From the Publisher
"[Stephenson] has gotten even better. The Diamond Age Envisions the next century as brilliantly as snow crash did the day after tomorrow."—Newsweek
"[Stephenson is] the hottest science fiction writer in America...Snow Crash is without question the biggest SF novel of the 1990s. Neal's SF novel, The Diamond Age, promises more of the same. Together, they represent a new era in science fiction. People who plow through these mind-bogglers will walk around slack-jawed for days and reemerge with a radically redefined sense of reality."—Details
"Neal Stephenson is the Quentin Tarantino of postcyberpunk science fiction....Having figured out how to entertain the hell out of a mass audience, Stephenson has likewise upped the form's ante with rambunctious glee."—Village Voice
"Snow Crash drew its manic energy from the cyberpunkish conceit that anything is possible in virtual reality; in The Diamond Age the wonders of cyberspace pale before the even more dazzling powers of nanotechnology."
—New York Times Book Review
"Diamond Age establishes Neal Stephenson as a powerful voice for the cyber age....At once whimsical, satirical, and cautionary."—USA Today
"Stephenson's world-building skills are extraordinary.... The Diamond Age should cement Stephenson's reputation as one of the brightest and wittiest young authors of American science fiction."—San Diego Union-Tribune
Publishers Weekly - Publisher's Weekly
Stephenson's fourth solo novel, set primarily in a far-future Shanghai at a time when nations have been superseded by enclaves of common cultures (``claves''), abundantly justifies the hype that surrounded Snow Crash, his first foray into science fiction. Here, the author avoids the major structural problem of that book-a long lump of philosophical digression-by melding myriad perspectives and cogitations into his tale, which is simultaneously SF, fantasy and a masterful political thriller. Treating nanotechnology as he did virtual reality in Snow Crash-as a jumping-off point-Stephenson presents several engaging characters. John Percival Hackworth is an engineer living in a neo-Victorian clave, who is commissioned by one of the world's most powerful men to create a Primer that might enable the man's granddaughter to be educated in ways superior to the ``straight and narrow.'' When Hackworth is mugged, an illegal copy of the Primer falls into the hands of a working-class girl named Nell, and a most deadly game's afoot. Stephenson weaves several plot threads at once, as the paths of Nell, Hackworth and other significant characters-notably Nell's brother Harv, Hackworth's daughter Fiona and an actress named Miranda-converge and diverge across continents and complications, most brought about by Hackworth's actions and Nell's development. Building steadily to a wholly earned and intriguing climax, this long novel, which presents its sometimes difficult technical concepts in accessible ways, should appeal to readers other than habitual SF users. Author tour. (Jan.)
Diamond Age, a Hugo Award-winning romp into a future nanotechnological revolution, doesn't lend itself to concise description. For what it's worth, it explores what happens when an incredibly powerful interactive device falls into the hands of a street urchin, who uses it to reprogram the future of humanity. Got that? Stephenson's books rank among the most popular sf novels of recent years but require such close attention that they pose special challenges for audiobook fans. Jennifer Wiltsie's narration here is uniformly strong and well fitted to the material, but this may not be the right kind of book for the average person. Recommended for libraries that count many young and hardcore sf readers among their audiobook patrons. Originally published in 1992, Snow Crash is a popular sf novel in a genre that some wags have dubbed "cyberpunk." Listening to it is like taking an out-of-control roller coaster ride on a double helix, weaving in and out of Stephenson's fully imagined computer-generated "Metaverse" and a near-future real world comprised of bizarre microstates and a vast Mafia-controlled pizza delivery system. The central character, aptly named Hiro Protagonist, is at once a computer hacker, pizza "deliverator," and samurai swordsman. The story moves at such breakneck speed that many listeners may need to replay the first reel simply to figure out what is going on; however, the highly charged reading by actor Jonathan Davis another Frank Muller in the making helps hold everything together. Recommended for libraries catering to forward-looking sf readers. Kent Rasmussen, Thousand Oaks, CA Copyright 2001 Cahners Business Information.
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