Digging: The Afro-American Soul of American Classical Music

Digging: The Afro-American Soul of American Classical Music

by Amiri Baraka
     
 

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For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music-the first such collection in nearly twenty years-Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's

Overview

For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music-the first such collection in nearly twenty years-Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered.

Editorial Reviews

Library Journal

Poet, playwright, and music critic Baraka (Blues People: Negro Music in White America) delivers another critical work on America's classical music, jazz, in his almost lyrical style of writing. Through previously published essays, reviews, and liner notes, he explores the cultural development of jazz music with respect to African American artists, the minstrel treatment of African American music, and the charged environment of its creation. His encounters with music greats, such as Nina Simone, and actor Bill Cosby pave a road of exploration to how some artists were affected by this treatment. Charged interpretations of how the music evolves into other forms are packaged with artist biographies and trees illustrating how these artists influenced others. Coltrane and Monk are among those discussed, and even Springsteen is found on the fringes of Baraka's commentary. Music lovers as well as anyone interested in African American culture will dig this book; academic libraries will find it suitable for history, music, and sociology programs.
—Brian Sherman

African American Review
“A major contribution to both African American literature and American music criticism.”
Beat Scene Magazine - Colin Cooper
“Meditations on black music, primarily jazz, that American classical music, that will satisfy anyone who desires intelligent thought on the genre.”
The Oregonian - Richard Meltzer
“As lively and compelling as his strongest work of the past.”
Magill's Literary Annual / Salem Press
“There is much to recommend in this excellent volume of essays.”
Cadence Magazine (2)
“Digging will prove an important book. . . . Enjoy the liveliness of Baraka’s writing.”
Goldmine Magazine
“Offers up history, musical analyses and a political commentary as they relate to African-American music and culture.”

Product Details

ISBN-13:
9780520265820
Publisher:
University of California Press
Publication date:
04/20/2010
Series:
Music of the African Diaspora Series
Edition description:
New Edition
Pages:
426
Product dimensions:
5.70(w) x 8.60(h) x 1.10(d)

What People are saying about this

From the Publisher
"A major contribution to both African American literature and American music criticism."—African American Review

"Meditations on black music, primarily jazz, that American classical music, that will satisfy anyone who desires intelligent thought on the genre."—Beat Scene Magazine

"As lively and compelling as his strongest work of the past."—The Oregonian

"There is much to recommend in this excellent volume of essays."—Magill's Literary Annual / Salem Press

"Offers up history, musical analyses and a political commentary as they relate to African-American music and culture."—Goldmine Magazine

Meet the Author

Amiri Baraka (formerly LeRoi Jones) is a writer and critic, the poet laureate of New Jersey, and Professor Emeritus of the State University of New York, Stony Brook. His many books include Blues People, Black Music, and The Music.

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