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| Deer Tick | Primary Artist |
| Chris Ryan | Bass, Vocals, Group Member |
| Steve Colmus | Background Vocals |
| Rob Crowell | Keyboards, Saxophone, Vocals, Group Member |
| Brendon Massei | Piano |
| Garrett Mason | Guitar, Soloist |
| John McCauley | Vocals, Group Member |
| Adam Landry | Guitar, Soloist, Guitar (Baritone) |
| Ian O'Neil | Vocals, Group Member |
| Dennis Ryan | Percussion, Drums, Vocals, Group Member |
| Logan Davis | Background Vocals |
| J. Roddy Walston | Background Vocals |
| Billy Gordon | Background Vocals |
| Jeff Chu | Violin |
| Carole Bestvater | Violin |
| Robin Gilbert | Viola |
| Matthew Knippel | Cello |
| Ian Wheeler | Management |
| Rob Crowell | Composer |
| Seth Manchester | Engineer |
| Deer Tick | Artwork |
| John McCauley | Composer |
| Adam Landry | Producer |
| John Chavez | Booking |
| Ian O'Neil | Composer |
| Zach Jaeger | Layout |
| John Baldwin | Mastering |
| Dennis Ryan | Composer |
| J. Corndawg | Composer |
| Scott Alario | Cover Photo |
| Justin Collins | Producer |
Editorial Reviews
All Music Guide - James Christopher Monger
The fourth full-length studio album from singer/songwriter John McCauley's ragged, lo-fi, alt-country, indie rock outfit Deer Tick sounds more like the band that occasionally devotes entire sets to Nirvana under the 'Deervana' moniker than it does the folksy, garage-bound hybrid of Nebraska-era Springsteen and Tom Petty & the Heartbreakers that appeared on earlier albums. Recorded in the band's hometown of Providence, Rhode Island, Divine Providence sounds like last call and feels like the morning after, offering up 12 slabs of Stooges and Stones-inspired raw power that celebrate the sweet lows and fleeting highs of being young, numb, and full of rum in a ...