Distant Reading: Performance, Readership, and Consumption in Contemporary Poetry / Edition 2

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Overview

A dynamic account of the history, practice, and theory of poetry as performance.

Distant Reading considers poetry as performance, offers new insights into its popularity, and proposes a new history of its origins. It also explores related issues concerning the reception of poetry, the impact of the computer on how we read poetry, the persistence of the letter "I" in poems by avant-garde poets, the strangeness of the line-break as a demand on the reader's attention, and the idea of the reader as consumer. These themes are connected by a historically contextualized and theoretically sophisticated discussion of contemporary American and British poets continuing to work in the modernist tradition.

The introductory essay establishes a new methodology that transforms close reading into what Middleton calls "distant reading," interpretive reading that acknowledges the distances that texts travel from their point of composition to readers in other geographical and historical locations. It indicates that poetic innovation is often driven by a desire on the part of the poet to make this distance do cultural work in the meanings that the poem generates.

Ultimately, Distant Reading treats poetry as a cultural practice that is always situated within specific sites of performance—recited on stage, displayed in magazines, laid out on a page, scrolled on the computer screen—rather than as a transcendent cloud of meaning tethered only to its words.

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Editorial Reviews

From the Publisher

"Middleton investigates the manifold events that are usually conglomerated together under the name of reading: interactions of voice and text, of phonology, physiology and psychology; the sociology of the poetry reading; the ways that contemporary technologies connect and disperse a poem's readership. These complexities are exactly what make poetry interesting. Distant Reading promises to be a groundbreaking study of contemporary poetry—and it's a pleasure to read." —Bob Perelman, author of The Marginalization of Poetry: Language Writing and Literary History
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Product Details

  • ISBN-13: 9780817351519
  • Publisher: University of Alabama Press
  • Publication date: 3/13/2005
  • Series: Modern & Contemporary Poetics Series
  • Edition description: 1
  • Edition number: 2
  • Pages: 264
  • Sales rank: 552,167
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.00 (d)

Meet the Author


Peter Middleton is Professor of English at the University of Southampton, United Kingdom, and author of Literatures of Memory: History, Time, and Space in Postwar Writing (coauthored with Tim Woods), The Inward Gaze: Masculinity and Subjectivity in Modern Culture and Aftermath (poems).
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Table of Contents

1 The long biography of the poem : a scene of reading 1
2 Poetry's oral stage 25
3 A history of the poetry reading 61
4 Anonymous poetry 104
5 The line-break in everyday life 124
6 The new memoryism : reading poetry in the nineties 137
7 Dirigibles 160
8 Eat write 199
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