Disturbance (Irene Kelly Series #11)

( 11 )

Overview

Irene Kelly fights for her life in this blood-chilling sequel to the Edgar Award–winning smash hit Bones.

Despite her reporter’s nose for trouble, Irene Kelly’s life has almost returned to normal—the Las Piernas News Express wobbles along in defiance of its financial woes, and with the help of her husband, Frank, and a good therapist, she’s recovered from the debilitating post-traumatic stress disorder that haunted her after her near-fatal encounter with notorious serial killer ...

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Overview

Irene Kelly fights for her life in this blood-chilling sequel to the Edgar Award–winning smash hit Bones.

Despite her reporter’s nose for trouble, Irene Kelly’s life has almost returned to normal—the Las Piernas News Express wobbles along in defiance of its financial woes, and with the help of her husband, Frank, and a good therapist, she’s recovered from the debilitating post-traumatic stress disorder that haunted her after her near-fatal encounter with notorious serial killer Nick Parrish. Until she receives some unwelcome news: Parrish, once thought permanently paralyzed by the injuries he sustained fleeing recapture, is walking again. And the rumor among the Moths, Parrish’s online fan club, is that he’s coming after Irene.

Suddenly Irene is on the other end of the microphone, being hounded by the media for interviews and plied with questions she’d hoped never to have to answer again. She tries to believe that she is safe from Parrish, who is imprisoned in a maximum security facility, and that the growing stream of threats from the Moths is all just talk. But an unnerving prank soon lets her know that someone, at least, wants her to be afraid. And when a young woman’s body turns up in the trunk of a car near her home—naked, frozen solid, and decorated from head to toe in elaborately painted moths—it becomes clear that Irene will once again find herself pitted against a brutal murderer. She knows the twisted hunter who is stalking her all too well . . . or does she?

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Editorial Reviews

Publishers Weekly
Psychopath Nicholas Parrish, who almost cost Irene Kelly her life in the Edgar-winning Bones, returns in Burke's overwrought 11th thriller featuring the California newspaper reporter (after 2006's Kidnapped). When bodies start popping up bearing Parrish's elaborate moth designs and his online devotees—the Moths—become more active, Kelly fears the imprisoned Parrish is planning a comeback, having made a miraculous recovery from a spinal cord injury. Life at work is far from pleasant, as her paper, Las Piernas News Express, struggles to survive in a world that relies less on print media, forcing Kelly to make a radical career choice. Much of the suspense dissipates as Burke intercuts Kelly's chapters with those focusing on Parrish and three men the reader soon learns are half-brothers and sons of the serial killer. The stage is inevitably set for Parrish's escape and rematch with Kelly, familiar territory from Bones that does little to flex Kelly's formidable investigative skills or Burke's narrative ones. (June)
From the Publisher
“Burke is among the most reliable performers in the thriller genre. . . . She’s in top form with this shrewd blending of nightmarish suspense and taut police procedural.”San Diego Union-Tribune

"In Disturbance, Burke has written another nail-biting, adrenaline-pumping, heart-stopping novel that will have her readers wondering how Irene Kelly will ever survive this viper's nest."Dayton Daily News

"It doesn't get more suspenseful than this superb thriller. Jan Burke's villains, more terrified of each other than of anyone else, will stick in the reader's mind. Grade: A-"Cleveland Plain Dealer

“Burke shows a wickedly realistic touch in her villains—killer Parrish and his three sons, who all but define ‘dysfunctional family.’”St. Louis Post-Dispatch

“Tautly written and suspenseful . . . Irene [is] a strong, likable protagonist.”Booklist

Kirkus Reviews

A brood of serial killers makes a family business out of stalking reporter Irene Kelly.

A perennial star with the Las Piernas (California) News Express, Irene Kelly now finds herself facing eclipse, the trouble coming from two directions. First, the embattled News Express, long engaged in a bitter war of attrition, the same one being waged by newspapers nationwide, puts out a final edition, converting Irene and her colleagues into unhappy members of the nonworking press. A tough deal for someone like Irene who loves her job so much that the loss of it is in a sense a small death. But death by metaphor is only that, after all, while real death—that which has been promised her by notorious serial killer Nick Parrish—is an over-and-done-with proposition, the stuff of obits and requiems. Irene has a history with Parrish, the kind that doesn't bear thinking about, except that she does think about it, recalling a robotic monster who kills as if assembled for no other purpose. Her experience with Parrish has been hands-on: his hands on her throat, resulting in trauma she relives in shivery nightmares whenever things go bump in the night. She'd been lucky to wriggle free of him, an escape so narrow she can't quite believe in its permanence. Yes, she knows that Parrish, his body wracked by serious injuries to head and spine, is locked away behind prison bars presumably forever—a life sentence, no possibility of parole—but still she worries. The worry will intensify exponentially when she learns about those three chips off the old block.

Even Burke, accomplished thrillermeister that she is (The Messenger, 2008, etc.), can't get blood from a stone, or wring a nuance from your basic, warmed-over serial killer, a prototype well past its sell date. Her next will be better.

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Product Details

  • ISBN-13: 9781439152843
  • Publisher: Simon & Schuster
  • Publication date: 6/21/2011
  • Series: Irene Kelly Series , #11
  • Edition description: Simon & Schuster
  • Pages: 368
  • Sales rank: 1,390,408
  • Product dimensions: 9.10 (w) x 6.10 (h) x 1.10 (d)

Meet the Author

National bestseller Jan Burke is the author of a dozen novels and a collection of short stories. Among the awards her work has garnered are Mystery Writers of America’s Edgar® for Best Novel, Malice Domestic’s Agatha Award, Mystery Readers International’s Macavity, and the RT Book Club’s Best Contemporary Mystery. She is the founder of the Crime Lab Project (CrimeLabProject.com) and is a member of the board of the California Forensic Science Institute. She lives in Southern California with her husband and two dogs. Learn more about her at JanBurke.com.

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Read an Excerpt

ONE

Some people claim to be able to feel trouble coming, the way they might feel a storm approaching from a long way off. They sense a disturbance in the atmosphere, something stirs the hairs along the backs of their necks or makes them wary when old, slumbering injuries awaken and ache. My own sense of such things is not entirely reliable. Just as I am more likely to be caught in a downpour than I am to be the only one with an umbrella, trouble has blindsided me more often than it has announced its approach.

Hindsight being so sharp-sighted, when I look back on that June afternoon, I can say that my sixth sense, if it was working at all, was fully occupied by the distinct possibility that I would be out of a job within a few months. That didn’t make me different from ninety-nine out of a hundred of the country’s newspaper reporters.

So as I sat at my desk in the newsroom of the Las Piernas News Express, rewriting a city council story that wasn’t likely to excite anyone, my thoughts were taken up with trying to find a better angle on it. What I felt, when the phone on my desk rang, was not fear but irritation at the distraction.

“Kelly,” I answered, using my headset.

“Irene? Aaron Mikelson.”

Mikelson used to work for the Express, but he had moved up north to Sacramento several years ago. He covers California state government for a news service there, reporting on everything from the legislature to the prison system, and putting up with all the jokes about the inhabitants of both being similar.

“You hear about Nick Parrish?” he asked.

“No,” I said, and my next, exhilarating thought was He’s dead.

“You know he regained the ability to speak, right?”

“Yes.” During the first months after Nick Parrish had sustained head and spinal injuries, he had gradually recovered speech and movement in his hands and feet, though he wasn’t walking. The speech impairment had cleared up as the swelling from the head injury was reduced. That he had fully recovered his speech wasn’t news to me, and Mikelson knew that—he was the one who had let me know Parrish was asking about me at the time.

“You haven’t talked to him?”

“Nothing has changed in the last few years,” I said. “I have no interest whatsoever in talking to him or in hearing what he has to say.”

“He tried to sue you, right?”

For a stunned moment, I wondered if Mikelson could possibly believe that my only complaint about Nick Parrish was a frivolous lawsuit. Aloud I said, “Tried. The courts rejected the suits he filed against me and the paper, so after that … well, that was more than enough of hearing from him.”

“Understood. He’s one sick bastard.”

“Yes,” I said, thinking that “sick bastard” didn’t come close to describing Parrish. Mere words couldn’t draw a line around him and hold the monster he was within.

“You know about the Moths?”

I sighed. “His online fan club? Yes. Almost too predictable that some group like that would form, right? If the Internet has given us anything, it’s some idea of how much psychosis goes undiagnosed.”

“Amen.”

“Look, Aaron, you cover a prison beat, so you know how this goes. Parrish has doubtless had a dozen marriage proposals, too.”

“That’s true. I don’t claim to understand it. I don’t know if I’ll ever figure out why anyone would want to marry a serial killer. How could anyone ignore what he did to those women before he killed them? And not just women, right?”

Images I’d rather not recall started flashing through my mind.

Body parts scattered over a rain-drenched field.

Parrish shoving my face into the mud, nearly suffocating me.

Photos of one of his victims found in the grave he had forced her to dig.

I could hardly concentrate on what was going on around me. As if from a great distance, I heard Mikelson’s voice in the headset. I was vaguely aware that he was saying something more about the women who wanted to marry Parrish. Asking me if I had read anything on the Moths’ blog or social networking pages lately.

I swiveled my chair, stood up, and looked out across the newsroom.

A normal Monday afternoon. Everyone else bent over their keyboards or on the phone, working toward deadline. Far fewer reporters than I would have seen even a year ago, but a normal day for these times. I took a deep breath.

As the rush of memories faded, my brain kicked into gear. Mikelson had news about Parrish, and Parrish wasn’t dead, or he would have told me that right off the bat. He wasn’t speaking of him in the past tense.

I thought about hanging up, letting voicemail catch the call if he called back, leaving my colleagues to wonder why I ran out of the building looking as if I had the devil on my tail.

I let the breath out, told myself to get a grip. I sat down again, turned to face the computer.

“Anyway,” Mikelson was saying, “you may not know this, but when he was first injured, the doctors didn’t realize he had something called central cord syndrome—they thought he’d be tetraplegic. But then some spine specialists were called in, and they started treating it differently. They stabilized his neck. He was on anti-inflammation drugs, and they did several surgeries. Then there was a long process of rehab.”

“Look, Aaron, I really don’t—”

“He’s walking.”

“Walking?”

“Yes. On his own. And not just walking—he’s got full use of his limbs, with very few limitations. Apparently the type of injury he had is one of the few that have such a good prognosis. His doctor says that, for his age, he was unusually fit. And he was incredibly determined, really worked hard. I guess the trickiest thing was this last surgery on his neck. They’ve kept his progress under wraps, waiting to see how he did after the surgeries, and with the rehab.”

“Oh?” I managed to say.

I looked down at my hands. My fingers were shaking. I pressed them against my cheeks. It was like sticking my face in a bowl of ice.

“Yes. His docs say he’s doing much better than most patients his age.”

I stayed silent. This time, Mikelson noticed it.

“You okay?”

“No,” I said. I tried again to marshal my thoughts. “Um—this isn’t an interview, is it, Aaron?”

“Jesus, Kelly. No. Just a friend calling a friend.”

I apologized.

He said not to worry about it, then added, “Listen, later, if you’d be willing—”

I bit back a few choice phrases. “I’ll have to talk to my editor about it.” But the anger was good. It drove off some of the panic.

“Sure. Sure.” He paused. “Look, Parrish isn’t going anywhere, even if he can walk—now that he’s finished rehab, he’ll be transferred out of the prison hospital and into maximum security.”

“Of course,” I said.

“I keep thinking about that guy who lost his leg because of him. The forensic anthropologist—what was his name?”

“Ben. Ben Sheridan.” God. I’d have to tell Ben.

“Yeah, that’s right. I mean, how ironic is it that he’s not walking and Parrish is?”

“Ben walks just fine,” I said, unable to keep the anger out of my voice. “He lost part of one leg below the knee, but he’s got a prosthesis. He leads an active life. In fact, he’s still helping to put away assholes like Nick Parrish.”

Mikelson paused just long enough to let me know my reaction had surprised him, then said a little too brightly, “That’s great. Glad to hear it—I mean that. So he’s doing okay. Maybe I’ll try to give him a call.”

I shut up again, thinking of how unhappy Ben was going to be with me if Mikelson called him. Aaron could have looked up the information he needed anyway, but I had made his work a little easier, and I wasn’t happy with myself for that.

“There was a partner, right?” Aaron asked. “The original Moth. Parrish’s partner is still in the slammer, right?”

“Yes.” I left it at that, my resentment rising a notch. He knew damned well that Parrish’s accomplice, who had helped him escape and lured victims into his grasp, was serving an LWOP sentence—life without possibility of parole.

Aaron isn’t stupid. He knew he needed to stop pushing if he wanted my cooperation down the road. So he changed the subject and asked me about mutual friends and former Express employees, and caught me up on news of a couple of people I knew at the Sacramento Bee. Eventually, he said, “Sorry if I upset you about Parrish. Just thought you should know. And you’ll let me know first if John cuts you loose to talk to other media?”

“Sure. Thanks for the heads-up.”

I called Ben Sheridan’s cell but got his voice mail. The outgoing message said he was away and out of cell phone range but would be returning late Tuesday. Leave a message.

I decided I couldn’t leave this news of Parrish as voice mail, so I simply asked Ben to give me a call when he got back to town. I hung up, wondering if Mikelson was already in the process of tracking him down.

Calling Ben had forced me to collect my thoughts. My blood might be running cold, but I still had enough ink in my veins to realize that this was a breaking story, and one the Express needed to cover. Mark Baker, our crime beat reporter, was at his desk, so I got his attention and filled him in. He’s known me a long time and quickly figured out that overt sympathy was probably going to make me lose it, so we mutually pretended this news wasn’t personal.

He called the prison hospital and confirmed the details. At that point, we got together with our editor, John Walters, and the city editor, Lydia Ames. A few more meetings were held, and plans for the front page changed.

I didn’t really want to be writing about Parrish or reminding the public—or myself—of his crimes. But under current conditions, every day with a job at a newspaper felt like a stay of execution, so I didn’t shy away from the work, however much it amplified my fears.

Rumors were at a fever pitch at the Express. No one had any doubt that the paper was in financial trouble. If a buyer wasn’t found soon, we’d close. Bets were being laid on whether our publisher, Winston Wrigley III, was going to resign or be canned before the place shut down entirely. Some said he stayed on because he had nothing else to do with his life, others that he seemed to believe the captain ought to go down with the ship. Most of us felt that this particular captain should have been thrown overboard a long time ago.

But the general state of the industry wasn’t his fault, and as much as I disliked him, I couldn’t help but find him a pitiful creature now. His shame surrounded him like a force field, repelling his critics even as it protected him from our anger. His grandfather had founded the newspaper, his father had built it into one of the most powerful businesses in the city. Yet the newspaper business was one the next son had never understood, and now it punished him for his ignorance. Although his father had seen Winston III’s weaknesses and had been smart enough to set things up so that he answered to a board, too many family members were on that board, and they often protected sonny boy. Luckily for us, these days he avoided his employees—Winston III spent most workdays wandering aimlessly through the many parts of the building that were now all but empty.

For the staff, morale was at an all-time low. We stomached the group “good-bye parties,” fought against the pressure put on senior staff to retire early, and went to too many funerals—the heart attack rate among our oldest male reporters and retirees should have triggered a study by the CDC. Admittedly, these were the guys who, in their salad days, had never touched a salad, and I’m sure the high-pressure work, the years of hard drinking, and the once smoke-filled workplace took their toll. But it was hard not to believe that loss of dignity was the final nail in their coffins.

Old newspapermen were dying. The rest of us had to listen to people who believed all in-depth professional reporting could be replaced by text messages. The saying might have to change to “Don’t believe everything you read … on your cell phone.”

It wasn’t just the Express that was being measured for a coffin, of course. The whole profession had been hearing eulogies while it was still on life support.

That afternoon, though, the newsroom was stirring to life in a way it hadn’t in some weeks. Stories about Parrish, our local monster, sold papers. We could provide the kind of detail that wasn’t going to be available on television. I had doubts that anyone living in the city needed a recap, but I dutifully told them of that time when Parrish—manacled and heavily guarded—pledged to help us find the body of one of his victims. It was part of a plea bargain, in exchange for which he would receive a life sentence rather than the death penalty. At the request of the victim’s family, I accompanied the group that journeyed into the Sierra Nevada to recover her remains. We walked into a trap. I was one of the few lucky ones—I lived.

Parrish escaped and continued to terrorize Las Piernas and other cities while he was on the loose. When he was finally captured, he was injured and almost completely paralyzed. Between that and his conviction and imprisonment on additional murder charges, the good citizens of Las Piernas breathed a sigh of relief. They were safe.

Those of us who had been in the mountains with him never felt completely safe again.

By the end of the day, I was a wreck. When I came home, I told myself I was glad that my husband, Frank, was away on a camping trip with our next-door neighbor, Jack. Glad that they had taken our two dogs with them. Frank needed the break, and the dogs loved going to the mountains. Maybe by the time they got back, I’d have calmed down.

Except for the company of my elderly cat, Cody, I was alone.

Not for the first time, I reminded myself. After all, when you’re married to a homicide detective, there are plenty of nights when he’s not home. Although the dogs were usually with me, this wasn’t the first time Jack—who is in many ways as much their owner as we are—had taken them camping.

Nick Parrish was in prison. He might be able to walk, but he wasn’t going anywhere. I made dinner for one and watched television. Avoided all crime programming, which turned out to be about half of what was on. Other channels I flipped because I didn’t want to shop from my TV or watch someone cook. I still found enough to stay amused. The distraction worked for a time.

I was safe, wasn’t I?

By the time I went to bed, though, I could believe that for only a few minutes at a time. I tried to sleep. After an hour of tossing and turning, I switched on the light and grabbed a book of crossword puzzles. I was still awake when the alarm went off.

I kept telling myself I had nothing to fear.

I was wrong.

© 2011 Jan Burke

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Customer Reviews

Average Rating 3.5
( 11 )
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Sort by: Showing all of 11 Customer Reviews
  • Posted May 1, 2011

    more from this reviewer

    This is an outstanding thriller

    Sacramento reporter Aaron Mikelson calls his friend and former peer at the Las Piernas News Express Irene Kelly with the news that her worst nightmare serial killer Nick Parrish (see Bones) is walking after recovering from a spinal cord trauma. She is upset as it took her loving husband and a shrink to help her heal after her confrontation with Parrish and his original Moth groupie, both locked away in maximum security prisons. Kelly tries to warn her friend forensic anthropologist Ben Sheridan who lost part of a leg to Parrish. Ben and his roommate Ethan Shire arrive with their dogs.

    Meanwhile, Kelly becomes the center again thanks to Parrish of a media feeding frenzy while the serial killer's Moths threaten her bodily harm for what she did to their "god" and their increasing belief that his resurrection will be soon. The Moths expect to assist Parrish when he returns to confront Kelly. When the corpse of woman painted with moths all over her body is found in Kelly's car, the reporter knows that even with her ruthless foe still incarcerated, she is back in hell as one of his disciples has begun the war.

    This is an engaging thriller though the journalist does not have to do much investigating as the ruthless enemy brings the fight directly to her. Readers know early who Parrish's most devoted and dangerous allies are which detracts from the tension. Still, with insight into the plight of printed newspapers and the stunning number of previously secret psychos like the Moths who have surfaced via the Internet, fans of the series will enjoy round two anticipating the face to face confrontation.

    Harriet Klausner

    2 out of 3 people found this review helpful.

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  • Posted October 12, 2011

    Highly Recommended!!!!!!!!!

    Jan Burke does it again! Irene Kelley Series # 11 has you thumb turning, and sitting on edge for Irene's latest caper! Irene never disappoints!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 6, 2013

    Lorrie

    Good read, interesting characters

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  • Posted July 29, 2011

    OH What a great surprise!

    I'm so excited to have a new book to read by Jan Burke! She is one of my favorites and also a very nice person. Thank u

    Was this review helpful? Yes  No   Report this review
  • Posted July 6, 2011

    Slooooow!

    Not worth time or $!

    0 out of 1 people found this review helpful.

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