- Os Ancestrais
- Nao Podemos O Amar Para
- Debaixo Da Ponte
- As Estações
- Música Faz Parte De Mim
- Minha Melanina
- Eletricidade
- Safíra
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0617308090253
Adrian Younge Primary Artist,Vibraphone,Guitar (Bass),Guitar (Electric),Guitar (Nylon String)
Ali Shaheed Muhammad Primary Artist,Guitar (Bass)
Leo Costa Drums
David Urquidi Sax (Baritone)
Danny Janklow Sax (Baritone)
Ashley Jarmack Flute
Gibi Dos Santos Percussion
Khristian Foreman Trombone
Tatiana Tate Trumpet
Katisse Buckingham Flute
Scott Mayo Sax (Alto)
Adam Block Associate Producer
Adrian Younge Mixing,Composer,Engineer,Producer
Julian Montague Graphic Design
Dom Salvador Composer
Ali Shaheed Muhammad Composer
Andrew Lojero Executive Producer

Dom Salvador JID024
by Dom Salvador, Adrian Younge, Ali Shaheed Muhammad
Dom Salvador

Dom Salvador JID024
by Dom Salvador, Adrian Younge, Ali Shaheed Muhammad
Dom Salvador
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Overview
Pianist and composer Dom Salvador's impact on Brazilian music is incalculable. He is the architect of the influential 1971 album Som, Sangue e Raça with his group Abolição; for that album he combined Black American funk and soul with Afro-Brazilian samba and bossa. This work set the stage for bands like Banda Black Rio and Tim Maia. Salvador has been living in the U.S. since 1973 and, for more than 40 years, plays a steady gig with his trio at the River Cafe in Brooklyn. Jazz Is Dead label bosses Adrian Younge and Ali Shaheed Muhammad focused on Brazilian music in 2025. Their collaboration with the pianist is a cross-cultural conversation and an homage to Salvador's achievement. He plays piano and electric piano here; his collaborators hired a band of North American and Brazilian musicians, an orchestra, and a choir to record at Younge's Linear Labs studio. At the pianist's insistence, JID024 was recorded in analog without edits, to deliver an accurate record of the spontaneous, exploratory celebration.
The principals jointly composed these eight pieces -- sometimes on the spot. Opener "Os Ancestrais" weds a simple samba groove with East Indian-sounding guitars, an insistent Leo Costa tom-tom/hi-hat beat, whistles, strings, and Salvador's celebratory, syncopated, wordless scat singing. By contrast "Nao Podermos o Amar Para" sounds like a funkier Sergio Mendes & Brasil '77 with chorus vocals in Portuguese flowing over polyrhythms, Salvador's Afro-Brazilian funk vamps with interlaced guitars, rumbling bass, hand percussion, and modal horns, all gradually increasing dynamics and drama. "Debaixo da Ponte" is a highlight with its mantra-like piano vamp laying a foundation for dueling hand drums, trap kit, and swinging horns as funk, samba, and driving post-bop deliver a hard, danceable groove as piano, baritone, and alto saxophones, bleating trombone, swirling flutes, and a circular bassline delve deep into the Afro-Brazilian jazz-funk maelstrom. While the gorgeous "Musica Faz Parte de Mim" is a lush, sultry bossa-jazz love song carried by the choir, flutes, trap kit, and basslines lie under Salvador's brightly illustrative pianism (as an alto saxophone quotes from Marvin Gaye's "What's Goin' On") while Younge delivers telegraph-key pulses via electric harpsichord. "Minha Melanina" offers elegant, swinging, samba funk with a swelling horn section entwined with the choir. Salvador digs montunos and Afro-Caribbean grooves out of his instrument, adding color, texture, and depth. The driving, jittery "Eletricidade," is a harmonically advanced rhythm orgy involving hand drums, a trap kit, marimba, and organ crisscrossing deep funk, samba, soul, and post-bop with mid-register Fender Rhodes harmonies from Salvador amid kinetic drum breaks and horns channeling Fela Kuti. Closer "Safira" reflects Stevie Wonder's "Higher Ground" and Bob Marley's "Jammin" in a humid collision of hypnotic polyrhythms, reeds, and brass. The Jazz Is Dead crew outdid themselves here. JID024 reveals that Salvador, at age 87 in 2025, is still capable of breaking new ground while continuing to connect the harmonic and rhythmic cultures of Black American jazz-funk and Afro-Brazilian samba with abundant skill, creative vision, and melodic intensity. ~ Thom Jurek
Product Details
Release Date: | 07/11/2025 |
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Label: | Jazz Is Dead |
UPC: | 0617308090253 |
Tracks
Album Credits
Performance Credits
Dom Salvador Primary Artist,Piano,Fender RhodesAdrian Younge Primary Artist,Vibraphone,Guitar (Bass),Guitar (Electric),Guitar (Nylon String)
Ali Shaheed Muhammad Primary Artist,Guitar (Bass)
Leo Costa Drums
David Urquidi Sax (Baritone)
Danny Janklow Sax (Baritone)
Ashley Jarmack Flute
Gibi Dos Santos Percussion
Khristian Foreman Trombone
Tatiana Tate Trumpet
Katisse Buckingham Flute
Scott Mayo Sax (Alto)
Technical Credits
Dave Cooley MasteringAdam Block Associate Producer
Adrian Younge Mixing,Composer,Engineer,Producer
Julian Montague Graphic Design
Dom Salvador Composer
Ali Shaheed Muhammad Composer
Andrew Lojero Executive Producer
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