Dirt Music

( 7 )

Overview

Winner of The Miles Franklin Literary Award, The Christina Stead Award, WA Premier's Book of the Year, Book Data/ABA Book of the Year Award, Goodreading Award-Readers Choice Book of the Year
Set in the dramatic landscape of Western Australia, Dirt Music tells the story of Luther Fox, a broken man who makes his living as an illegal fisherman — a shamateur. Before everyone in his family was killed in a freak rollover, Fox grew melons and counted stars and loved playing his guitar....

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Dirt Music: A Novel

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Overview

Winner of The Miles Franklin Literary Award, The Christina Stead Award, WA Premier's Book of the Year, Book Data/ABA Book of the Year Award, Goodreading Award-Readers Choice Book of the Year
Set in the dramatic landscape of Western Australia, Dirt Music tells the story of Luther Fox, a broken man who makes his living as an illegal fisherman — a shamateur. Before everyone in his family was killed in a freak rollover, Fox grew melons and counted stars and loved playing his guitar. Now, his life has become a "project of forgetting." Not until he meets Georgie Jutland, the wife of White Point's most prosperous fisherman, does Fox begin to dream again and hear the dirt music — "anything you can play on a verandah or porch," he tells Georgie, "without electricity." Like the beat of a barren heart, nature is never silent. Ambitious and perfectly calibrated, Dirt Music resonates with suspense, emotion, and timeless truths.

Shortlisted for the 2002 Booker Prize.
Winner of Australia's Miles Franklin Literary Award.

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Editorial Reviews

From the Publisher
Dan Cryer Chicago Tribune [Dirt Music] is awe-inspiring....Tim Winton makes words into sounds into music into art. Against so persuasive a literary seduction, no resistance is possible.

Todd Pruzan The Washington Post Beautiful...compelling...Dirt Music's quiet intensity tightens as the story evolves from a domestic drama into an epic quest.

Karen Valby Entertainment Weekly [A]n intense read, raw and beautiful, studded with shards of rage.

Adam Woog The Seattle Times Dirt Music is an...astonishing blend of pell-mell sensation: unreasoning love, grief, the need to escape, desire, fulfillment.

Publishers Weekly
The stunning new narrative by Australian writer Winton (The Riders, nominated for the Booker), a tale of three characters' perilous journey into the Australian wilderness in efforts to escape and atone for their pasts, may just be his breakthrough American publication. At 40, Georgie Jutland, former nurse, inveterate risk-taker, incipient alcoholic and lifelong rebel against her prominent family, has moved in with widowed lobster fisherman Jim Buckridge, "the uncrowned prince" of the western seaside community of White Point. Although Georgie devotes herself to Jim's two young sons, their relationship is uneasy and somehow empty. When she's drawn to shamateur (fish poacher) Luther Fox, who breaks the law to keep his mind from tragic memories, the lives of all three begin to unravel. Lu, the lone survivor of a disreputable family of musicians who specialized in dirt music (country blues), is a memorable character, vulnerable and appealing despite his many flaws. When the White Point community resorts to violence against him, he heads into the tropic wilderness of Australia's northern coast, and the plot begins to challenge CBS's Survivor. With masterly economy and control, Winton unfurls a story of secrets, regrets and new beginnings. His prose, sprinkled with regional vernacular, combines cool dispassion and lyric concision. Geography and landscape are palpable elements: as the narrative progresses, the atmosphere shifts from the austere monotony of a seacoast battered by wind into spectacular gorge country, the bare desolation of the desert and the terrible heat of the tropics. But it's each character's inner landscape that Winton authoritatively traverses with his unerring map of the heart. 7-city author tour. (May 15) Copyright 2002 Cahners Business Information.
Library Journal
Luther Fox hides from the unspeakable tragedy in his past-abandoning his musical career-by selling fish he's caught without a license, living off the grid. Georgie Jutland's marriage to a remote fisherman isn't all that fulfilling either, so she finds solace in vodka. Sparks fly when the pair meet, but Luther's poaching upsets the locals, and he flees to a remote wilderness. Georgie and Luther never become resigned to life without each other. Not unlike an Australian Bridges of Madison County, Dirt Music offers several virtues: Winton's shimmering prose, deep characterizations, Suzi Dougherty's energetic reading, and exotic minor characters. The Australian idiom will enchant as many listeners as it baffles. On the other hand, long stretches go by when one wonders if the characters' parallel lives really amount to a novel. While the author may well deserve a wider American audience, this novel may not be the best introduction. Recommended with reservations.-John Hiett, Iowa City P.L. Copyright 2004 Reed Business Information.
Kirkus Reviews
Australian Winton's seventh novel, seven years in the making, is an exhilarating multilayered amalgam of withering satire and beguiling character creation-a more than worthy successor to his critically acclaimed Cloudstreet and The Riders. The setting is fictional White Point, a fishing village on the western coast of Australia where a recent lobster boom has created a number of raffish, hard-drinking nouveaux riches. One of the more respectable of them is widower Jim Buckridge, who lives in something very like splendor with his two teenaged sons and his 40-year-old mistress Georgie Jutland, a former nurse, and a fugitive of sorts, from her own wealthy (and troubled) family. Winton has a fine time skewering the "White Pointers'" pretensions, while patiently revealing the present and past influences that shape stoical Jim and restless Georgie-whose relationship is thrown into more confusing relief when Georgie plays Catherine to the Heathcliff of itinerant fish-poacher and failed band musician Luther Fox, who completes the trifecta of major characters. All three have suffered traumatic loss or violence, or both (in Luther's case, it's a comic-horrible history of family maimings and deaths that's positively Dickensian). All three make heroic and farcical efforts to shed the shackles of the past and reinvent themselves. Winton presents this uniquely textured fable of growth and change as a boisterous comedy, whose principals are surrounded by a garrulous Australian chorus of vivid supporting characters ("Beaver," the shady video-store owner with a newly purchased Vietnamese wife, may be the best of a marvelously scurvy lot). All this against a rich backdrop whose landscape andclimate are evoked with muscular imagistic precision (as a cyclone approaches, "Lightning bleaches the trees and a waterspout rises like an angry white root from the dirt-coloured sea"). A terrific novel. Winton's best yet.
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Product Details

  • ISBN-13: 9780743228480
  • Publisher: Scribner
  • Publication date: 4/22/2003
  • Edition description: Reprint
  • Pages: 416
  • Sales rank: 284,400
  • Product dimensions: 5.25 (w) x 8.00 (h) x 1.00 (d)

Meet the Author

Tim Winton grew up on the coast of Western Australia, where he continues to live. He is the author of eighteen books. His epic novel Cloudstreet was adapted for the theater and has been performed around the world. His two most recent novels, Dirt Music and The Riders, were both shortlisted for the Man Booker Prize. He has won the prestigious Miles Franklin Award three times, and in 1998 the Australian National Trust declared Winton a national living treasure. The Turning has already won the 2005 Christina Stead Prize for Fiction.

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Read an Excerpt

from Part One

One night in November, another that had somehow become morning while she sat there, Georgie Jutland looked up to see her pale and furious face reflected in the window. Only a moment before she'd been perusing the blueprints for a thirty-two-foot Pain Clark from 1913 which a sailing enthusiast from Manila had posted on his website, but she was bumped by the server and was overtaken by such a silly rush of anger that she had to wonder what was happening to her. Neither the boat nor the bloke in Manila meant a damn thing to her; they were of as little consequence as every other site she'd visited in the last six hours. In fact, she had to struggle to remember how she'd spent the time. She had traipsed through the Uffizi without any more attention than a footsore tourist. She'd stared at a live camera image of a mall in the city of Perth, been to the Frank Zappa fan club of Brazil, seen Francis Drake's chamberpot in the Tower of London and stumbled upon a chat group for world citizens who yearned to be amputees.

Logging on — what a laugh. They should have called it stepping off. When Georgie sat down before the terminal she was gone in her seat, like a pensioner at the pokies, gone for all money. Into that welter of useless information night after night to confront people and notions she could do without. She didn't know why she bothered except that it ate time. Still, you had to admit that it was nice to be without a body for a while; there was an addictive thrill in being of no age, no gender, with no past. It was an infinite sequence of opening portals, of menus and corridors that let you into brief, painless encounters, where what passed for life was a listless kind of browsing. World without consequence, amen. And in it she felt light as an angel. Besides, it kept her off the sauce.

She swivelled in her seat, snatched up the mug and recoiled as her lips met the cold sarcoma that had formed on the coffee's surface. Beyond her reflection in the window the moony sea seemed to shiver.

Georgie got up and padded across to the kitchen which was separated from the living space by the glossy rampart of benches and domestic appliances. From the freezer she pulled out a bottle and poured herself a serious application of vodka. She stood a while staring back at the great merging space of the livingroom. It was big enough not to seem crowded, despite the fact that it held an eight-seater dining table, the computer station and the three sofas corralled around the TV at the other end. The whole seaward wall of this top floor was glass and all the curtains were thrown back. Between the house and the lagoon a hundred metres away there was only the front lawn and a few scrubby dunes. Georgie slugged the vodka down at a gulp. It was all sensation and no taste, exactly how a sister once described her. She smiled and put the glass down too loudly on the draining board. A little way along the hall Jim was asleep. The boys were downstairs.

She pulled back the sliding door and stepped out onto the terrace where the air was cool and thick with the smells of stewing seagrass, of brine and limey sand, of thawing bait and the savoury tang of saltbush. The outdoor furniture was beaded with dew. There wasn't breeze enough yet to stir the scalloped hems of the Perrier brolly, but dew this time of year was a sign of wind on the way. White Point sat in the teeth of the Roaring Forties. Here on the midwest coast the wind might not be your friend but it was sure as hell your constant neighbour.

Georgie stood out there longer than was comfortable, until her breasts ached from the chill and her hair felt as though it was shrinking. She saw the moon tip across the lagoon until its last light caught on bow rails and biminis and windscreens, making mooring buoys into fitful, flickering stars. And then it was gone and the sea was dark and blank. Georgie lingered on the cold slate. So much for the real world; these days it gave her about as much pleasure as a childhood dose of codliver oil.

On the beach something flashed. At four o'clock in the morning it was probably just a gull, but it gave a girl a start. It was darker now than it had been all night; she couldn't see a thing.

Sea air misted on her skin. The chill burned her scalp.

Georgie wasn't a morning person but as a shiftworker she'd seen more than her share of dawns. Like all those Saudi mornings when she'd arrive back at the infidels' compound to loiter outside after her colleagues went to bed. In stockinged feet she would stand on the precious mat of lawn and sniff the Jeddah air in the hope of catching a whiff of pure sea breeze coming across the high perimeter wall. Sentimental attachment to geography irritated her, Australians were riddled with it and West Australians were worst of all, but there was no point in denying that the old predawn ritual was anything more than bog-standard homesickness, that what she was sniffing for was the highball mix you imbibed every night of your riverside Perth childhood, the strange briny effervescence of the sea tide stirring in the Swan River, into its coves, across the estuarine flats. But in Jeddah all she ever got for her trouble was the fumy miasma of the corniche, the exhaust of Cadillacs and half a million aircon units blasting Freon at the Red Sea.

And now here she was, years later, soaking in clean, fresh Indian Ocean air with a miserable, prophylactic determination. Sailor, diver and angler though she was, Georgie knew that these days the glories of the outdoors were wasted on her.

There was no use in going to bed now. Jim would be up in less than an hour and she'd never get to sleep before then unless she took a pill. What was the point in lying down in time for him to sit up and take his first steeling sigh of the day? Jim Buckridge needed no alarm, somehow he was wired to be early. He was your first out and last in sort of fisherman; he set the mark that others in the fleet aspired to. Inherited, so everybody said. By the time he was out of the lagoon and through the passage in the reef with the bird-swirling island on his starboard beam, the whole bay would be burbling with diesels and the others would be looking for the dying phosphor of his wake.

At seven the boys would clump in, fuddled and ready for breakfast, though somehow in the next hour they would become less and less ready for school. She'd make their lunches — apple sandwiches for Josh and five rounds of Vegemite for Brad. Then finally they'd crash out the back door and Georgie might switch on the VHF and listen to the fleet while she went through the business of keeping order in a big house. And then and then and then.

Down at the beach it wasn't a gull, that blur of movement; there was a flash of starlight on wet metal. Right there, in the shadow of the foredune along the bay. And now the sound of a petrol engine, eight cylinders.

Georgie peered, made a tunnel with her hands to focus in the dark. Yes. Two hundred metres along the beach, a truck wheeling around to reverse toward the shore. No headlamps, which was curious. But the brakelights gave it away; they revealed a pink-lit boat on a trailer, a centre console. Small, maybe less than six metres. Not a professional boat. Even abalone boats had big yellow licence markings. No sportfisherman launched a boat with such stealth an hour before Jim Buckridge got out of bed.

Georgie grabbed a windcheater from inside and stood in the hallway a few moments. The plodding clock, a snore, appliances whirring. The vodka still burned in her belly. She was shaky with caffeine, and restless. What the hell, she thought. A moment of unscripted action in White Point. You had to go and see.

Underfoot the lawn was delicious with dew, and warmer than she expected. She crossed its mown pelt to the foredune and the sand track to the beach. Even without the moon the white sand around the lagoon was luminescent and powdery. Where the tide had been and gone the beach was hard and rippled.

Somewhere in the dark an outboard started. So muted it had to be a four-stroke. It idled briefly and as it throttled up she saw for only a moment the hint of a white wake on the lagoon. Whether it was surreptitious or merely considerate, the whole procedure was extraordinary in its quiet and speed. A bird's wings whopped by, invisible but close as a whisper; the sound prickled Georgie's skin like the onset of the flu.

Along the beach a dog blurred about. When she got closer she saw it was chained to the truck. It growled, seemed to draw itself up to bark then hesitate.

The big galvanized trailer was still leaking seawater when she reached it. The dog whined eloquently. Steel links grated against the Ford's barwork. An F-100, the 4x4 model. Redneck Special. The dog yanked against the chain. It launched itself into a sprawl, seemed more eager than angry.

Georgie bent down to the shadow of the dog and felt its tongue hot on her palms. Its tail drummed against the fender. She saw seagrass trailing from the driver's step, black shreds against the talcum sand.

Hmm, she murmured. Are you a nice dog?

The dog sat, got all erect and expectant at the sound of her voice. It was a kelpie-heeler sort of mutt, a farm dog, your garden variety livewire fencejumping mongrel. All snout and chest and balls. She liked it already.

Good dog, she murmured. Yeah, good fella.

The dog craned toward the water.

Feel like a swim, eh?

Bugger it, she thought, why not.

She stripped off and laid her clothes on the truck. The blouse was past its use-by date; she picked it up, sniffed it and tossed it back.

Unleashed, the dog flashed out across the sand in a mad tanglefooted arc. Georgie belted down to the water and ploughed in blind. Her reckless dive brought to mind the paraplegic ward. She felt the percussion of the dog hitting the water behind her and struck out in her lazy schoolgirl freestyle until she was amidst moored lobster boats with their fug of corrosion and birdshit and pilchards. Behind her the dog snuffed along gamely, snout up, with a bow wave you could feel on your back.

Stars were dropping out now. A couple of houses had lights on. One of them had to be Jim. Puzzled, perhaps.

Out on the seagrass meadows where the lagoon tasted a little steeped, she trod water for a while and picked out Jim's house on the dune. It was a bare white cube, a real bauhaus shocker and the first of its kind in White Point. Locals once called it the Yugoslav Embassy but these days nearly every owner-skipper had himself a trophy house built with the proceeds of the rock lobster boom.

Jim would be in the bathroom now, holding himself up against the tiled wall, scratching his chin, loosening his back, feeling his age. Despite his reputation he still seemed to her a decent man, decent enough to spend three years with, and for Georgie Jutland that was a record.

She imagined him back in the kitchen, boiling water for his thermos, doing a room-by-room, wondering. He'd step outside to scan the yard and maybe the beach and take in the state of the sky and the sea, gauge the wind while he was there. He'd go inside and get his kit together for eight or ten hours at sea. And if she didn't arrive? When his deckhands turned up in the old Hilux in their beanies and fog of brewer's breath, with the dinghy lashed across the tray like a cattle trough, what then? Did she really give a toss anymore? A few months ago she would have been tucked up in bed. Not swimming nude in the bay with some stranger's cur entertaining mutinous thoughts. But recently something in her had leaked away. Vaporized in a moment.

The dog circled her patiently — well, doggedly, in fact — and in every hair and pore Georgie felt the shimmer of water passing over her body. After weeks of the virtual, it was queer and almost painful to be completely present.

Georgie thought of that afternoon a few months ago and the meek puff of steam she had become in the boys' playroom. She could barely believe that a single word might do her in. As a nurse she'd copped a swill of curses, from dying men and girls in labour, from junkies and loonies, princesses and smartarses. Patients said vile things in extremis. You'd think a woman could withstand three simple syllables like stepmother. But the word came so hot and wet and sudden, screamed into her face by a nine-year-old whose night terrors she'd soothed, whose body she'd bathed and held so often, whose grief-muddy daubs she'd clamped to the fridge, that she didn't even hear the sentence it came wrapped in. She just lurched back in her seat like a woman slapped. Stepmother. The word had never been uttered in the house before, let alone fired in anger. It was fair in its way; she understood that. Along with his need to win, his desire to wound, Josh was merely clarifying her status. She could still see his face wrinkled and sphinctery with rage. It was his geriatric face waiting for him. For the sake of a moronic video game he was defining her out of his life while his brother Brad, who was eleven, looked on in silent disgust. As she got up to leave Georgie was ashamed of the sob that escaped her. None of them had seen Jim leaning in the doorway. There was a universal intake of breath. Georgie left the room before a word was uttered, before she let herself break down completely. She ducked beneath his arm and scrambled upstairs to bawl into a teatowel until she was steady enough to slop chardonnay into a glass. Jim's voice was quiet and ominous rising up the stairwell. She realized that he was about to hit them and she knew she should go down and put a stop to it but it was over before she could take herself in hand. It had never happened before, none of it. Later Georgie wondered if it really was the S-word that had broken the spell or the knowledge that she might have spared the boys a belting and hadn't even tried. Either way nothing was the same.

That was late autumn. Within a few weeks she turned forty and she was careful to let that little landmark slide by unheralded. By spring and the onset of the new season she was merely going through the motions. Another man, an American, had once told her in a high, laughing moment his theory of love. It was magic, he said. The magic ain't real, darlin, but when it's gone it's over.

Georgie didn't want to believe in such thin stuff, that all devotion was fuelled by delusion, that you needed some spurious myth to keep you going in love or work or service. Yet she'd felt romance evaporate often enough to make her wonder. And hadn't she woken one heartsick morning without a reason to continue as a nurse? Her career had been a calling, not just a job. Wasn't that sudden emptiness, the loss of some ennobling impulse, the sign of a magic gone?

In her time Georgie Jutland had been a sailor of sorts, so she knew exactly what it meant to lose seaway, to be dead in the water. She recognized the sensation only too well. And that spring she had slipped overboard without a sound.

That's how it felt sculling about in the lagoon this morning while the sky went felty above her. Woman overboard. With nowhere to swim. What was she gonna do, strike out for the fringing reef, head on out into open water, take on the Indian Ocean in her birthday suit with a liberated mongrel sidekick? Stroke across the Cray Bank, the Shelf, the shipping lane, the Ninety East Ridge? To Africa? Georgie, she told herself, you're a woman who doesn't even own a car anymore, that's how mobile and independent you are. You used to frighten the mascara off people, render surgeons speechless. Somewhere, somehow, you sank into a fog.

She lay back in the water wishing some portal would open, that she might click on some dopey icon and proceed safely, painlessly, without regret or memory.

The dog whined and tried to scramble onto her for a breather. She sighed and struck out for shore.

In the wreckyard behind his roadhouse a bear-like man in a pair of greasy overalls had a last toke on his wizened reefer and shifted his weight off the hood of the Valiant which some dick had recently driven off the end of the jetty. It was his morning ritual, the dawn patrol. A piss on the miserable oleander and a little suck on the gigglyweed to soften the facts of life.

The light was murky yet. You could feel a blow coming on, another endless screaming bloody southerly. He snuffed out his tiny roach-end on the Valiant's sandy paintjob and shoved the remains through the kelp-laced grille near the radiator.

From the beach track, between the dunes and the lobster depot, came a trailer clank and a quiet change of gears. There was plenty enough light to see the truck and the boat behind it spilling bilgewater as it pulled out onto the blacktop.

Fuck me sideways, he said aloud. You bloody idiot.

The V8 eased up along the tiny main drag, fading off in the distance.

Beaver slouched off toward the forecourt to unlock the pumps. A man could do with a friggin blindfold in this town. And get his jaw wired shut while he was at it.

Inside at the register he tossed the padlocks down and pawed through his CDs. Tuesday. Cream, maybe. Or The Who Live at Leeds. No. Fiddler on the Roof, it was.

He opened the register, closed it, and gazed up the empty street. You silly bugger.

Copyright © 2001 by Tim Winton

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Customer Reviews

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Sort by: Showing all of 7 Customer Reviews
  • Posted March 19, 2013

    A great tale of life in Australia by Australia's premier novelist.

    After reading dirt music one comes away with a sense of how harsh a country Australia can be even in the settled areas, not even considering the severe outback. The story is set in a small community primarily engaged in commercial fishing at a time when e-mail is a accepted means of communication. Strong feelings play out when the laws of the highly regulated industry are violated, with enforcement traditionally of a vigilante nature. As are most stories, this is a love story and you cant help but fall in love with Georgie Jutland, her lack of inhibitions, who will swim naked when she feels like it, and when she falls in love not much can stop her. Tim Winton is a good story teller and his easy to read style and knowledge of life in a this challenging setting makes for an interesting heartfelt read. I would highly recommend this book.

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  • Anonymous

    Posted September 14, 2003

    The unlikely page turner

    Compelled by the landscape I was kept by the characters and their almost unreal relations. Call me simple but i found the characters to be slightly eccentric yet their actions and reactions to be nothing but boldly human. Each character had something I could identitfy with and under it all it was love that was the motivating force ensuring calamities and overcoming tradgedies. I loved reading 'Dirt Music', it's rich and deep with heart, each character is a contradiction and and it is only in the last quarter of the book that I was able to see into their hearts. At books end i understood a liitle more of humanity and possibly myself.

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  • Anonymous

    Posted January 7, 2003

    Deeply human- we are flawed

    This book is very human with flaws and joys-- big and small. Worth the read!!! Great sights of Australia. Good prose!

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  • Anonymous

    Posted November 6, 2002

    Why all the hype?

    I found "Dirt Music" a somewhat boring and highly over rated novel. The author, in my opinion, became overly involved in his discriptive passages, and, in the process lost touch with the reader. In many places this over descripiveness hindered the way in which the story flowed. It was very much a tragic story about nothing. From that I feel for all 2003 TEE litterature students. For they will be compelled to write essays as to why it was such a great novel, when in my opinion it is not worthy of that title.

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  • Anonymous

    Posted December 28, 2001

    Brilliant

    I finished reading this book twenty minutes ago. For the first ten minutes I hugged the book to myself not wanting to let it go. In the second ten I made myself a drink of Wild Turkey to celebrate. I then felt the need to discuss it with somone else. The book leaves you with a need for conectedness. I could not be solitary in my celebration. I did not feel the need to run but to stay and shout and be joyous and sing. To sing about dirt music. To sing dirt music. The prose is mesmerising. I found myself reading passages over and over just to swim into them. I could feel the labour that went into the writing of the book and many times I felt myself thanking the author for his work. Its a book about death and life and landscape and love and betrayal and revelation and forgiveness. The characters have flesh and bone and faults and virtues that we can all relate to. As in all Tim Wintons novels the landscape features prominently and you can feel yourself recognising the settings and situations. Its a book written to be a bloody good story and I recommend it to anyone.

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  • Anonymous

    Posted January 28, 2009

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    Posted December 19, 2009

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