulary and Characterization 151

The Principle of Creative Limitation 152

Locution and Characterization 153

Principle of Character-Specific Dialogue 155

Culture and Characterization 155

Chapter 11 Four Case Studies 158

The Tragedy of Julius Caesar 158

Out of Sight 161

30 ROCK 166

SIDEWAYS 171

Part 4 Dialogue Design

Chapter 12 Story/Scene/Dialogue 181

Inciting Incident 182

Story Values 182

The Complex of Desire 183

Forces of Antagonism 188

Spine of Action 189

Story Progression 191

Turning Points 191

Scene Progression 192

The Beat 192

Five Steps of Behavior 193

Introduction to Seven Case Studies 194

Chapter 13 Balanced Conflict (THE SOPRANOS) 197

Chapter 14 Comic Conflict (FRASIER) 213

Chapter 15 Asymmetric Conflict (A Raisin in the Sun) 230

Chapter 16 Indirect Conflict (The Great Gatsby) 245

Chapter 17 Reflexive Conflict (Fräulein Else and The Muse, of Innocence) 256

Chapter 18 Minimal Conflict (LOST IN TRANSLATION) 269

Chapter 19 Mastering the Craft 289

Notes 297

Index 301

About the Author 313

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