Dig This

Editorial Reviews

All Music Guide - Thom Jurek
Dig This, recorded and released in 1972, is the second of Bobbi Humphrey's seven Blue Note albums; it is also her sophomore recording. The album was produced by then-label president George Butler. He had signed Humphrey and helmed her debut, Flute In, the previous year. Recorded at A&R Studios, the young flutist was teamed with bassists Ron Carter and Wilbur Bascomb, Jr., powerhouse drummer Alphonse Mouzon, guitarists David Spinozza and William Fontaine, and keyboardists Harry Whitaker and Paul Griffin. While the album's formula didn't deviate that much from her debut -- an easy, tasty balance of soul, pop, and jazz tunes -- the material, production, and Humphrey's ...
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Editorial Reviews

All Music Guide - Thom Jurek
Dig This, recorded and released in 1972, is the second of Bobbi Humphrey's seven Blue Note albums; it is also her sophomore recording. The album was produced by then-label president George Butler. He had signed Humphrey and helmed her debut, Flute In, the previous year. Recorded at A&R Studios, the young flutist was teamed with bassists Ron Carter and Wilbur Bascomb, Jr., powerhouse drummer Alphonse Mouzon, guitarists David Spinozza and William Fontaine, and keyboardists Harry Whitaker and Paul Griffin. While the album's formula didn't deviate that much from her debut -- an easy, tasty balance of soul, pop, and jazz tunes -- the material, production, and Humphrey's confidence all stand out here. Check her reading of Bill Withers' "Lonely Town, Lonely Street," as she stretches the melody to meet Bascomb's and Spinozza's funky grooves. While strings swoop and hover, threatening to overtake the mix, her plaintive style goes right at them with meaty, in-the-pocket phrasing. Her version of Whitfield and Strong's "Smiling Faces Sometimes" is well-known in pop culture for the sample that appeared on Common's "Puppy Chow," but taking the tune in full, Humphrey's gift as a soloist is revealed in full, as she winds around and through funky clavinets, Rhodes, strings, guitars, and Mouzon's popping snare. The reading of Stevie Wonder's "I Love Every Little Thing About You," with its bubbling basslines and Humphrey's understatement of the melody, make this a bright, shining jazz-funk number. "El Mundo de Maravillas (A World of Beauty)," is one of two fine Mouzon compositions to appear here, this one commences with a cello in a spacy, soulful ballad that showcases Humphrey's classical chops before it moves into funk terrain and then back again. The set closer is a souled-out reading of Kenny Barron's "Nubian Lady," with chunky guitars, Bascomb's Fender bass, shuffling drums, and Humphrey adding air and space to the knotty groove. While Dig This is not the revelation that Blacks and Blues is (it appeared two years later), it is nonetheless a stone killer example of jazz-funk in its prime, and should be considered an essential part of the canon.
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Product Details

  • Release Date: 12/4/2012
  • Label: Real Gone Music
  • UPC: 848064001102
  • Catalog Number: 400110
  • Sales rank: 67,802

Album Credits

Performance Credits
Bobbi Humphrey Primary Artist, Flute
Ron Carter Bass
Alphonse Mouzon Drums, Bell-tree
Seymour Barab Cello
Seymour Berman Viola
Gene Bianco Harp
Paul Gershman Violin
Paul Griffin Piano, Clavinet, fender rhodes
George Marge English Horn, Oboe
Irving Spice Violin
Harry Whitaker Piano, Clavinet, fender rhodes
William Fontaine Guitar
Wilbur Bascomb Jr. Fender Jazz Bass
Paul Winter Violin
Warren Smith Percussion
Julian Barber Viola
David Spinoza Guitar
Technical Credits
Bill Withers Composer
Alphonse Mouzon Arranger, Composer
Barrett Strong Composer
Wade Marcus Arranger
Don Hahn Engineer
Horace Ott Arranger
Norman Whitfield Composer
Stevie Wonder Composer
Gordon Anderson Reissue Producer
Pat Thomas Liner Notes
Maria Triana Remastering
George Butler Producer
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