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Doctor Zhivago

Doctor Zhivago

3.8 67
by Boris Pasternak, Richard Pevear (Translator), Larissa Volokhonsky (Translator)

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First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set


First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara, the very embodiment of the pain and chaos of those cataclysmic times. Pevear and Volokhonsky masterfully restore the spirit of Pasternak's original—his style, rhythms, voicings, and tone—in this beautiful translation of a classic of world literature.

Editorial Reviews

From the Publisher
“One of the very great books of our time.” —The New Yorker

“Pevear and Volokhonsky have done a masterly job translating what ought to be considered the definitive English edition of Doctor Zhivago.” —The New Criterion

“A welcome opportunity for anyone who has already read Dr. Zhivago to revisit it and experience a richly rewarding fresh take on an epic tale. For those coming to it for the first time it is a chance to read one of the greatest novels of all times.” —New York Journal of Books
“As well as a gripping story, Doctor Zhivago is a work of meditation and quiet challenge.  Pasternak meant every word of it.  I believe he would be pleased with the powerful fidelity of the translation now before us.” —Angela Livingstone, The Times Literary Supplement (London)

Edmund Wilson
...one of the very great books of our time.... The incidents succeed one another with so much invention and vivacity, with such range of characterization and description, each submerges us so completely in the atmosphere of its moment of Russian life... Doctor Zhivago will, I believe, come to stand as one of the great events in man's literary and moral history. Nobody could have written it in a totalitarian state and turned it loose on the world who did not have the courage of genius.... His book is a great act of faith in art and in the human spirit.
The New Yorker, November 15, 1958

Product Details

Knopf Doubleday Publishing Group
Publication date:
Vintage International Series
Sales rank:
Product dimensions:
5.10(w) x 7.90(h) x 1.20(d)

Read an Excerpt

Part One
The Five O'Clock Express
They walked and walked and sang "Memory Eternal," and when they stopped, it seemed that the song went on being repeated by their feet, the horses, the gusts of wind.
Passers-by made way for the cortège, counted the wreaths, crossed themselves.  The curious joined the procession, asked:  "Who's being buried?"  "Zhivago," came the answer.  "So that's it.  Now I see."  "Not him.  Her."  "It's all the same.  God rest her soul.  A rich funeral."
The last minutes flashed by, numbered, irrevocable.  "The earth is the Lord's and the fullness thereof; the world, and those that dwell therein."  The priest, tracing a cross, threw a handful of earth onto Marya Nikolaevna.  They sang "With the souls of the righteous."  A terrible bustle began.  The coffin was closed, nailed shut, lowered in.  A rain of clods drummed down as four shovels hastily filled the grave.  Over it a small mound rose.  A ten-year-old boy climbed onto it. 
Only in the state of torpor and insensibility that usually comes at the end of a big funeral could it have seemed that the boy wanted to speak over his mother's grave.
He raised his head and looked around from that height at the autumn wastes and the domes of the monastery with an absent gaze.  His snub-nosed face became distorted.  His neck stretched out.  If a wolf cub had raised his head with such a movement, it would have been clear that he was about to howl.  Covering his face with his hands, the boy burst into sobs.  A cloud flying towards him began to lash his hands and face with the wet whips of a cold downpour.  A man in black, with narrow, tight-fitting, gathered sleeves, approached the grave.  This was the deceased woman's brother and the weeping boy's uncle, Nikolai Nikolaevich Vedenyapin, a priest defrocked at his own request.  He went up to the boy and led him out of the cemetery.
They spent the night in one of the monastery guest rooms, allotted to the uncle as an old acquaintance.  It was the eve of the Protection.  The next day he and his uncle were to go far to the south, to one of the provincial capitals on the Volga, where Father Nikolai worked for a publisher who brought out a local progressive newspaper.  The train tickets had been bought, the luggage was tied up and standing in the cell.  From the nearby station the wind carried the plaintive whistling of engines maneuvering in the distance.
Towards evening it turned very cold.  The two ground-floor windows gave onto the corner of an unsightly kitchen garden surrounded by yellow acacia bushes, onto the frozen puddles of the road going past, and onto the end of the cemetery where Marya Nikolaevna had been buried that afternoon.  The kitchen garden was empty, except for a few moiré patches of cabbage, blue from the cold.  When the wind gusted, the leafless acacia bushes thrashed about as if possessed and flattened themselves to the road.
During the night Yura was awakened by a tapping at the window.  The dark cell was supernaturally lit up by a fluttering white light.  In just his nightshirt, Yura ran to the window and pressed his face to the cold glass.
Beyond the window there was no road, no cemetery, no kitchen garden.  A blizzard was raging outside, the air was smoky with snow.  One might have thought the storm noticed Yura and, knowing how frightening it was, reveled in the impression it made on him.  It whistled and howled and tried in every way possible to attract Yura's attention.  From the sky endless skeins of white cloth, turn after turn, fell on the earth, covering it in a winding sheet.   The blizzard was alone in the world, nothing rivalled it. 
Yura's first impulse, when he got down from the windowsill, was to get dressed and run outside to start doing something.  He was afraid now that the monastery cabbage would be buried and never dug out, now that mama would be snowed under and would be helpless to resist going still deeper and further away from him into the ground.
Again it ended in tears.  His uncle woke up, spoke to him of Christ and comforted him, then yawned, went to the window, and fell to thinking.  They began to dress.  It was getting light.
While his mother was alive, Yura did not know that his father had abandoned them long ago, had gone around various towns in Siberia and abroad, carousing and debauching, and that he had long ago squandered and thrown to the winds the millions of their fortune.  Yura was always told that he was in Petersburg or at some fair, most often the one in Irbit. 
But then his mother, who had always been sickly, turned out to have consumption.  She began going for treatment to the south of France or to northern Italy, where Yura twice accompanied her.  Thus, in disorder and amidst perpetual riddles, Yura spent his childhood, often in the hands of strangers, who changed all the time.  He became used to these changes, and in such eternally incoherent circumstances his father's absence did not surprise him.
As a little boy, he had still caught that time when the name he bore was applied to a host of different things.  There was the Zhivago factory, the Zhivago bank, the Zhivago buildings, a way of tying and pinning a necktie with a Zhivago tie-pin, and even some sweet, round-shaped cake, a sort of baba au rhum, called a Zhivago, and at one time in Moscow you could shout to a cabby:  "To Zhivago!" just like "To the devil's backyard!" and he would carry you off in his sleigh to a fairy-tale kingdom.  A quiet park surrounded you.  Crows landed on the hanging fir branches, shaking down hoarfrost.  Their cawing carried, loud as the crack of a tree limb.  From the new buildings beyond the clearing, pure-bred dogs came running across the road.  Lights were lit there.  Evening was falling. 
Suddenly it all flew to pieces.  They were poor.
In the summer of 1903, Yura and his uncle were riding in a tarantass and pair over the fields to Duplyanka, the estate of Kologrivov, the silk manufacturer and great patron of the arts, to see Ivan Ivanovich Voskoboinikov, a pedagogue and popularizer of useful knowledge.
It was the feast of the Kazan Mother of God, the thick of the wheat harvest.  Either because it was lunchtime or on account of the feast day, there was not a soul in the fields.  The sun scorched the partly reaped strips like the half-shaven napes of prisoners.  Birds circled over the fields.  Its ears drooping, the wheat drew itself up straight in the total stillness or stood in shocks far off the road, where, if you stared long enough, it acquired the look of moving figures, as if land surveyors were walking along the edge of the horizon and taking notes.
"And these," Nikolai Nikolaevich asked Pavel, a handyman and watchman at the publishing house, who was sitting sideways on the box, stooping and crossing his legs, as a sign that he was not a regular coachman and driving was not his calling, "are these the landowner's or the peasants'?" 
"Them's the master's," Pavel replied, lighting up, "and them there," having lighted up and inhaled, he jabbed with the butt of the whip handle towards the other side and said after a long pause, "them there's ours.  Gone to sleep, eh?" he scolded the horses every so often, glancing at their tails and rumps out of the corner of his eye, like an engineer watching a pressure gauge. 
But the horses pulled like all horses in the world; that is, the shaft horse ran with the innate directness of an artless nature, while the outrunner seemed to the uncomprehending to be an arrant idler, who only knew how to arch its neck like a swan and do a squatting dance to the jingling of the harness bells, which its own leaps set going. 
Nikolai Nikolaevich was bringing Voskoboinikov the proofs of his little book on the land question, which, in view of increased pressure from the censorship, the publisher had asked him to revise.
"Folk are acting up in the district," said Nikolai Nikolaevich.  "In the Pankovo area they cut a merchant's throat and a zemstvo man had his stud burned down.  What do you think of that?  What are they saying in your village?"
But it turned out that Pavel took an even darker view of things than the censor who was restraining Voskoboinikov's agrarian passions.
"What're they saying?  Folk got free and easy.  Spoiled, they say.  Can you do that with our kind?  Give our muzhiks the head, they'll crush each other, it's God's truth.  Gone to sleep, eh?"
This was the uncle and nephew's second trip to Duplyanka. Yura thought he remembered the way, and each time the fields spread out wide, with woods embracing them in front and behind in a narrow border, it seemed to Yura that he recognized the place where the road should turn right, and at the turn there would appear and after a moment vanish the seven-mile panorama of Kologrivovo, with the river glistening in the distance and the railroad running beyond it.  But he kept being mistaken.  Fields were succeeded by fields.  Again and again they were embraced by woods.  The succession of these open spaces was tuned to a vast scale.  You wanted to dream and think about the future.
Not one of the books that were later to make Nikolai Nikolaevich famous had yet been written.  But his thoughts were already defined.  He did not know how near his hour was. 
Soon he was to appear among the representatives of the literature of that time, university professors and philosophers of the revolution – this man who had thought over all their themes and who, apart from terminology, had nothing in common with them.  The whole crowd of them held to some sort of dogma and contented themselves with words and appearances, but Father Nikolai was a priest who had gone through Tolstoyism and revolution and kept going further all the time.  He thirsted for a wingedly material thought, which would trace a distinct, unhypocritical path in its movement and would change something in the world for the better, and which would be noticeable even to a child or an ignoramus, like a flash of lightning or a roll of thunder.  He thirsted for the new.
Yura felt good with his uncle.  He resembled his mother.  He was a free spirit, as she had been, with no prejudice against anything inhabitual.  Like her, he had an aristocratic feeling of equality with all that lived.  He understood everything at first glance, just as she had, and was able to express his thoughts in the form in which they came to him at the first moment, while they were alive and had not lost their meaning.
Yura was glad that his uncle was taking him to Duplyanka.  It was very beautiful there, and the picturesqueness of the place also reminded him of his mother, who had loved nature and had often taken him on walks with her.  Besides that, Yura was pleased that he would again meet Nika Dudorov, a high-school boy who lived at Voskoboinikov's and probably despised him for being two years younger, and who, when greeting him, pulled his hand down hard and bowed his head so low that the hair fell over his forehead, covering half his face.

What People are Saying About This

Boris Pasternak
I used relgious symbolisms to give warmth to the book. Now some critics have become so wrapped up in those symbols—which are put in the book the way stoves go into a house, to warm it up—that they would like me to commit myself and climb in the stove.... It seemed to me that it was my duty to make a statement about my epoch.

Meet the Author

A poet, translator, and novelist, Boris Pasternak was born in Moscow in 1890. In 1958 he was awarded the Nobel Prize in Literature but, facing threats from Soviet authorities, refused the prize. He lived in virtual exile in an artists’ community near Moscow until his death in 1960.

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Doctor Zhivago (Pevear / Volokhonsky Translation) 3.8 out of 5 based on 0 ratings. 67 reviews.
dreamer26MP More than 1 year ago
Dr. Zhivago is a wonderful novel! It is very detailed and can be confusing at times. It is not meant to be light reading!! It really makes you think about life and questions your beleifs. Keeping a list of all the characters and how they are connected is very helpful. This novel discusses the Russian government choices, religion, and morals. While reading this novel the author Boris Pasternak paints a perfect picture as to where the scenes take place and who the characters are. The writing style is very elegant and beautiful. At the back of the novel there are many poems that Paskernak wrote. When reading I felt as though I were actually feeling what the characters felt and saw. I highly recommend this novel! I really enjoyed it.
HookedrReader More than 1 year ago
I bought the hard cover when the English translation became available here. I not only read the book, I studied it! Then I saw the movie. The movie made the story more exciting, perhaps, but so many very important subplots were lost. The movie had a very different, and disappointing, ending so I read the book once more. Then I retired, we down-sizaed, and I had to depart with many of my books; Dr. Z was one of them. I was very happy to see the Nook version and I have thoroughly enjoyed reading this masterpiecce once more. Yes, a must read!
Guest More than 1 year ago
Doctor Zhivago, written by Boris Pasternak, is a story about the turmoil of revolutionary Russia and its people. It begins a few years before the Bolshevik Revolution and follows events that lead to Civil War and the establishment of the Soviet government. The main character is Dr. Zhivago, a kind and passionate man, who is constantly affected by these events. The book has excellent historical value as well as detail of its characters so that it fully embodies the disorderly mindset of the people. This is most evident in Dr. Zhivago¿s relationship with a woman named Lara. He and his wife Tonya were happily married but when he was drafted to a medical outpost he fell in love with the nurse Lara. Though the Doctor is a good man he is torn between his two loves and inevitably cheats on Tonya. His relationship with Lara beautifully parallels the political struggle that was taking place in Russia. She represents the Communist Russia that the people longed for. She is so close yet unattainable every time the doctor begins to settle with her they experience pain and hardship, whether it be by outside forces or their own actions. She is impossible to reach, impossible to forget, and their relationship, like the revolution, was impossible stop once it began. Dr. Zhivago allows the reader to witness a struggle of the human mind¿s judgment and its desires. It demonstrates that our decisions can start us in one direction and that life¿s unforeseeable circumstances can easily lead us astray.
Anonymous More than 1 year ago
Do not waste your money on this version. None of the reveiws state that it is Russian.
Guest More than 1 year ago
I watched the movie before I read the book and one thing for sure is the fact that the movie dwelled too much on the Lara and Yuri love story. However, the novel goes deeper, describing Russia as it was during the first half of the last century especially before the Second World War. Actually, the novel revolves around Yuri Andreivich Zhivago a doctor and poet whose life is a series of trials beginning with the funeral for his mother¿ until he too made the honorable exit to the world beyond. Dr Zhivago trials take him across the length and breadth of Russia through war as a soldier in the Red Army and as a man with a strong desire to lead a normal life with his wife and son, but who cannot avoid the love of a woman destiny always put on his way.
ljethrogibbs46 More than 1 year ago
I recommend this as one of the modern Russian classics.  It is not an easy read.  I speak some Russian & know quite a bit of Russian history, but  it was slow going in places.  The Great War is almost over, the tsar is gone, Lenin & the Bolsheviks are rising, Whties are fighting Reds, & chaos reigns in what will soon become the Soviet Union.  Be prepared for much discusiion of life, death, war, religion, & the "Russian soul".  Larissa Antipova, one of the main characters, actually sums it all up rather well:  "I caught the time when the notions of the previous peaceful age were still in force.  It was held that one should trust the voice of reason...And suddenly this leap from serene, innocent measuredness into blood & screaming, mass insanity & the savagery of daily & hourly lawful & extolled murder."  Note that the ending of the novel is completely different than that of the film.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Wonderful book but difficult to read. One needs to make a list of characters to sort them all out. Boring at first, then it quickly takes off and you're swept away in this jewel of a love story set in a changing world which Zhivago could never quite understand! Most people don't know that, in many ways, this was modeled after the life of the author. He was originally a poet and there really was a "Lara" who survived him. The story behind the novel is just as fascinating as the book itself! It turned out to have been his last book. As for the movie, I had a huge crush on Large as a teen and was fascinated by the character of Yuri Zhivago. Over the years it's become my favorite movie, and I make it a point to watch it once a year.
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Anonymous More than 1 year ago
I'm currently reading this book right now. It is very interesting, but also very confusing. To get a better understanding I am going to watch the movie. Are the book and the movie the same?
Anonymous More than 1 year ago
If you saw the movie, you need to read this book. Even if you missed the movie, this is a true Russian classic. A must read for everyone!!
fredyyanez More than 1 year ago
Doctor Zhivago written by Boris Pasternak is a great read for those who understand and appreciate the Russian revolution of the early 20th century. The novel tells the story of a man who is stuck with the ideals of those who take charge in Russia. The novel itself is hard to put in words, but it starts with an introduction of the main character Yurii the audience immediately sympathizes with him because at the age of ten he loses his mother. The novel takes place in an era of sociopolitical corruption brought upon by a pre-world war I ideologies. Furthermore, the main struggle faced by Yurri is the struggle for love. First marries and cheats , at certain moments it seems circumstantial, yet it adds to the corruption the book is trying to reveal. The main symbol is the change that is brought upon by war, a change that lara does not experience even though she has lost the most. Over all the book is a good read with very deep and intense undertones, it is best to read constantly because at times many stories develop at a time.
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