Don Quixote

Don Quixote

4.9 14
by Miguel De Cervantes Saavedra
     
 

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Don Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.

Translated with Notes by John Rutherford Introduction by Roberto González Echevarría  See more details below

Overview

Don Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.

Translated with Notes by John Rutherford Introduction by Roberto González Echevarría

Editorial Reviews

From the Publisher
"The highest creation of genius has been achieved by Shakespeare and Cervantes, almost alone." —Samuel Taylor Coleridge

"A more profound and powerful work than this is not to be met with...The final and greatest utterance of the human mind." —Fyodor Dostoyevsky

"What a monument is this book! How its creative genius, critical, free, and human, soars above its age!" —Thomas Mann

"Don Quixote looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through his sheer vitality....The parody has become a paragon." —Vladimir Nabokov

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Fyodor Dostoyevsky
A more profound and powerful work than this is not to be met with...The final and greatest utterance of the human mind.
Samuel Taylor Coleridge
The highest creation of genius has been achieved by Shakespeare and Cervantes, almost alone.
Children's Literature - Kathleen Karr
Brits Martin Jenkins and Chris Riddell have obviously had a marvelous time with this "retelling" of Cervantes' classic, early seventeenth century picaresque novel. Still, it cannot have been easy condensing the original nine hundred-odd pages into the fast paced three-hundred-plus here offered. Riddell's exquisite page-by-page illustrations (very fine pen-and-ink sketches that literally fly off the pages, interspersed with occasional full-page and double-spread color paintings) must have been tough calls, too, given the popular impressions of the story's major characters and events inscribed in the contemporary brain by recent years of touring productions of the musical Man of la Mancha. The end result gives one the feeling of a graphic novel wrapped around an especially lucid batch of copy—all beautifully designed and produced. That said, the volume is also a pretty nifty way to introduce a fresh generation or two of young readers to knight errants and squires and the chivalric code Cervantes so brilliantly satirized. Reviewer: Kathleen Karr

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Product Details

ISBN-13:
9780142437230
Publisher:
Penguin Publishing Group
Publication date:
12/17/2002
Pages:
1072
Sales rank:
112,173
Product dimensions:
5.00(w) x 7.70(h) x 1.90(d)
Age Range:
18 Years

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The Life of Cervantes

Miguel de Cervantes Saavedra was at once the glory and reproach of Spain; for, if his admirable genius and heroic spirit conduced to the honour of his country, the distress and obscurity which attended his old age, as effectually redounded to her disgrace. Had he lived amidst Gothic darkness and barbarity, where no records were used, and letters altogether unknown, we might have expected to derive from tradition, a number of particulars relating to the family and fortune of a man so remarkably admired even in his own time. But, one would imagine pains had been taken to throw a veil of oblivion over the personal concerns of this excellent author. No inquiry hath, as yet, been able to ascertain the place of his nativity;1 and, although in his works he has declared himself a gentleman by birth, no house has hitherto laid claim to such an illustrious descendant.

One author* says he was born at Esquivias; but, offers no argument in support of his assertion: and probably the conjecture was founded upon the encomiums which Cervantes himself bestows on that place, to which he gives the epithet of Renowned, in his preface to Persiles and Sigismunda.2 Others affirm he first drew breath in Lucena, grounding their opinion upon a vague tradition which there prevails: and a third* set take it for granted that he was a native of Seville, because there are families in that city known by the names of Cervantes and Saavedra; and our author mentions his having, in his early youth, seen plays acted by Lope Rueda, who was a Sevilian. These, indeed, are presumptions that deserve some regard, tho', far from implying certain information, they scarce even amount to probableconjecture: nay, these very circumstances seem to disprove the supposition; for, had he been actually descended from those families, they would, in all likelihood, have preserved some memorials of his birth, which Don Nicholas Antonio would have recorded, in speaking of his fellow-citizen. All these pretensions are now generally set aside in favour of Madrid, which claims the honour of having produced Cervantes, and builds her title on an expression? in his Voyage to Parnassus, which, in my opinion, is altogether equivocal and inconclusive.

In the midst of such undecided contention, if I may be allowed to hazard a conjecture, I would suppose that there was something mysterious in his extraction, which he had no inclination to explain, and that his family had domestic reasons for maintaining the like reserve. Without admitting some such motive, we can hardly account for his silence on a subject that would have afforded him an opportunity to indulge that self-respect which he so honestly displays in the course of his writings. Unless we conclude that he was instigated to renounce all connexion with his kindred and allies, by some contempt'ous flight, mortifying repulse, or real injury he had sustained; a supposition which, I own, is not at all improbable, considering the jealous sensibility of the Spaniards in general, and the warmth of resentment peculiar to our author, which glows through his productions, unrestrained by all the fears of poverty, and all the maxims of old age and experience.


From the Hardcover edition.

Copyright 2001 by Miguel de Cervantes

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What People are saying about this

From the Publisher

"The highest creation of genius has been achieved by Shakespeare and Cervantes, almost alone." —Samuel Taylor Coleridge

"A more profound and powerful work than this is not to be met with...The final and greatest utterance of the human mind." —Fyodor Dostoyevsky

"What a monument is this book! How its creative genius, critical, free, and human, soars above its age!" —Thomas Mann

"Don Quixote looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through his sheer vitality....The parody has become a paragon." —Vladimir Nabokov

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J. M. Cohen
One of the best adventure stories in the world.
Thomas Mann
What a unique monument is this book!... How its creative genius, critical, free, and human, soars above its age!
Carlos Fuentes
Don Quixote is the first modern novel, perhaps the most eternal novel ever written and certainly the fountainhead of European and American fiction: here we have Gogol and Dostoevsky, Dickens and Nabokov, Borges and Bellow, Sterne and Diderot in their genetic nakedness, once more taking to the road with the gentleman and the squire, believing the world is what we read and discovering that the world reads us.
Milan Kundera
The novelist teaches the reader to comprehend the world of a question.
—(Milan Kundera

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Meet the Author

Miguel De Cervantes Saavedra was born in Spain in 1547 to a family once proud and influential but now fallen on hard times. His father, a poor barber-surgeon, wandered up and down Spain in search of work. Educated as a child by the Jesuits in Seville, the creator of Don Quixote grew up to follow the career of a professional soldier. He was wounded at Lepanto in 1571, captured by the Turks in 1575, imprisoned for five years, and was finally rescued by the Trinitarian friars in 1580. On his return to Spain he found his family more impoverished than ever before. Supporting his mother, two sisters, and an illegitimate daughter, he settled down to a literary career and had hopes of becoming a successful playwright, but just then the youthful Lope de Vega entered triumphantly to transform the Spanish theatre by his genius. Galatea, a pastoral romance, was published in 1585, the year of Cervantes’ marriage to Catalina de Palacios y Salazar Vozmediano. But it did not bring him an escape from poverty, and he was forced to become a roving commissary for the Spanish armada. This venture, which led to bankruptcy and jail, lasted for fifteen years. Although he never knew prosperity, Cervantes did gain a measure of fame during his lifetime, and Don Quixote and Sancho Panza were known all over the world. Part I of Don Quixote was published in 1605; in 1613, his Exemplary Novels appeared, and these picaresque tales of romantic adventure gained immediate popularity. Journey to Parnassas, a satirical review of his fellow Spanish poets, appeared in 1614, and Part II of Don Quixote in 1615 as well as Eight Plays and Eight Interludes. Miguel de Cervantes died on April 23, 1616, the same day as the death of Shakespeare—his English contemporary, his only peer.

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Don Quixote 4.9 out of 5 based on 0 ratings. 14 reviews.
ConnorB More than 1 year ago
Don Quixote by Miguel de Cervantes is an outstanding novel that engages the reader in ways no other novel has accomplished. The Story is centered on a Middle aged man named Alonzo Quixano, from the region of La Mancha, who enjoys reading books of chivalry. He eventually becomes so obsessed with these stories that he reads so many until he puts it upon himself to become a Knight-errant to defeat the wicked and defend the helpless. He names himself Don Quixote de la Mancha (Sir Thighpiece) and finds himself a nag and names it Rocinante (Hackafore) and swears an oath to Dulcinea del Toboso, a peasant women that he labels as a princess. He convinces his local Sancho Panza to follow him as a faithful Squire, promising to make him a wealthy governor of an isle. The book is divided into two separate parts, with Part I being published first and Cervantes later publishing Part II. In the story many of the characters have read Part I, making the story even more interesting and entertaining. Throughout the novel the reader follows Don Quixote and Sancho as they go on many adventures throughout Spain, creating mischief as they run around in their fantasy world. Don Quixote and Sancho go around Spain attacking random citizens for insulting Don Quixote, stealing and committing acts in the name Dulcinea. For every wrong Don Quixote does he makes an excuse that he was blinded by an enchanter and as Sancho takes the heat for his actions. Don Quixote has many famous recognizable adventures such as Don Quixote's attack upon the windmills, mistaking them for giants, or when he is tricked and frees a devious galley slave. Or the time when he sees a herd of sheep moving down the desert, and he mistakes them for an army as he charges and ensures carnage upon the sheep. I think this was a outstanding book that kept the reader interested all the way through. Cervantes writing style helps enhance the story as it engages the reader with an different writing style. Personally, I like Part I better than Part II, because throughout Part I Don Quixote is reckless and basically does whatever he wants stating that because he's a knight-errant he can basically do what he wants. While in the Second Part he becomes wiser not striking out when he becomes angry or insulted; not being as crazy and reckless. I would recommend this book to anyone even though it is a long book; it is completely worth it as you read about the comical and enchanting tales of Don Quixote de La Mancha.
Anonymous More than 1 year ago
I was very fortunate to have randomly chosen what I consider to be the best translation, by John Rutherford. Alas, I cannot read Spanish, least of all the 17th-century variety, but I believe that Mr. Rutherford may be capturing the enchantment of the writing itself better than any other. Unfortunately, through a technical glitch B&N readers are not able to compare translations (I would have been so interested to see the one by Tobias Smollett), since only the Edith Grossman one is featured on the web site, regardless of whichever edition the prospective buyer clicks on. The Grossman may be the most accurate, but it's also rather dry, more modern, more utilitarian, while the Rutherford is more poetic and a whole lot more fun, though much more archaic in style. Compare just the first paragraph of Chapter I. In Grossman's description of the Don's lifestyle, "He had a housekeeper past forty, a niece not yet twenty." Well, here is Rutherford's version: "He maintained a housekeeper on the wrong side of forty, a niece the right side of twenty..." And on it goes. I find that the best way to enjoy this classic is not to look for a gripping plot or high drama, which you are not likely to find -- wasn't that just what drove the old guy crazy in the first place? -- but to pick a translation (or, of course, to read the original, if you are so fortunate) that will captivate you, and let it sail you right through this huge work on a magic carpet of comedic lyricism. In any case, this book is a real beauty, a wonderful place to spend your time!
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Guest More than 1 year ago
This novel is very long! Well worth the time and price. Strongly reccomended!
Guest More than 1 year ago
This book was great I really loved it. It only took me about 1 1/2 weeks to read the book. IT IS GREAT! I also recommened other great classics and Left Behind:... Series for all AGES! And I'm only 14 so read this book if I can read it so can YOU!