Digital Mantras: The Languages of Abstract and Virtual Worlds

Overview

Computer technology is making possible new worlds of expression that are already being explored by a growing subculture of artists, musicians, virtual reality enthusiasts, and cyberpunks. In Digital Mantras, Steven Holtzman synthesizes ideas from a number of different disciplines to arrive at a new philosophy of creativity for the digital age.Blending ideas from music, computing, art, and philosophy, with biographical and historical anecdotes and a thread of mysticism, Holtzman gives us new ways to think about ...

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Overview

Computer technology is making possible new worlds of expression that are already being explored by a growing subculture of artists, musicians, virtual reality enthusiasts, and cyberpunks. In Digital Mantras, Steven Holtzman synthesizes ideas from a number of different disciplines to arrive at a new philosophy of creativity for the digital age.Blending ideas from music, computing, art, and philosophy, with biographical and historical anecdotes and a thread of mysticism, Holtzman gives us new ways to think about the integration of computers into the creative process. He shows how computers will change the way we create, and reveals the exciting potential for entirely new forms of expression. Running throughout the book are episodes from Holtzman's own sometimes mystical journey in search of the personal aesthetic he presents.Holtzman explores the presence and use of structure in fields as diverse as the development of ancient human languages,
the philosophy of the Buddhist monk Nagarjuna and the linguist Ferdinand de Saussure, the music of
Arnold Schoenberg and Anton Webern, the paintings of Wassily Kandinsky, and the pioneering grammars of Panini and Noam Chomsky. He then turns to the use of computers for building abstract and virtual worlds in language, music, and art as well as virtual reality, and surveys the work of AI pioneer
Terry Winograd, composers Gottfried Michael Koenig and Iannis Xenakis, and artist Harold Cohen.
Holtzman concludes by discussing the aesthetic implications of these new worlds. He introduces the concept of digital expression, along with examples that hint at its far-reaching possibilities.

The MIT Press

Blending ideas from music, computing, art, and philosophy, with biographical and historical anecdotes and a thread of mysticism, Steven R. Holtzman gives us a new way to think about the integration of computers into the creative process. He shows how computers will change the way we create, and reveals the exciting potential for entirely new forms of expression.

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Editorial Reviews

Library Journal
Holtzman, who holds a doctorate in computer science, provides a highly stimulating discussion of the integration of music, art, and language with recent trends in computer technology. He traces the evolution of formal abstract structures as they exist in the music of Schoenberg and Boulez, the art of Kandinsky, and the language grammars of Chomsky. Since computers have the capability to manipulate structures, the author contends that we have reached new frontiers of unexplored artistic creativity; he foresees new worlds of creative expression-that is, ``virtual worlds.'' This text wisely addresses the issues of dissonance in electronic music and human emotion and understanding in the creative process. Holtzman's journey into ``virtual reality,'' sprinkled with a touch of Indian mysticism, is a totally intelligible, enjoyable venture. Recommended.-Joan Levin, MLS, Chicago
Booknews
Contends that the computer will influence the patterns of creativity more profoundly than imagined, not only manipulating existing themes but contributing their own. Traces the evolution of structure in language, Western music, and abstract painting, and shows how computers are the obvious and next step for it all. A companion music compact disc is also available. Annotation c. Book News, Inc., Portland, OR booknews.com
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Product Details

  • ISBN-13: 9780262581431
  • Publisher: MIT Press
  • Publication date: 8/4/1995
  • Edition description: Reprint
  • Pages: 333
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.90 (d)

Table of Contents

Preface
Prelude: Jispa 1
I Structures 3
1 Panini 5
2 The Circle of Fifths 15
3 Nagarjuna 35
4 The Second Viennese School 53
5 Kandinsky 69
6 Postwar Serialism 85
7 Chomsky 97
8 Coda 113
Interlude: Pokara 117
II Structure Manipulators 121
9 Calculus Ratiocinator 123
10 "Natural Language" 141
11 Composing Machines 159
12 The Visual World 171
13 The Virtual World 193
14 Reflections 213
Interlude: A Gompa 223
III Vibration 225
15 GGDL 227
16 A Digital Aesthetic 235
17 Dissonance 253
18 Deep Structure 261
19 Vibration 279
Postlude: Bara Lacha La 295
Notes 299
Bibliography 311
Index 317
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