Dispatches from Pluto: Lost and Found in the Mississippi Deltaby Richard Grant
Mississippi's #1 Bestseller of 2015 (The Clarion-Ledger)
A New York Times Bestseller
In Dispatches from Pluto, adventure writer Richard Grant takes on “the most American place on Earth”—the enigmatic, beautiful, often derided Mississippi/i>/b>/i>/b>/i>/b>
Winner of the Pat Conroy Southern Book Prize
Mississippi's #1 Bestseller of 2015 (The Clarion-Ledger)
A New York Times Bestseller
In Dispatches from Pluto, adventure writer Richard Grant takes on “the most American place on Earth”—the enigmatic, beautiful, often derided Mississippi Delta.
Richard Grant and his girlfriend were living in a shoebox apartment in New York City when they decided on a whim to buy an old plantation house in the Mississippi Delta. Dispatches from Pluto is their journey of discovery into this strange and wonderful American place. Imagine A Year In Provence with alligators and assassins, or Midnight in the Garden of Good and Evil with hunting scenes and swamp-to-table dining.
On a remote, isolated strip of land, three miles beyond the tiny community of Pluto, Richard and his girlfriend, Mariah, embark on a new life. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters—blues legend T-Model Ford, cookbook maven Martha Foose, catfish farmers, eccentric millionaires, and the actor Morgan Freeman. Grant brings an adept, empathetic eye to the fascinating people he meets, capturing the rich, extraordinary culture of the Delta, while tracking its utterly bizarre and criminal extremes. Reporting from all angles as only an outsider can, Grant also delves deeply into the Delta’s lingering racial tensions. He finds that de facto segregation continues. Yet even as he observes major structural problems, he encounters many close, loving, and interdependent relationships between black and white families—and good reasons for hope.
Dispatches from Pluto is a book as unique as the Delta itself. It’s lively, entertaining, and funny, containing a travel writer’s flair for in-depth reporting alongside insightful reflections on poverty, community, and race. It’s also a love story, as the nomadic Grant learns to settle down. He falls not just for his girlfriend but for the beguiling place they now call home. Mississippi, Grant concludes, is the best-kept secret in America.
—Tony Horwitz, author of Confederates in the Attic
“[Grant] succeeds, and with flair. His empathic manner, reportorial talent and eye for the unexpected detail make this a chigger-bitten trip that entertains as much as it informs.”
—The New York Times Book Review
"Grant takes a fillet knife and lays us open to the bone, like you might a catfish. He exposes our idiosyncratic insanity and brilliance, both the failure and the promise that are driven by an intimate yet remote love/hate relationship along the racial divide. It’s sad and beautiful at the same time."
—Mississippi State Senator John Horhn
“Readers with an appetite for a deep-fried version of A Year in Provence will find much to sate them here. … [Grant is] like a deeper and way funkier version of Peter Mayle. … it’s the individual voices and anecdotes he records that give Dispatches from Pluto its dissonant lilt and outré charm.”
—Jonathan Miles, Garden & Gun
“One of the best books to have been written about this part of Mississippi. Richard Grant has done something completely different from previous forays into this fascinating and frequently vilified part of America. … Grant’s book strikes a good balance between being partly A Year in Provence, Mississippi-style, and partly a searching investigation of the local culture. This is a man who has done his homework, asked hard questions, and made a point of getting to know everybody, white and black alike.”
—The New Criterion
“This book’s great virtue…is how it sets aside assumptions to look with clear, questioning eyes. Mississippi’s landscape, with its ‘crated little town(s)’ and ‘primordial interruptions in the empire of modern agriculture,’ is refreshed by Grant’s lovely prose.”
“Part travelogue, part sociological study, part memoir, and part nonfiction heir to the works of William Faulkner and Tennessee Williams, Dispatches from Pluto is provocative in the best kind of way. Grant approaches his subjects with empathy, yet pulls no punches. The result is an honest, engaging account of life in one of America’s most beguiling, bewildering cultural outposts. This book is a revelation.”
—Alan Huffman, author of Mississippi in Africa
"An appealing stew of fecklessness and curiosity, social psychology and social dysfunction, hope and despair."
“[A] delightful inside look at life on today's Mississippi Delta.”
—Frans De Waal, one of his “6 favorite books” in The Week
“Grant writes with an admiration and tenderness for his new home and neighbors. The book’s often riotously funny, particularly when describing real-life crime stories in Greenwood and elsewhere. But Grant’s also thoughtful and earnest in trying to understand race relations in modern-day Mississippi… Grant’s insights as an outsider trying to decipher a new world make this book compelling and also challenging. He’s confronting tough truths and asking hard questions, but from a place of genuine respect and love.”
—Mississippi Business Journal
“Whether he’s writing about how to shoot a buck or how to heat a house, Grant is funny, funny, funny. He’s even funny at funerals, yet through all the escapades and hilarity, he never loses sight of the problem of Delta race relations. As much as anything else, this is a book about racism in America, and Grant confronts the issue with an outsider’s honesty and aplomb.”
—Amy Wilentz, author of Farewell, Fred Voodoo
"A lovely, appreciative and entertaining tour of the strange and rich Mississippi Delta."
“A fascinating blend of memoir and travelogue … a vivid and captivating portrait of the modern American South.”
“Think what Midnight In the Garden of Good and Evil could have been like if the author had a sympathetic understanding of the people. Richard Grant's Plutonic approach to the Delta turns up some marvelous surprises here.”
—Madison Smartt Bell, author of All Souls' Rising
“In the best tradition of Mark Twain's The Innocents Abroad, British travel writer Richard Grant explores the otherworldly Mississippi Delta by settling into an aging plantation home and letting himself be captured by an eccentric, racially-tortured and wondrously hospitable culture. Dispatches from Pluto is wise, wry, sympathetic and spot-on.”
—Curtis Wilkie, author of The Fall of the House of Zeus
“I’ve never read anything like this before, so ‘plain out’ revealing of humanity’s true nature—how we have tangled ourselves up into the goofball messy life we’ve made on earth (let alone Pluto) while still having a moment or two where we are incredibly kind and sensible.”
—Carolyn Chute, author of The Beans of Egypt, Maine and Treat Us Like Dogs and We Will Become Wolves
“Richard Grant gets it. Many authors that write about the Delta may come and stay a few months, then go back to their comfortable hometowns to burn or scathe the Delta’s mores, customs and culture. Richard bought an old plantation house here to become a part of the Delta and he writes about it in a way that brings laughter, astonishment, complexity and perplexity.”
—Hank Burdine, Delta Magazine
“Richard Grant is the ultimate cool customer, a fearless and skilled writer navigating the backwaters of rural Mississippi with his humanity on his sleeve, trying to get to the heart of what makes the Delta such a unique and soulful place while recounting a harrowing and funny, wise and heartwarming personal journey from nomad to proud homeowner. This is a great book.”
—Mark Haskell Smith, author of Naked at Lunch
While visiting the Mississippi Delta, Grant (Crazy River) fell in love with a beautiful plantation-style house with lower monthly payments than the Manhattan apartment he and his girlfriend, Mariah, rented. So begins their life in Pluto, a world of its own. Soon Grant and Mariah battle fire ants and cottonmouths in the garden, shoot deer for food, and get used to driving over 50 miles to the nearest Walmart. The locals take them under their wing and help them acclimate to a region where blacks and whites still remain segregated in many ways. Despite the confusing racial etiquette, along with the alligators sunning themselves in the backyard and the armadillos digging up the front yard, they become enthralled with the community and its generous people. Though the phrase "that's so Delta" is appropriate for much of day-to-day life there, the lifestyle suits them better than they would have expected. VERDICT A likely hit with fans of memoirs or travel fiction as well as those who enjoy a well-told story, this is a surprisingly humorous yet insightful read. Grant's writing is relaxed and familiar in the way of great storytellers.—Stacy Shaw, Orange, CA
Calling himself "a misfit Englishman…with a taste for remote places," the author of God's Middle Finger: Into the Lawless Heart of the Sierra Madre (2008) buys a former plantation house, deep in the Mississippi Delta, and thus commences an education—his and ours. When journalist and TV host Grant decided to move to Holes County, "the poorest county in America's poorest state," neither he nor his girlfriend, Mariah, had ever been to the region. Nonetheless, they bought their place near the Yazoo River in an area called Pluto and immediately begin receiving tutelage from nature and neighbors. The author provides accounts of battles with cottonmouths, armadillos, and biting insects, of deer hunting (Mariah, once a vegetarian, changed her tastes), of struggles with heat and humidity and remoteness. They were stunned to discover the generosity of neighbors, both black and white. The Delta, which is more than 80 percent black, still manifests—as Grant repeatedly shows—many lingering troubles from slavery, the Civil War, Reconstruction, Jim Crow, and beyond. Among the most useful early advice he received: compartmentalize. Overlook the noxious opinions of your neighbors; enjoy the good parts. So he and Mariah did precisely that. Throughout the course of the year's residence that Grant records, he takes us on hunting excursions, to dangerous taverns, a black church, Parchman Farm (Mississippi State Prison), a school that's doing pretty well (most are not), and a local political campaign. We sit in on visits with local musicians and local raconteurs, whose tales, at times, tend to go on a bit, testing readers' patience. But the issue that repeatedly emerges—and how can it not?—is race. Continually, we hear the views of locals, the author, and Mariah, and we discover that corrosive racism is still alive and well. An appealing stew of fecklessness and curiosity, social psychology and social dysfunction, hope and despair.
- Simon & Schuster
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- 1st Edition
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- 8.30(w) x 5.50(h) x 0.90(d)
Read an Excerpt
Dispatches from Pluto
I WAS LIVING in New York City when I decided to buy an old plantation house in the Mississippi Delta. It was out in the cotton fields and cypress swamps of Holmes County, the poorest county in America’s poorest state. “There’s No Place Like Holmes, Catch The Southern Spirit,” announced a weather-beaten sign on the county line. It was illustrated with magnolia blossoms and perforated by shotgun blasts. The nearest neighbors were three miles away across fields and woods. The nearest supermarket was twenty-five miles away. It was well stocked with pig knuckles, hog jowls, boiled peanuts, and hunting magazines, but it was another twenty-five miles to find organic eggs, strong cheese, or crusty bread.
A few close friends understood why I wanted to live there, as a misfit Englishman with a US passport and a taste for remote places, but most people were genuinely mystified, or doubtful about my sanity. Why would anyone in his right mind choose to live in the backwoods of Mississippi? No state has a more beautiful name—Miss and Sis are sipping on something sippy, and it’s probably a sweet tea or an iced bourbon drink—but no state is more synonymous in the rest of the country with racism, ignorance, and cultural backwardness.
When I told them about my plans, many friends and acquaintances felt compelled to sing me the chorus of a 1964 Nina Simone song, “Everybody knows about Mississippi Goddam!” In bad imitation Southern drawls, they cracked wise about toothlessness, banjo music, men named Bubba, and the probability of getting myself raped in the woods one Saturday night. One white woman accused me of being racist for wanting to live in Mississippi, even though it’s the blackest state in America and Holmes County is more than 80 percent African-American. “All Southerners are racists, and Mississippi is the worst of all,” she opined. She had never set foot in the state, and never intended to, because she already knew everything she needed to know about Mississippi.
One of my hopes in writing this book is to dissolve these clumsy old stereotypes, and illustrate my conviction that Mississippi is the best-kept secret in America. Nowhere else is so poorly understood by outsiders, so unfairly maligned, so surreal and peculiar, so charming and maddening. Individually, collectively, and above all politically, Mississippians have a kind of genius for charging after phantoms and lost causes. Nowhere else in the world have I met so many fine, generous, honorable people, but if you look at the statistics, and read the news stories coming out of Mississippi, the state gives every appearance of being a redneck disaster zone.
As I was scrabbling around for a mortgage, and trying to persuade my liberal girlfriend to move there with me, Mississippi was found once again to be the poorest state in the Union, a position it has held consistently since the end of the Civil War. Once again, it was the fattest state, with more than a third of its adult population classified as obese. It was number one in the nation for teenage pregnancy, illiteracy, failure to graduate high school, religious devotion, political conservatism, and sexually transmitted diseases. The Republican-dominated legislature, caricatured by Saturday Night Live as “thirty hissing possums in a barn,” was trying to close down the state’s last abortion clinic, and a fifty-two-year-old Delta man had just been arrested in a police sting operation while having carnal relations with a show hog.
“Do y’all even know what a show hog looks like when they get through with all the shampooing and blow-drying and beauty treatments?” said my friend Martha Foose the cookbook writer. She was calling from her house in the Delta town of Greenwood, less than a mile from the unnatural crime scene. “It’s a beauty pageant for swine, and they get those hogs dolled up. They shave their underparts, and curl their eyelashes, and buff their little trotters, and I guess it’s just more than some guys can stand. I call it ‘dating down the food chain,’ and frankly, it’s a wonder it doesn’t happen more often.”
I first met Martha a few years ago in Oxford, Mississippi, the elegant, cultured, slightly dissolute university town in the northern hills of the state, where William Faulkner lived most of his life. I had stumbled across Oxford while interviewing elderly blues singers in the mid-1990s, fallen under its charms, and visited regularly ever since. Martha was there promoting her first cookbook, Screen Doors and Sweet Tea, a collection of recipes and stories drawn from her upbringing in the Mississippi Delta, and influenced by her training at a top cooking school in Paris. The book went on to win a James Beard Award for American Cooking. At the reading, she served high-octane bourbon cocktails, told some outlandish tales, and then we all decamped to the mayor’s house for more drinks and an impromptu dance party. At that time, the mayor of Oxford was the owner of the local bookstore, Square Books, and he and his wife kept their doors open to visiting writers and anyone else in the mood for fun.
At the party Martha kept imploring me to visit her beloved home ground in the Delta, a part of the state I didn’t know at all. She described it as a separate place from the rest of Mississippi, with its own unique history and culture, although nowhere on earth was more deeply Southern. She offered to take me on a grand tour of the Delta, and said I could stay for as long as I liked at her family’s farm, in a remote and mysterious sounding place called Pluto.
“GPS doesn’t work there, it just spins round and around, and that’s the way we like it,” she drawled in my ear as the mayor cranked up the music. “They took away our zip code, because we ran out of people and the postmistress drank too much. And it’s so beautiful there, uh! You’ll never want to leave.”
Other people cautioned me about the Delta. “Things get weird as shit down there,” said my friend Doug Roberts, and this made me pay attention, because Doug’s standards of weirdness and normalcy are fairly skewed to begin with. A law school graduate who couldn’t face being a lawyer, he sometimes appears at social functions wearing a penis gourd from Papua New Guinea and a coyote pelt on his head.
“The Delta is our Haiti,” he said. “It’s the third world right in the middle of America. Crime is bad, corruption is bad. It’s seventy percent black and the poverty is hard-core. Whole towns are basically caving in and rotting away. And you’ve got a bunch of rich white farmers living the good life right in the middle of it, and trying to pretend like everything’s normal. It’s the South, we’re great at denying reality, but the strain of it makes us weird sometimes, and you see a lot of that in the Delta. Lots of eccentrics, boozers, nutballs.”
The mayor’s wife described the Delta as, “beautiful, tragic, and totally batshit crazy.” Then she resumed go-go dancing with Martha to Booker T. and the MG’s until the mayor boogalooed headlong into the stereo and sent the needle skittering across the old record.
IT TOOK A couple of years, but I finally freed up the time and money for Martha’s grand Delta tour. I drove down from New York City, where my girlfriend was on edge and my dog was depressed, all of us crammed into a tiny Manhattan apartment we couldn’t afford. Our plan had been to live in New York for a year, because life is short, and our best friends were there, but four months had emptied out our bank accounts in a way that scarcely seemed possible. Lying awake in bed at night, I had the persistent illusion that the city’s molars were gnawing on my skull, while its fingers rifled through my pockets for yet more money.
Neither of us wanted to go back to Tucson, Arizona, where Mariah had lived all her life, and I had kept an address for twenty years. But it was becoming clear that we didn’t belong in New York. Mariah missed her garden and the presence of nature. Our dog Savanna lay on the floor of the apartment all day without moving, head resting on her paws, eyes open and mournful, a picture of canine despondency. A burly energetic German shepherd mix, she had grown up in a sunny Arizona backyard. Now she was cooped up in a four-hundred-and-twenty-five-square-foot apartment and getting increasingly aggressive at the dog park.
I knew the feeling. I was starting to experience violent revenge fantasies against strangers who cut in line. If one more person told me smugly what they weren’t eating now, I was going to scream. As I was settling a billing dispute at a parking garage, trying to exit and get on the road to Mississippi, the driver behind me started honking his horn. I walked over to him in a coiled rage and pounded my fist on the roof of his car. New York was still a marvel, a wonder, an endless fascination, but as I left the city behind, I breathed a deep sigh of relief, and then realized how long it had been since I breathed deeply. Like most New Yorkers, I was in the habit of grabbing my oxygen in shallow snatches from the grimy air.
Driving south, I left the grimy dregs of winter behind and crossed over into spring. Redbuds were blooming. Wildflowers lined the two-lane highways as I came down through Tennessee and passed a big blue highway sign saying, “Welcome to Mississippi, Birthplace of America’s Music.” The music was the first thing I knew of Mississippi. As a teenager in London, working back through American popular music, I found my way to Jimmie Rodgers, the pioneer of country western, from Meridian, Mississippi; Elvis Presley from Tupelo; Ike Turner from Clarksdale; and above all, the Delta blues and the electrified version that Muddy Waters, Howlin’ Wolf, and other Mississippians developed in Chicago. Around the same time, I discovered the novels of William Faulkner, which deepened the mystery of Mississippi in my young mind.
Now I drove through the hills around Oxford, which Faulkner had immortalized in a dozen books and renamed Yoknapatawpha County, and I kept driving west until the hills came to an end. Now the road swung me down on to the vast alluvial plain of the Delta, a place unlike anywhere I had seen before.
The sky yawned open and the horizons leapt out. The light turned golden and radiant, pouring down on shimmering fields of cotton and corn and soybeans. The land was as flat as the ocean, and as I drove across it, I came across primordial interruptions in the empire of modern agriculture: remnant swamps of cypress and tupelo gum, stretches of thick jungly woods. It was also a landscape of ruins. Abandoned barns and shacks were being swallowed whole by lush and monstrous growths of Virginia creeper and trumpet vines. Weeds fractured the forecourt of an old gas station with the pumps standing there like tombstones and a loose dog trotting past with his ribs showing.
I drove past rivers, creeks, and bayous, all brimful with the same muddy brown water, kept back from the croplands by an elaborate system of levees, pumps, sluice gates, and drainage ditches. The true delta of the Mississippi River, the place where it reaches the sea, is down in coastal Louisiana. The place known as the Mississippi Delta is the shared ancestral floodplain of the Mississippi and Yazoo Rivers, a place that still wants to go underwater every spring. Two hundred miles long and seventy miles across at its widest point, it begins just south of Memphis and ends at Vicksburg.
In 1865, at the end of the Civil War, nine-tenths of the Delta was still virgin wilderness. It was the last real frontier in the lower forty-eight states, a forbidding swamp forest full of immense trees and impenetrable canebrakes, teeming with wolves, bears, panthers, alligators, snakes, and disease-carrying insects. Then, by a staggering quantity of effort, most of it exerted by mules and newly freed slaves, the ancient forests were cleared to get at the rich alluvial soil. The swamps were drained, and levees built up to keep the rivers from flooding. Great fortunes were made and lost and made again on the new Delta cotton plantations. It was a fickle, demanding crop that promised to make you rich—if the weather cooperated, and the levee held back the high water, and the dreaded boll weevil didn’t infest the fields, and overproduction didn’t sink the price.
Lebanese, Jewish, and Chinese merchants arrived. Italian peasants were imported as farm labor, but didn’t take to it. Black sharecroppers did most of the work and lived in dire poverty, as the white planters established a flamboyant quasi-aristocracy that was heavily dependent on credit at the bank. The ravages of malaria continued into the 1940s, and during bad outbreaks, a Delta planter might propose marriage to his belle by saying, “Miss Lucy, may I have the honor of buying your coffin?”
I MET UP with Martha in Greenwood, once the bustling, thriving, self-proclaimed Cotton Capital of the World. Now, like all Delta towns, it was in decline and losing population. We stayed up late drinking bourbon, and she told me about the wonderfully eccentric places she was going to take me. The next morning she showed up with a sausage-and-biscuit sandwich made by her husband Donald, a baker, and announced that my long-awaited Delta tour was canceled. “I’m too hungover,” she said. “We’ll go to Pluto instead. And don’t give me any lip or I’ll dump you in Tchula.”
It was a heartbreakingly gorgeous spring day. We drove south on Highway 49 with red-tailed hawks wheeling overhead, wildflowers everywhere, the light slanting down through the clouds in ladders. Big hopping vultures were eating a road-killed dog by a road sign pointing to a town called Egypt. A few miles down the road, more vultures, another dead dog. Then a road-killed armadillo. Then a road-killed coyote. Mississippi calls itself the Magnolia State, and the Hospitality State. It could also claim the Loose Dog State, the Roadkill State, and the Dreamland of Highway Vultures.
In the cratered little town of Tchula, black men were standing around in a derelict gas station, drinking 40-ounce beers and smoking cigarettes. Behind them was a big red hand-painted sign that said NO LOITERING. People wandered in and out of the road without much regard for traffic. An unaccompanied infant toddled along through the roadside grit. There were swaybacked trailers, and listing shacks with sheets of plastic on the roof to keep the rain out, among neat little houses with well-kept lawns. Hard-eyed young men cruised up and down in flashy new cars and trucks. In a mile we passed seven or eight churches. Drugs, religion, and welfare appeared to be the cornerstones of the local economy.
South of Tchula, in the tiny hamlet of Mileston, Martha turned off the highway onto a dirt track. She drove past a small scruffy shack to an even smaller, scruffier shack. “This is Miss Pat’s,” she said. “Her real name is Willie Ruth. She used to have a sign saying “Pat’s Kitchen,” but it was making too much business, so she took it down. She does a plate lunch with fried chicken, three vegetables, cornbread, sweet tea and dessert, all for six bucks. I ate here every day when I was pregnant.”
Miss Pat was a slow-moving, unflappable black woman with a bad knee and a kerchief tied around her head. Her customers were tractor drivers, farm hands, railroad workers, home health nurses with elaborate hairdos, picking up lunches to go. They spoke with a deep, thick, slurred accent, almost a dialect. It omitted so many consonants that I could barely understand it, and Martha had to quietly translate when it came time for me to order. I thought back to Indian reservations in South Dakota, the street gangs I had written about in South Central Los Angeles, poor whites in rural Appalachia. In none of those places did I feel like such an outsider, or have such trouble with basic communication. It added to the mounting impression that I had entered another country.
The air was heavy and still, with a metallic drone of insects, a languorous melancholy, an undercurrent of racial tension beneath a guarded surface politeness. There were cats everywhere, prowling after discarded chicken bones. A man sat on a table, staring into the middle distance, unmoving and inscrutable. We took our lunches to go, and drove along the shore of an oxbow lake. Cypress trees festooned with Spanish moss grew out in the water. Great blue herons and egrets flapped away. Turtles plopped off logs. A few miles more and we reached a small cluster of big houses with lawns and flower gardens and enormous shade trees full of mockingbirds.
“Welcome to Pluto, my favorite place on earth,” said Martha, parking behind a two-story gabled house that had belonged to her grandmother. We sat in the deep green shade of a magnificent oak tree, eating Miss Pat’s crunchy succulent fried chicken, drinking wine, watching cloud formations drift across the sky, and the changing light on the fields and catfish ponds. I took off my shoes and lay back in the grass, feeling relaxed for the first time in months. “Martha, this is just . . .”
“Isn’t it, though? The Delta is such a mess, but it puts a spell on you. I’ve lived in Paris, LA, Vermont, Minneapolis, and here I am, back home at last.”
“Why is it called Pluto?”
“Pluto was the Lord of the Underworld, that’s the story I always heard. All this was just a big, mean, hellish swamp.”
Later that afternoon, Martha said she might as well give me a tour of Pluto. She drove along a dirt road on top of a levee, passing her cousin’s catfish ponds, and entered some sun-dappled woods hung with long tendrils of vine. Eight or nine deer ran across the road. We emerged a few minutes later in open fields, and drove up to a stately old house standing by itself in a grove of huge trees. It had a seven-columned front porch looking out over manicured lawns and ponds and flower gardens.
“What a beautiful house,” I said.
“It’s for sale,” said Martha. “A 1910 plantation house with four bedrooms, three bathrooms, on six acres of land, I think. It’s my daddy’s house.”
“How much?” I said, expecting to hear a figure somewhere in advance of $400,000.
“He’s asking $160,000, I think, but you could probably pick it up for $130,000,” said Martha.
“What kind of shape is it in?”
“It’s in great shape. Daddy’s been fixing it up for twenty years.”
In all my restless nomadic adult life, I had never seen a house I wanted to own, or even live in for an extended period of time. Mortgages had always scared me. I’d never aspired to own property, because it meant getting trapped in one place. In twenty-two years, I had changed my address eighteen times. I was a wanderer, a drifter, forever passing through, taking notes, and moving on. That’s what I told myself as Martha opened the front door and took me inside.
The rooms were large with wooden floors and a sturdy old-fashioned elegance. There was a six-sided dining room with glass-fronted cabinets, a farmhouse kitchen, a study with a built-in gun rack, open fireplaces in most of the rooms. Behind the house were extensive vegetable gardens, fruit trees, muscadine grapevines, a fenced-in dog run that was eight times larger than our New York apartment. There was a two-acre horse pasture with a barn, and nestled into a stand of bamboo was a small, compact studio that looked ideal for writing.
“Is it safe here?” I asked.
“You need a dog and a gun,” said Martha. “You might get a crackhead looking for something to steal, or a meth-head coming through to poach deer or party on the lake. An alligator might show up when the water’s high. That’s the Yazoo River down through those trees, and that’d be your property line.”
That night, while the frogs and insects worked up a sawing rhythmic music, and we sat drinking bourbon under the stars, I couldn’t stop thinking about that old house down the levee. I pictured myself reading William Faulkner on the front porch, writing in the studio, Mariah working happily in the garden. We’d be able to grow our own vegetables, and harvest figs, pears, apples, persimmons, muscadines, and pecans. Maybe I could start hunting deer and putting meat on the table, if I could overcome my aversion to killing animals.
Martha and her cousins would be just down the road. We’d wake up listening to birdsong instead of traffic roar and jackhammers. We’d never hear a police siren. I’d been toying with the idea of living in Mississippi, and writing about it, for a long time. I liked the food, the music, the warmth of the culture, the easy conviviality and drawling repartee. Most of all, I liked the storytelling. It was an integral part of life here, an art form respected at all levels of society, and the stories themselves got so wild and improbable. They burned with a strange fever, and made a mockery of the usual standards of cause and effect. They were a window into a place and a culture where contradictions hung in the air like swamp gas, and eccentricity was as natural as rain.
Lyndon Johnson said, “There’s America, there’s the South, then there’s Mississippi.” To which Martha Foose added, “And then there’s the Delta. You have no idea what you’re getting into down here, and that’s what makes it so perfect. I’ll work on Daddy. You get back up there and work on Mariah. We’re going to be neighbors, and you’re going to write a book about the whole thing.”
Meet the Author
Richard Grant is an award-winning author, journalist, and television host. His books include Crazy River, the adventure classic God’s Middle Finger, and American Nomads, which has since been made into a BBC documentary of the same name.
Most Helpful Customer Reviews
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Fun, informative and be prepared to change your ideas about the people that live in the Mississippi delta area. I liked the history ,music, customs, and putting up with critters. Also the great old house they bought.
If your expecting another great exploration book like Grants masterful " God's Middle Finger".. you maybe dissapointed. Grant relocates to the Delta and spends much of the book on Racism. If your a foreigner from outside the U.S. it maybe an intriguing read. But otherwise it's all been explored before. The only highlight was discovering to my disssapointment was what a jerk the actor Morgan Freeman can be. Grants a great writer..so I'll await his next effort.