Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florenceby Marvin Trachtenberg
Pub. Date: 05/31/2008
Publisher: Cambridge University Press
Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for… See more details below
Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.
- Cambridge University Press
- Publication date:
- Edition description:
- New Edition
- Product dimensions:
- 8.60(w) x 10.90(h) x 0.90(d)
Table of ContentsPreface; Part I. History and Theory: 1. Florence brought to historical account; 2. Toward the Trecento Florentine piazza: problematics; Part II. From Theory to Practice: 3. The Piazza del Duomo; 4. The Piazza della Signoria; Part III. Framing Urbanistic Discourse: Space, Subject and Vision in Trecento Theory and the Arts: 5. Spatial theory; 6. The spatial order of Florentine streets, monumental architecture, and the new towns; 7. Trecento pictorial perspective reconsidered; 8. Perspective in Trecento sculpture and architectural detail; 9. The Trecento fusion of the arts; 10. The architecture of painting and the multimedia tableau; 11. The role of optical and surveying theory; Part IV. On The Politics of Urbanistic Order: 12. The political logic of demolition; 13. Spatial form and political authority; 14. The symbolic power of scopic order; 15. Florentine Trecento urbanism as institutional and ideological praxis II; 16. The Florentine urbanistic 'style' as bourgeois instrumentalism; 17. Resistance and Renaissance: an afterword.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >