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Divins secrets des petits Ya Ya (Divine Secrets of the Ya-Ya Sisterhood)

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2002 MASS MARKET PAPERBACK New 2266128825 Condition: NEW. Great Customer Service! Ships from France. *****PLEASE NOTE: This item is shipping from an authorized seller in ... Europe. In the event that a return is necessary, you will be able to return your item within the US. To learn more about our European sellers and policies see the BookQuest FAQ section***** Read more Show Less

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Product Details

  • ISBN-13: 9782266128827
  • Publisher: Presses Pocket
  • Publication date: 8/4/2000
  • Language: French
  • Edition description: French-language Edition
  • Pages: 471
  • Product dimensions: 4.20 (w) x 6.90 (h) x 0.90 (d)

Meet the Author

Rebecca Wells
Rebecca Wells
Rebecca Wells grew up "in a world that valued storytelling immensely, and where your status in the community was determined not solely by your wealth or profession, but by how good you could tell a tale." Based on that criterion, Wells has already achieved an aristocratic standing among readers who found her Little Altars Everywhere and Divine Secrets of the Ya-Ya Sisterhood to be life-changing reads.


In 1992, a Louisiana-born playwright and actress introduced the world to a clan of quirky Southerners that instantly made an indelible imprint on readers all over the country. Little Altars Everywhere was the warm and witty story of the Walker family of Thornton, Louisiana, and it established Rebecca Wells as one of the most beloved writers in contemporary literature. She solidified that position further with Divine Secrets of the Ya-Ya Sisterhood in 1996. Now, nearly ten years later, Wells is giving her avid fans yet another reason to celebrate.

Wells originally made waves as an acclaimed playwright. After a childhood spent indulging in the Southern tradition of verbal story-telling, Wells decided to develop her innate skill for yarn-spinning by penning plays after moving to New York City to pursue a career as a stage actor.

It was not until the early '90s that Wells decided to try her hand at a novel. While telling the larger story of the dysfunctional Walkers, Little Altars Everywhere chiefly focused on a young girl named Siddalee, a character which author Andrew Ward once described as "one of the sharpest little chatterboxes since Huckleberry Finn." Little Altars became both a critical favorite and a bestseller, and paved the way for the smashingly successful Divine Secrets of the Ya-Ya Sisterhood, which continued Siddalee's story and revealed her mother Vivi's affiliation with an exuberant society of Southern women. The Ya-Ya Sisterhood not only wowed critics across the country, but it hit #1 on the New York Times bestseller list and inspired a cult-like following of readers to rival Wells's fictional sisterhood.

Unfortunately, during the years following the release of Wells's most beloved novel, she was diagnosed with Lyme disease, an illness that no doubt slowed her productivity. "Before I started treatment, on my weakest days, I was unable to lift my hands to type," she says on her web site. "My husband would hold a tape recorder for me so I could talk scenes that were in my imagination. On some days, I could not walk. My husband would lift me out of my wheelchair and into my writing chair. I could only write about 20 minutes, always at night. I learned to humble myself to limitations of energy, and I learned to be grateful that even though my body was so sick, my imagination was still very much alive. I consider Ya-Yas in Bloom to be my ‘miracle baby.'"

Indeed, her legion of fans will agree that her latest release is nothing short of miraculous. After nearly a decade since the release of Divine Secrets of the Ya-Ya Sisterhood, Rebecca Wells has finally produced the third installment of her popular series. Ya-Yas in Bloom reaches further back than either of her previous novels, examining the origins of the Ya-Ya sisterhood in the 1930s through various narrators and a family album-like format. Wells's devoted followers will surely find much to enjoy in what the author describes as a "more tender book" than her last two works. "Illness -- and the love and forgiveness I have been given have taught me about the need for Tenderness," she says. "Now I know more deeply that we all need more compassion and kindness than this fast, consumer-driven world encourages. Life is not easy. It is filled with pain. It is also filled with joy and moments of ...[a]nd all of a sudden, you realize how beautiful this raggedy life really is."

Wells's positive outlook should only glow more brightly as her health continues to improve. As for the Ya-Yas, Wells is happy to report, "Good Lord willing and the creek don't rise, I definitely hope to write more Ya-Ya books. The universe of the Ya-Yas has a million tales, and somebody has to tell them!"

Good To Know

While attending the Naropa Institute in Boulder, Colorado, Wells studied language and consciousness with legendary beat poet Allen Ginsberg.

Writing is not the only thing that this author takes seriously. In 1982, she formed a chapter of the Performing Artists for Nuclear Disarmament in Seattle, Washington.

Some fun and fascinating outtakes from our interview with Wells:

"Flowers heal me. Tulips make me happy. I keep myself surrounded by them as soon as they start coming to the island from Canada, and after that when they come from the fields in La Connor, not far from where I live. When their season is over, I surround myself with dahlias from my friend Tami's garden."

"I believe that we are given strength and help from a power much larger than ourselves. I believe if I humble myself that this power will come through me, and help me create work that is bigger than I would have ever been able to have done alone. I believe that illness has led me to a life of gratitude, so I consider Lyme disease at this point in my life to be a blessing in disguise."

"I value humor, kindness, and the ability to tell a good story far more than money, status, or the kind of car someone drives."

"I dislike the second Bush administration's abuse of power. I abhor his administration's waging of war, and the systematic design to make the rich richer and the poor poorer."

"I love being with my husband and family, walking outside, standing in La Luz de La Luna in her ever-changing stages, playing with my dog, singing, dancing, having dinner with friends, playing word games in the parlor, thrilling at our sheep eating alfalfa out of my hand, going to the island farmer's market on Saturdays. I love being told by my doctors that there is every reason to believe that I will get ‘better and better' from Lyme disease. I love that I am privileged enough to have been diagnosed and treated for the fastest growing vector-born bacterial disease in this country."

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    1. Hometown:
      An island near Seattle, Washington
    1. Date of Birth:
    2. Place of Birth:
      Alexandria, Louisiana
    1. Education:
      B.A., Louisiana State University; Graduate work, Louisiana State University and Naropa Institute
    2. Website:

Read an Excerpt

Les Divins Secrets Des Petites YA-YA / Divine Secrets of the YA-YA Sisterhood
By Rebecca Wells Belfond

Copyright © 2005 Rebecca Wells
All right reserved.

ISBN: 9782266128827

Chapter One

Tap-dancing child abuser. That's what the Sunday New York Times from March 8, 1993, had called Vivi. The pages of the week-old Leisure Arts section lay scattered on the floor next to Sidda as she curled up in the bed, covers pulled tightly around her, portable phone on the pillow next to her head.

There had been no sign the theater critic would go for blood. Roberta Lydell had been so chummy, so sisterly-seeming during the interview that Sidda had felt she'd made a new girlfriend. After all, in her earlier review, Roberta had already proclaimed the production of Women on the Cusp, which Sidda had directed at Lincoln Center, to be a miraculous event in American theater. With subtle finesse, the journalist had lulled Sidda into a cozy false sense of intimacy as she pumped her for personal information.

As Sidda lay in the bed, her cocker spaniel, Hueylene, crawled into the crook formed by her knees. For the past week, the cocker had been the only company Sidda had wanted. Not Connor McGill, her fiancé. Not friends, not colleagues. Just the dog she'd named in honor of Huey Long.

She stared at the phone. Her relationship with her mother had never been smooth, but this latestepisode was disastrous. For the umpteenth time that week, Sidda punched in the number of her parents' home at Pecan Grove. For the first time, she actually let it ring through.

At the sound of Vivi's hello, Sidda's stomach began to cramp.

Mama? It's me.

Without hesitation, Vivi hung up.

Sidda punched automatic redial. Vivi picked up again, but did not speak.

Mama, I know you're there. Please don't hang up. I'm so sorry this all happened. I'm really, really sorry. I--

There is nothing you can say or do to make me forgive you, Vivi said. You are dead to me. You have killed me. Now I am killing you.

Sidda sat up in bed and tried to catch her breath.

Mother, I did not mean for any of this to take place. The woman who interviewed me--

I have cut you out of my will. Do not be surprised if I sue you for libel. There are no photographs left of you on any of my walls. Do not--

Sidda could see her mother's face, red with anger. She could see how her veins showed lavender underneath her light skin.

Mama, please. I cannot control The New York Times. Did you read the whole thing? I said, My mother, Vivi Abbott Walker, is one of the most charming people in the world.'

Charming wounded.' You said: My mother is one of the most charming wounded people in the world. And she is also the most dangerous.' I have it here in black-and-white, Siddalee.

Did you read the part where I credited you for my creativity? Where I said, My creativity comes in a direct flow from my mother, like the Tabasco she used to spice up our baby bottles.' Mama, they ate it up when I talked about how you'd put on your tap shoes and dance for us while you fed us in our high chairs. They loved it.

You lying little bitch. They loved it when you said: My mother comes from the old Southern school of child rearing where a belt across a child's bare skin was how you got your point across.'

Sidda sucked in her breath.

They loved it, Vivi continued, when they read: Siddalee Walker, articulate, brilliant director of the hit show Women on the Cusp, is no stranger to family cruelty. As the battered child of a tap-dancing child abuser of a mother, she brings to her directing the rare and touching equipoise between personal involvement and professional detachment that is the mark of theatrical genius.'

Battered child'! This is shit! This is pure character-defaming shit from the most hideous child imaginable!

Sidda could not breathe. She raised her thumb to her mouth and bit the skin around the nail, something she had not done since she was ten years old. She wondered where she'd put the Xanax.

Mama, I never meant to hurt you. Many of those words I never even uttered to that damn journalist. I swear, I--

You Goddamn self-centered liar! It's no Goddamn wonder every relationship you have falls apart. You know nothing about love. You have a cruel soul. God help Connor McGill. He would have to be a fool to marry you.

Sidda got out of bed, her whole body shaking. She walked to the window of her twenty-second-floor apartment in Manhattan Plaza. From where she stood, she could see the Hudson River. It made her think of the Garnet River in Central Louisiana, and how red its water flowed.

Mama, you bitch, she thought. You devouring, melodramatic bitch. When she spoke, her voice was steely, controlled.

What I said was not exactly a lie, Mother. Or have you forgotten the feel of the belt in your hand?

Sidda could hear Vivi's sharp intake of breath. When Vivi spoke, her voice had dropped into a lower register.

My love was a privilege that you abused. I have withdrawn that privilege. You are out of my heart. You are banished to the outer reaches. I wish you nothing but unending guilt.

Sidda heard the dial tone. She knew her mother had broken the connection. But she could not lower the phone from her ear. She stood frozen in place, the sounds of midtown Manhattan down below, the cold March light of the city fading around her.

After years of directing plays in regional theaters from Alaska to Florida, after numerous Off-Off-Broadway productions, Sidda had been ready for the success of Women on the Cusp. When the play finally opened at Lincoln Center that February, it was to unanimous golden reviews...


Excerpted from Les Divins Secrets Des Petites YA-YA / Divine Secrets of the YA-YA Sisterhood by Rebecca Wells Copyright © 2005 by Rebecca Wells. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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