Document [25th Anniversary Edition]

Document [25th Anniversary Edition]

by R.E.M.
     
 

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R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every See more details below

Overview

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the midtempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process. [EMI's deluxe 25th Anniversary Edition of R.E.M.'s 1987 commercial breakthrough Document is housed in a flipbox similar to the previous deluxe reissues of Fables of the Reconstruction and Lifes Rich Pageant, and contains a remastered -- and possibly remixed, as it sounds considerably bigger and brighter, with more prominent vocals, than before -- version of Document paired with a full concert given in Utrecht, Holland on September 14, 1987, just as the supporting "Work" tour for Document was beginning. Apart from a roaring "Little America" -- a song not often played in concert -- the live show doesn't have much in the way of surprises, but it's a very entertaining set, heavy on selections from Pageant and Document and an effective portrait of how muscular, forceful, and good R.E.M. were at their late-'80s peak.

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Product Details

Release Date:
09/25/2012
Label:
Capitol
UPC:
5099997200628
catalogNumber:
72006
Rank:
170284

Related Subjects

Tracks

Disc 1

  1. Finest Worksong
  2. Welcome To The Occupation
  3. Exhuming McCarthy
  4. Disturbance At The Heron House
  5. Strange
  6. It's The End Of The World As We Know It (And I Feel Fine)
  7. The One I Love
  8. Fireplace
  9. Lightnin' Hopkins
  10. King of Birds
  11. Oddfellows Local 151

Disc 2

  1. Finest Worksong
  2. These Days
  3. Lightnin' Hopkins
  4. Welcome To The Occupation
  5. Driver 8
  6. Feeling Gravitys Pull
  7. I Believe
  8. The One I Love
  9. Exhuming McCarthy
  10. Wolves, Lower
  11. Fall On Me
  12. Just A Touch
  13. Oddfellows Local 151
  14. Little America
  15. It's the End of the World as We Know It (And I Feel Fine)
  16. Begin The Begin
  17. Disturbance at the Heron House
  18. Moral Kiosk
  19. Life and How to Live It
  20. So. Central Rain

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Album Credits

Performance Credits

R.E.M.   Primary Artist
Steve Berlin   Horn
Carl Marsh   fairlight

Technical Credits

Colin Newman   Composer
Bruce Gilbert   Composer
Graham Lewis   Composer
Peter Buck   Composer
Robert Gotobed   Composer
Gary Laney   Engineer
Scott Litt   Producer
Bob Ludwig   Mastering
Mike Mills   Composer
R.E.M.   Producer,Engineer
Michael Stipe   Composer,Packaging
Robert Vosgien   Mastering
Bill Berry   Composer
Chris Bilheimer   Packaging
Michael Meister   Cover Photo
Steve Catania   Engineer
Ron Scarselli   Packaging
Sandra Lee Phipps   Back Cover Photo,Band Photo
Hunt Waugh   Drum Technician
Vara Radio   Live Recording
David Daley   Liner Notes

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