Dinosaurs on the Roof

( 2 )


Now in paperback, acclaimed author and playwright David rabe’s stunningly observed novel about two very different women brought together by the unlikeliest of circumstances.

• Literary celebrity: Hailed as one of America’s greatest living playwrights, David rabe has attracted tremendous attention for more than thirty-five years for his plays, including Hurlyburly, Goose and Tomtom, and In the Boom Boom Room, which have been award-winning mainstays of New York theater for years; his previous novel Recital of the ...

See more details below
Paperback (Reprint)
BN.com price
(Save 10%)$16.00 List Price
Other sellers (Paperback)
  • All (41) from $1.99   
  • New (18) from $1.99   
  • Used (23) from $1.99   
Dinosaurs on the Roof: A Novel

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
BN.com price


Now in paperback, acclaimed author and playwright David rabe’s stunningly observed novel about two very different women brought together by the unlikeliest of circumstances.

• Literary celebrity: Hailed as one of America’s greatest living playwrights, David rabe has attracted tremendous attention for more than thirty-five years for his plays, including Hurlyburly, Goose and Tomtom, and In the Boom Boom Room, which have been award-winning mainstays of New York theater for years; his previous novel Recital of the Dog, and a short story collection, A Primitive Heart, have received exceptional reviews.

• A transcendent novel with huge appeal: Set during the course of a single day in the small town of Belger, Iowa, Dinosaurs on the Roof follows the stories of Bernice Doorley and Janet Cawley. Janet is recently divorced and attempting to find peace and quiet, and perhaps even a solitary place to fall apart. Her plan is interrupted by Bernice, an old friend of Janet’s late mother Isabel. An elderly widow, Bernice explains that, according to her preacher, she and a few others from Belger will be delivered to the rapture that very evening, and she’s hoping Janet will alleviate her most pressing concern by promising to take care of her animals after she’s gone. Beautifully rendered, Dinosaurs on the Roof is an extraordinary novel that explores the questions of faith and survival with unforgettable humor and remarkable humanity.

Read More Show Less

Editorial Reviews

From the Publisher
"Rabe has crafted an intricate world that's astounding in its emotional truth. Without a single false note he delivers a performance that is at once deeply poignant and downright funny but always utterly, magnificently human. There is electricity in these pages. It's a roman candle of a novel, pure delight." — Augusten Burroughs, author of Running with Scissors and Dry: A Memoir

"Dinosaurs on the Roof chronicles, in richest detail...the lives of these two unlikely companions...and complete a kind of soul swap in the process. One of America's most celebrated contemporary playwrights, Rabe tells Janet and Bernice's story in alternating chapters that amalgamate into an intricate — nearly obsessive — composite of memory and metaphor. Darkly comic, painstakingly observed, Dinosaurs on the Roof raises all the right questions about life, sex, death, faith, and survival in an increasingly unforgiving world." — Pam Houston, O Magazine

Charles Taylor
It's with Bernice that Rabe distinguishes himself. This elderly woman, missing her husband, realizing that the pains and frailties she's feeling are only going to get worse, happy with the love of her cats and dogs, could so easily be a figure of ridicule, a target of sneering superiority. I don't think it’s just home-state fondness (Rabe grew up in Dubuque) that makes him treat Bernice so tenderly. The finest parts of the book are spent with Bernice, feeding her pets, making her own breakfast. The section in which Bernice watches how and where the cats and dogs sleep at night has a becalmed enchantment and an understanding of the bond between humans and domestic animals that, I think, J. R. Ackerley would salute.
—The New York Times
Publishers Weekly

In his entertaining second novel, Obie Award-winning playwright Rabe (In the Boom Boom Room ) presents an overly eventful day-in-the-life of two women in smalltown Iowa. Elderly Bernice Doorley is convinced that in the company of Reverend Tauke and his followers, she will be on her way to heaven that evening, which, according to the reverend, is when the rapture is due to arrive. Bernice's main concern is who will take care of her beloved pets, particularly her old dog, General. On the outs with daughter Irma, Bernice turns to Janet Cawley, the eccentric daughter of her recently deceased friend, whose days revolve around jogging, drinking and sleeping with her married boyfriend. Bernice waits in her best outfit to be beamed up; Janet, meanwhile, has other adventures with a former student (she was a fourth-grade teacher). Serious topics like spirituality and mother-daughter relationships get an airing in this satire of American excess, but the proceedings end up increasingly contrived. (June)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

Playwright Rabe is known for tightly constructed, male-centered dramas like Streamers(1977) and Hurlyburly(1985); his new work is a novel rather than a play, and all of the main characters are women. Reverend Tauke has informed his congregation that the Rapture will take place the very next day, and Bernice Doorley will be among the chosen few to be transported to heaven. Janet Cawley, a divorced teacher with a taste for drink and drugs (and the closest thing in the novel to a typical Rabe character), will be left behind. Bernice asks Janet to feed her pets after she is gone. As Bernice decides what outfit to wear, Janet goes on a bender, argues with her ex-husband, and seduces a former student. Janet sours on life just as Bernice begins to miss it. The novel is set around the time of Princess Diana's death in 1997, which suggests that Rabe has been editing the manuscript for some time. Without the formal constraints of the theater, the story expands without limit, and at almost 500 pages, the novel feels aimless and bloated. Not a priority purchase. [See Prepub Alert, LJ2/15/08.]
—Edward B. St. John

The Barnes & Noble Review
One-third of the American population believes in the Rapture, or so we are told. This statistic is thought-provoking on the practical level as well as the theological one. How do such people go about their daily lives? With the firm conviction that they will soon be borne bodily to heaven, how much emotional energy will they commit to the earthly tasks that must necessarily seem trivial and transitory?

This is the kernel of David Rabe's Dinosaurs on the Roof. The author of dramas like Hurlyburly, Streamers, and The Basic Training of Pavlo Hummel, Rabe has long been one of our country's foremost playwrights and screenwriters but has written relatively little fiction: this is only his second novel, but its dark humor has much in common with his well-known plays.

Set in the author's native Iowa, the novel opens with an arresting scene. An old lady, Bernice Doorley, knocks on the door of her younger acquaintance Janet Cawley and asks her a favor: she expects to be whirled up in the Rapture that very evening, and hopes that Janet will agree to take care of her pets after she disappears. It appears from a short afterword that Rabe has appended to the novel that this is an actual anecdote he heard while visiting his home state, and needless to say it set his imagination clicking: the resulting character, Bernice, is a fine comic creation whose trains of thought during the course of the 24 hours covered by the book's action, meticulously recorded by the author, highlight all the moral and physical inconsistencies of Rapture belief.

First of all, there is Bernice's undeniable corporeality, dwelt upon in sometimes gross detail. How will the magical takeoff actually be worked, she wonders? "Try as she might, she could not sidestep the notion of the whole bunch of them airborne and arriving somewhere the way people traveling anywhere did, famished and in need of a bathroom, because they were supposed to have their bodies, weren't they?" Her pastor, the glamorous Reverend Tauke, has assured everyone that when the time comes it will be all right, but Bernice can't help worrying about such things. "It was hard to know how her body would fare after all the hoopla and show coming up. But the likelihood was it would be gone, or changed so much from what it had been, it might as well be gone. Probably not a lot of peeing in heaven, even with all the bodies raised up. But bodies, still. Could there be all this plumbing and flushing in that big high place?" Likewise, she broods about her wardrobe for the big event. The baby-blue pantsuit is the most comfortable thing she owns, but will it look respectful enough? Will she need to wear her orthopedic shoes?

We laugh; but little by little we realize that this is not so much a comedy as a serious novel, dealing with issues of responsibility, forgiveness, and the unspeakable cruelty we all inflict, one way or another, on the people we love. Bernice has chosen Janet as a pet-sitter because the younger woman is the daughter of her late friend Isabel. Janet, recently divorced, is going through a species of nervous breakdown. Her treatment at her mother's hands is responsible for many of her emotional problems; Bernice knows this, but has succeeded in suppressing the knowledge and blaming Janet for everything. And then there is the little matter of the way Bernice has treated her own daughter, Irma, which doesn't bear too much thinking about.

The 24 hours covered by the novel see both Bernice's and Janet's troubled lives come to a crisis, as Janet toys with the idea of suicide and Bernice tries to suppress the unwelcome notion that "there wouldn't be a lot different about this night if she was waiting to die instead of waiting for what she was waiting for." As Samuel Johnson famously remarked, the prospect of imminent death concentrates the mind wonderfully, and visions of the impending Rapture become increasingly irrelevant, not to say selfish, as Bernice begins to understand the scope of her neglected earthly responsibilities -- to Irma, to Janet, and not least to her aged, helpless dogs. It will not be giving too much away to reveal that in the end Bernice does see Jesus; but the message he imparts to her has nothing to do with the Reverend Tauke's fevered fantasies.

Though he is a longtime resident of the East Coast, Rabe has slipped back into the speech patterns of his native Midwest with panache. He understands the disturbing fact that the language a person has at her disposal molds her thought patterns and her vision of the world: Bernice speaks and thinks in clichés, which badly impede her attempts to make moral distinctions. (For example: "Bernice felt like she'd been holding her tongue for years. She wanted to wipe the slate clean. Maybe it was late in the game, but she could still bring out a fresh deck.")

As the above citations indicate, Rabe has done a superior job of giving life to Bernice. He has been somewhat less successful with Janet: her plight and pain are evident, but not her personality, and her voice is not especially individual. Rabe excels at dialogue -- unsurprisingly, for a playwright -- though he can't resist showing off occasionally. His prose, on the other hand, is uncertain, with a tendency to clotting and crowding; the book is overwritten and repetitive, giving away the author's lack of experience in the genre. Whatever its faults, though, Dinosaurs on the Roof is an intelligent piece of work, with a plot that functions as an apt focus for the theme of redemption -- of both the spiritual and worldly varieties. --Brooke Allen

Brooke Allen is the author of Twentieth-Century Attitudes; Artistic License; and Moral Minority. She is a contributor to The New York Times Book Review, The New Criterion, The New Leader, The Hudson Review, and The Nation, among others. She was named a finalist for the 2007 Nona Balakian Citation for Excellence in Reviewing from the National Book Critics Circle.

Read More Show Less

Product Details

  • ISBN-13: 9781416564065
  • Publisher: Simon & Schuster
  • Publication date: 8/11/2009
  • Edition description: Reprint
  • Pages: 496
  • Product dimensions: 5.90 (w) x 8.90 (h) x 1.20 (d)

Meet the Author

David Rabe is a novelist and playwright. His books include the novel Recital of the Dog and a collection of short stories, A Primitive Heart. He lives with his wife and three children in Connecticut.

Read More Show Less

Read an Excerpt


As Janet crested the hill, her breath was smooth, her stride easy. Sweat streaked her brow, beading and falling. There was an unfamiliar car parked at the curb near where she lived, but she wasn't expecting anyone, and her landlords, the Luckritzes, always had relatives and friends coming and going.

Since she'd increased her distance from three to four miles today, exhaustion might have dragged at her, but the striving had turned into a gleam in her blood that pushed her to sail on. The swish of her ponytail threaded out the back of her baseball cap brushed her shoulders. Her long legs stretched and coiled, promising a future of runs, always longer, always farther. Even races. Miles of concrete flowing under her. Miles of dirt. Marathons, even. Throngs of runners in silky shorts, their lungs gasping. She would float along in a cloud of wild breathing.

A shift in the late-afternoon light turned the ragged old four-door into a shimmering green bubble. She was pretty sure it was a Chevy, and eighties. Not that she knew cars that well. And then nudging away ringlets of sweaty hair, she saw gray duct tape crisscrossing rusted scars on both the front and rear fenders and knew who was inside. Her gaze vaulted the brown siding and the shingled rooftop ahead to a fissure in the autumn colors of the tree-packed hills. Scattered houses rode the summit, and somewhere miles below, the banks of the Mississippi brought the town to an end. Across that gray slab of water rose the Wisconsin hills.

Her attempt to see into the car met only shadows thrown by a nearby oak. While telling herself to jog past, maybe gallop on into the woods, she slowed and then stalled. The window started jerking down in spasms, and the face that pushed out was that of Bernice Doorley, a lifelong friend of Janet's mother, Isabel. Caught upon the hook of the old woman's gaze, Janet felt the rewards of the run leave her. The last time she'd seen Bernice was at her mother's funeral over a year ago.

"How do," said Bernice.

"Straying a little far from home, aren't you?" Janet asked.

"Not so far. Speedometer says here I went just a little more than six miles."

"I ran about that far."

"Did you now? Look at you. All out of breath. Who you runnin' from?"

"Just running, Bernice."

"What's that called again?"

"Just 'running,' as far as I know."

"No, no, it's got some other name so it don't sound ordinary, but somehow there's more to it."




"That's the one." With a sly little smile, she pushed the door open. "Get in. Have a little rest."

Janet looked away and then back but gave no indication she would enter the car. "What brings you to my neck of the woods?"

"Lookin' for you. Isn't that clear?"

"Not really."

"Get in. I need to ask a sort of favor, and I can make it snappy."

Janet smiled but took a backward step, as if something she would be smart to avoid waited inside the car. "Listen, do you know what? We can talk, but I should take a shower. You can come up." Her attempted display of welcome made her feel like a puppet with fingers worming their way up inside her to make her act in ways she didn't mean. Why can't they just leave me alone? she thought. Bernice appeared ready to scowl, her eyes vaguely suspicious, behind the thick lenses of her glasses in clear plastic frames. "Listen," Janet explained. "What I meant was we should go inside. I need to get something to drink and jump in the shower before I catch cold."

"You want me to come inside?"

"Yeah." That was her deal, all right. Polite, compliant, and fake. A cozy little chat with Bernice was the last thing she wanted.

"Oh well, you should say what you mean, then, Janet."

"I thought I did."

"Not as far as I could tell."

Emerging into the day, Bernice made a sturdy impression, always had. Medium height and slightly overweight, she was broad across the back and hips. Her white hair was tightly curled from a recent permanent, and a white knit scarf cradled her neck. She'd even gone to the trouble of pink lipstick, eyeliner, and rouge for reasons Janet doubted had to do with her visit here. Her pleated sage green skirt and flannel jacket, hip-length and gray, seemed to have come straight from the cleaners. All dolled up for something, Bernice still looked built for lugging heavy objects, a workhorse through and through. They'd made an odd pair, her mother and Bernice. Isabel Cawley had been long-limbed and delicate, maybe even rarefied as the years went on, though there was nothing fragile about either one of them when the time came to drive a remark clear to the bone.

Bernice smiled just then, and Janet turned and looked off. The west appeared to have exploded, the aftermath radiant.

"You sure are a tall drink of water," said Bernice behind her, making it sound like a fault.

"I guess." She set off, chuckling, as if being teased were her favorite thing. It was true, though. She was like her mother, both of them angular and alluring, not model-thin, but a length boys hungered to contend with, her auburn hair a flash of genetic fire streaking away from her blond mother to her runaway father.

She led the way, circling the garage, above which her apartment extended off the house, to where she had hidden a key under a brick near the base of the stairs. As soon as Bernice rounded the corner, Janet waved and went up and let herself in. Chugging Gatorade from the fridge, she set about filling the kettle with water to boil. She was dumping Oreo cookies on a plate when Bernice strode in, set her big beige handbag on the kitchen table, and stood considering what she could see of Janet's apartment. The more or less rectangular space was divided into a kitchen and living room by copper linoleum squares in one area and reddish-brown wall-to-wall carpeting in the other.

"Help yourself," Janet told her, placing the cookies on the table. "Make yourself at home."

"You could give me a glass of milk."

"Why not?" Along with cups, saucers, and Lipton tea, she got out a half-gallon of milk, a tall glass, and then a banana for herself. "I'll be quick as I can." She left Bernice sipping, savoring, and shuffling toward the kitchen window, where the parted curtains would present the terraced hillside packed with neighboring homes.

A narrow hallway led to her bedroom, and by the time she arrived, her resentment at Bernice's intrusion had become complicated by a reactionary guilt. She stripped, gnawing the banana. The shower in the adjoining bathroom filled with steam, and the water rattled on the tile, the wall, while a nagging voice yammered on about her self-centeredness — that was a good one — her standoffish temperament. It was the basic accusatory theme. Swallowing the last of the banana, she flipped the skin into the sink and shut the door. A cold heart. People liked to say she was too smart for her own good. Didn't know when to be satisfied.

Her skin reddened in blotches as the explanation for Bernice waiting in her kitchen came clear, and she understood that, counter to her first mistaken assumption, the reason Bernice was dressed to kill had everything to do with her visit. It was because she meant business and intended to be taken seriously once she got around to the subject of Janet's divorce — the way her life was a complete mess. You couldn't divorce your mother, and you couldn't divorce your father, though they could divorce each other. But you were stuck. Not that she hadn't tried, at least with her father, and with Belger, the town in which she lived. With this very moment.

Swabbing a patch of mirror out of the fog, she saw irritation in her reflected face. She knew that Bernice couldn't help but adopt the role of surrogate mom doing the good work of the dead. Most everybody thought Janet had gone off the deep end when, not long after her mother's funeral, she quit her job as an elementary-school teacher and took up the life she was now living. Which was, to the minds of many, no life. She had no job. She jogged long distances alone. Sometimes she wandered in the woods. Or maybe she drank herself into a nice high or, maybe, better yet, a nice stupor. There were periods when she read long classic novels like Middlemarch, Bleak House, or The House of Mirth, and then, somewhat mysteriously, these interests collapsed into stretches governed by tabloids, catalogs, fashion magazines, rented movies, and endless TV.

At first it had been difficult to keep people at bay, but as her solitary ambition bloomed, she saw how deeply she desired it. The friends of her childhood had turned out to be very few and not all that lasting after she went off to college. As for the relationships she'd begun while living the life of a schoolteacher, they were with busy women who had busy husbands and kids and jobs and little free time. In the beginning they all called, and she took time to explain, aware almost from the start of the way she was plotting to outmaneuver their concern. She knew how to work with their need to see themselves as good friends, while steering them back to their real interests, which were their kids, their husbands, and themselves. When the mood was right, she'd warn them to remain attentive to "the things that mattered," so they wouldn't end up divorced, like her. Last, she would mix in a few ploys about how she really needed to do what she was doing, telling them how much she was learning, and "no, she wasn't depressed," and she "missed them, too," feeling all the while like she was tightening rubber bands around her fingers, the tissue discoloring. At a certain point, sick of finding her answering machine full of messages, she pulled the plug, and the result, as the blinking red light went out, was a moment of breathtaking peace. The next day the trash collectors carried it off. If people wanted her, they could phone when she was home, and if they didn't get her, they could keep trying, or they could, as she hoped, give up.

Most did exactly that, but one or two persisted, unable to imagine how she could survive without their affection. After indulging them as long as she could stand it, she would provoke a fight. It was a tactic of last resort and usually found its opportunity around the subject of men. There were rumors about her and married men, or at least a certain married man. But she acknowledged nothing, coolly keeping gossip at bay and her frustrated friends guessing, just as she kept the lid screwed tight on certain of her other habits, such as how she dealt with stress and tedium and annoyance — how, when everything got too demanding and she really needed a time-out, she headed down to Kaiser Street. Once there, she knew how to appear lost and purposeful in just the right mix to invite one of the Crips or Bloods to approach. Working their best urban hiss, they pitched their wares, offering just about everything — crack, heroin, speed — in a half-baked code that she would politely entertain, though all she ever wanted was 'ludes and grass. Mostly, though, she kept it simple and went straight to her regular guy, Big Baby Dog. He teased her about her outmoded habits and bragged he was the only dopeman worth her time, because the rest of them were second-rate "gangsta" farmed out from Omaha or Wichita, all rejects from somewhere — Chicago, Des Moines. She figured that what he said of them was probably true of him, too — that they'd all been involved in some kind of screwup that caused them to be judged in need of training and sent to learn their trade in less competitive Belger.

Returning from her bedroom in a T-shirt and jeans, her hair wrapped in a towel and her feet bare, she found Bernice relaxing in the armchair near the apartment's largest window, which, with its teal panel curtains scooped wide, opened onto woods and sky out back. Her jacket was unbuttoned, the scarf loose. She held the empty plate on her lap. "Oreos," she sighed between chews. "Your momma loved Oreos."

"You're right about that." Janet was making sure the tags of the tea bags dangled neatly out of the mugs before adding the boiling water.

"What are you so mad about, Janet? You got a chip on your shoulder big as a house."

"Is that what you came by to talk about?"


Janet detoured for more cookies, all the while collecting her resources to tell Bernice to mind her own business. She had no idea why she was living the life she was living, and she didn't care why, because it was what she wanted, and she was going to do it until she no longer felt like doing it, and if it was weird, well, fine; and if it bothered people, well, fine. With money she'd saved from work, plus her divorce settlement and the unwanted assistance of her mother's life insurance, along with other funds Isabel had squirreled away, Janet could last at least six more months. She knew how to live even more cheaply if she had to, and if she went through every dime, it was her own fucking business. So they could all just butt out, and Bernice, as their representative, could take her platitudes and her chatty advice and stick them.

"Listen," Bernice said. "You like animals, don'tcha?"


"I always remember that about you. When you were a little girl, even. Your momma thought you was going to be a veterinarian."

Arranging the tea on the end table beside the armchair, Janet studied Bernice, trying to see where the hell this tack would take them.

"You remember that, right?" said Bernice. "Because I have three dogs and two cats, you know."

Janet retreated to the wall. The old woman had a sentimental suck to her. The lights might as well have been dimming on everything but her strangely enchanting eyes. "It's a real mess," she said.

Janet pushed her right foot down as if to somehow move off from this moment. "Are they sick or something?"

"No, no. The dogs? No, no, they're all fine. One of the cats is old, but she still takes no sass off any of 'em. Elmira was the first one I ever had of this batch. She's got her seniority. And there's one of the dogs is old, but he's a tough one. No, no, it's the Rapture, see. That's the trouble. You heard about the Rapture?" said Bernice.

Janet decided to try a little tea, unable to imagine what Bernice was up to. "This is what, Bernice?"

"C'mon, now, you're not gonna tell me you have your head so deep in the sand, you never heard of it. It's been in the papers — it's been on the TV. You have a TV, don't you?" She sounded annoyed, unable to see a television anywhere.

"It's in there," Janet said. "My TV." She gestured to a pine cabinet that stood against the far living room wall.

"In where?"

"The chair you're in swivels around. VHS, TV — it's all inside the cabinet."

"You got cable?"

"Yeah. Sure. Why?" Janet tightened her lips to hide how absurd the conversation was striking her.

"Look. This is no laughing matter. I feel like you're just about to break out laughing."

"I don't know why we're talking about my TV."

"We're not. It's just odd you got it locked up."

"I don't like to look at it unless I'm going to watch something."

"Fine. Good. It's your business where you keep the fool thing."

Janet struggled to hold a serious expression, while Bernice raised her hand in a vague way. Lifting her glasses to rub the bridge of her nose seemed an afterthought. "I'm talking about the Rapture, okay. This is a matter of Jesus and a bunch of special angels coming to haul some people off body and soul, all the folks who been saved. And this one load is coming out of Belger, and I am one of them going to be taken up."

Janet took a prolonged sip of tea. "Really."

"It was in the papers. It was on the TV."

"It was in the papers that you were going to be taken up?" If Bernice was nuts, the answer to this question might give Janet a way to gauge how nuts.

"No, no. That wasn'tin the papers. That couldn't be in the papers, Janet. You mean like did it say, 'Bernice Doorley is being taken up'? No. It was in the papers that the Rapture is coming, and coming soon. That's what was in the papers. It's worldwide. We aren't the only ones. I'm talking about our group over at the Church of the Angels. We're not the only ones. And it's all Bible-based. This isn't one of those cults, if that's what you're thinking."

"No, no."

"What are you thinking? Not that it matters."

"Well, it matters to me, Bernice."

"That's what most people get around to saying when push comes to shove. They just get their drawers all knotted up about these cults. At least around here. But there are books you can read if you want to, at least about the idea of it. Not about how Belger fits in, but the overall notion. You know what I'm remembering about you? The way you always did have a way of diggin' in your heels. Over nothin' sometimes. Just plain stubborn."

"And I'm too smart for my own good, right? Don't know when to be satisfied."

"There's some that say that, sure."

"Well, that's not how it ever looked to me, let me tell you."

"Some of us tried to advise your momma. Just pull down your little pants and tan your hide every now and then. Take you down a peg."

"You know, I think she took that advice."

"There's worse things."

"Actually, I did read an article about that Rapture business, Bernice. This was in the Des Moines paper. And I think there was a cover story in Time or Newsweek, if I remember right."

"I don't know."

"But I didn't read any of it too carefully, because at the time I didn't know it pertained to Belger."

"Well, it pertains to some of us, anyway, and it's coming tonight."


"I'm afraid so. Which is why I'm here, as you can imagine."

"Tonight? Are you sure?"

"Of course I'm sure. That's the whole thing, because it's pretty well set I'm one of them. I'm going to be one of them saved. So you see, I'm worried about my animals."

"Is something going to happen to them?"

"Well, for Pete's sake, Janet, just use your brain for a second. I'm not certain exactly how it's going to work, but once I am taken up, they're going to be there in that house all alone."

When Janet smiled in spite of trying not to, Bernice looked disgusted by her own inability to rouse the necessary alarm. "Think for a second, will you? Who's gonna feed them? Can you answer me that? I mean, I'm just going to be sucked right up, and I'll just be gone, the Lord Jesus looking for the saved ones and dragging us right out of our living rooms, our cars. Airplanes. Buses. Some won't even know it's coming, and off they'll go. Just gone. Their seats empty. If it happened now, you would just be sittin' there, leanin' against that wallpaper with that cup of tea up to your mouth, havin' this conversation with an empty chair."

The notion of Bernice vanishing had a certain appeal. "Can I ask you something, Bernice?"

"No. Not just this second." She stood up, turned in a circle, and wiggled out of her jacket. Agitation joined with a series of charged impulses had her more confused than excited, and her ruddy, wrinkled hands smoothed the pleats on her cream-colored blouse again and again. "What about the dogs? What about the cats? Do you see? Or maybe you don't. Maybe you have no idea. It's all going to grind to a halt. I mean, the world. The whole shebang. Not tonight — I'm not saying tonight or tomorrow, even — but sometime after. And not too long, either. The timetable is a mystery, so nobody knows when, exactly. But I don't want them to go hungry in the meantime. So I'm wondering if you might feed them for me. That's what I'm wondering. If you would make sure they don't starve. Could you do that for me?"

"What about Irma? Couldn't Irma take care of all this for you?"

"Irma moved to Wisconsin. Maybe you didn't know that. All the way to Sayersville."

Bernice couldn't stop fussing with her blouse, which was chiffon, Janet noted, and closed above her breasts not by buttons but by a circular brooch. Realizing that Bernice was all dressed up this way because of what she was talking about, the Rapture, Janet took a fresh look at the newly applied clear nail polish, flawless stockings, neatly tied shoes. Bernice had even used powder to fade age spots on her cheeks and forehead. She was all set for her trip, but she seemed to have confused heaven with a night out on the town. "Sayersville's not that far," Janet said. "Just give Irma a call and — "

"Look. There's no way I can talk to her about this kind of thing. I just can't. Or anything else, for that matter. She would give me an earful. I can just hear her calling it a buncha bunk and making fun of her crazy old mother. I don't need that just now. She doesn't have a religious bone in her body. What I need is to rest assured someone will see to the animals. You know, feed 'em, walk 'em. If I just put food out, don't you know it'll all go bad in a day or so, and they won't eat it, especially Elmira, because she's such a finicky eater. Anyway, it'll all just rot and make them sick. Or they'll run out of water. And General — he's an old dog — on his last legs, you know. Why should he suffer? You see the problem."

Even with its bizarre premise, the exchange was beginning to bore Janet. "Sure," she said. She wanted an Oreo, and picking up one of the last two, she held back the impulse to say that as far as she was concerned, Bernice had more than one screw loose. "I'm just thinking this is pretty last-minute," she said and smiled.

"Why do you think I'm so stressed out? I was racking my brain — just racking it — when I remembered your mom always talkin' about how you loved animals. Talked to them. Some big collie, I remember. She even took me once to watch you and we sat in my car watching you talk to that collie. That was a sweet sight. Believe you me, I would rest a lot easier." Removing one of her earrings, she tended her earlobe where the clasp had left an imprint. "Will you?"

"I want to tell you, Bernice, I don't think it's really going to happen."

"I don't blame you for taking that attitude, I really don't, but — "

"I would just be patronizing you."

"That'll do just fine. Because I'm sure I would be thinking along those same lines if I was in your shoes. And if it doesn't happen, then you won't have to do it. But if it does, what I'm asking is simple enough, don't you think?"

A wave crawled over Janet, the sensation of unwelcome influence, as if a hypnotist were casting spells to make her let this old woman have her way. When she shook her head, the negation was mainly of certain incomprehensible aspects of her inner life, and she said, "Sure."

"That's good of you, but I knew your momma raised you right. We were friends from the second grade on, you know." Bernice was nodding, her expression reverent. "We were soul mates, you know."


"Yes, we were. We often said it. But you probably don't see that as something likely, either."

"I'm not so sure I want to rule it out completely."

"Well, that's hopeful."

Some people had soul mates — they had troops of interested angels. Janet had a hypnotist devoted to making certain she obeyed other people's commands, took on their chores. "That's how I feel," she said.

"About what?"

Startled that she'd spoken, she knew better than to continue. "Nothing."

"Spit it out if it's important."


"Okay, then. Because I guess what I'd like us to do, if you're not busy right now — Do you have something to do?"

The desire in Bernice's eyes was like water rising over Janet's head. Looking for a way out, she could only wish for something she could claim as an excuse for her grudging surrender as she said, "Not a thing."

"Because what would suit me would be if you could follow me over to my house so I could show you everything, such as where the food is kept and the can opener. They all have separate bowls, okay? You could meet them, and I could give you a key to my place. That way I could just put this whole thing out of my mind. Because the way it's been going, it won't give me a second's peace."

"Okay. Sure." As she bent to the task of her socks and shoes, she sensed a change in Bernice. She found the old woman fixed on something out the window, where the sunset was a fiery bruise above trees erupting from the hilltop that formed the edge of the horizon.

"Look at that," Bernice said.


"God's face." Her tone was as saccharine and melodramatic as her gaze. "I see Him everywhere lately."

Janet studied the mixture of elm and fir trees, a pair of the tallest protruding like the prongs of a plug. "Above those two sticking out up there," she said, pointing. "Is that where you're looking?" "

He's there, Janet. Now just tie your shoes and let's go."

"Okay." She tugged the laces tight, a sputtering resentment squeezed out by the hateful willingness she felt to placate this old woman.

"I know I should have come by sooner, so we could have had more time to get everything right."

"Sure." With her eyes necessarily downcast, it seemed safe to ask, "What do you think Mom would say about all this?" She straightened impulsively, surprised that she wanted to see Bernice answer.

Bernice raised her eyebrows like she might crack a joke, but then her mood proved more sad than amused. She seemed to labor to remember Isabel accurately. "That's a tough one."

"It just occurred to me."

"I don't know. I've wondered that, but I can't say. Not for sure. One day I think one way, and on the next I got a whole different opinion. But it's all guesswork. That's the thing to keep in mind. I never had a chance to ask Isabel, because I didn't go to this particular church when she was still with us. But then I started, and now I been learning this and that, and all of a sudden this is what's happening. But I figure I'll be seeing Isabel soon." She picked up and fluffed her jacket, and with her purse under her arm, she was clearly itching to be on her way. Copyright © 2008 by David Rabe

Read More Show Less

Table of Contents

One-third of the American population believes in the Rapture, or so we are told. This statistic is thought-provoking on the practical level as well as the theological one. How do such people go about their daily lives? With the firm conviction that they will soon be borne bodily to heaven, how much emotional energy will they commit to the earthly tasks that must necessarily seem trivial and transitory?
Read More Show Less

Customer Reviews

Average Rating 3
( 2 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted January 6, 2013



    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 13, 2010

    No text was provided for this review.

Sort by: Showing all of 2 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)