Don Quixote
Miguel de Cervantes Saavedra was born September 29, 1547, was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel Don Quixote, a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, many of its details are disputed or unknown, and the bulk of his surviving work was produced in the three years preceding his death. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes".[12] An incident in the story of Don Quixote (1870), by English painter Robert Hillingford, depicts a scene from Cervantes' magnum opus. In 1569, Cervantes was forced to leave Spain and moved to Rome, where he worked in the household of a cardinal. In 1570, he enlisted in a Spanish Navy infantry regiment and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575 when he was captured by Barbary pirates; after five years in captivity, he was ransomed and returned to Madrid. His first significant novel, titled La Galatea, was published in 1585, but he continued to work as a purchasing agent, then later a government tax collector. Part One of Don Quixote was published in 1605, Part Two in 1615. Other works include the 12 Exemplary Novels a long poem, Journey to Parnassus); and Eight Plays and Eight Entr'actes. The Travails of Persiles and Sigismunda, was published posthumously in 1616.
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Don Quixote
Miguel de Cervantes Saavedra was born September 29, 1547, was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel Don Quixote, a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, many of its details are disputed or unknown, and the bulk of his surviving work was produced in the three years preceding his death. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes".[12] An incident in the story of Don Quixote (1870), by English painter Robert Hillingford, depicts a scene from Cervantes' magnum opus. In 1569, Cervantes was forced to leave Spain and moved to Rome, where he worked in the household of a cardinal. In 1570, he enlisted in a Spanish Navy infantry regiment and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575 when he was captured by Barbary pirates; after five years in captivity, he was ransomed and returned to Madrid. His first significant novel, titled La Galatea, was published in 1585, but he continued to work as a purchasing agent, then later a government tax collector. Part One of Don Quixote was published in 1605, Part Two in 1615. Other works include the 12 Exemplary Novels a long poem, Journey to Parnassus); and Eight Plays and Eight Entr'actes. The Travails of Persiles and Sigismunda, was published posthumously in 1616.
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Don Quixote

Don Quixote

by Miguel de Cervantes

Narrated by Cyril Taylor-Carr, The Cliff

Unabridged — 18 hours, 49 minutes

Don Quixote

Don Quixote

by Miguel de Cervantes

Narrated by Cyril Taylor-Carr, The Cliff

Unabridged — 18 hours, 49 minutes

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Overview

Miguel de Cervantes Saavedra was born September 29, 1547, was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel Don Quixote, a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, many of its details are disputed or unknown, and the bulk of his surviving work was produced in the three years preceding his death. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes".[12] An incident in the story of Don Quixote (1870), by English painter Robert Hillingford, depicts a scene from Cervantes' magnum opus. In 1569, Cervantes was forced to leave Spain and moved to Rome, where he worked in the household of a cardinal. In 1570, he enlisted in a Spanish Navy infantry regiment and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575 when he was captured by Barbary pirates; after five years in captivity, he was ransomed and returned to Madrid. His first significant novel, titled La Galatea, was published in 1585, but he continued to work as a purchasing agent, then later a government tax collector. Part One of Don Quixote was published in 1605, Part Two in 1615. Other works include the 12 Exemplary Novels a long poem, Journey to Parnassus); and Eight Plays and Eight Entr'actes. The Travails of Persiles and Sigismunda, was published posthumously in 1616.

Editorial Reviews

Thomas Mann

What a monument is this book! How its creative genius, critical, free, and human, soars above its age!

Fyodor Dostoyevsky

A more profound and powerful work than this is not to be met with...The final and greatest utterance of the human mind.

Samuel Taylor Coleridge

The highest creation of genius has been achieved by Shakespeare and Cervantes, almost alone.

From the Publisher

"[Harrison's] language captures the style of the original.... Ambrus's artwork is well suited to the story; he captures the personalities of both knight and squire without reducing them to caricatures."—School Library Journal

"A fast-paced, readable introduction to Cervantes' novel."—Booklist

Product Details

BN ID: 2940176951301
Publisher: Author's Republic
Publication date: 09/21/2022
Edition description: Unabridged

Read an Excerpt

The Life of Cervantes

Miguel de Cervantes Saavedra was at once the glory and reproach of Spain; for, if his admirable genius and heroic spirit conduced to the honour of his country, the distress and obscurity which attended his old age, as effectually redounded to her disgrace. Had he lived amidst Gothic darkness and barbarity, where no records were used, and letters altogether unknown, we might have expected to derive from tradition, a number of particulars relating to the family and fortune of a man so remarkably admired even in his own time. But, one would imagine pains had been taken to throw a veil of oblivion over the personal concerns of this excellent author. No inquiry hath, as yet, been able to ascertain the place of his nativity;1 and, although in his works he has declared himself a gentleman by birth, no house has hitherto laid claim to such an illustrious descendant.

One author* says he was born at Esquivias; but, offers no argument in support of his assertion: and probably the conjecture was founded upon the encomiums which Cervantes himself bestows on that place, to which he gives the epithet of Renowned, in his preface to Persiles and Sigismunda.2 Others affirm he first drew breath in Lucena, grounding their opinion upon a vague tradition which there prevails: and a third* set take it for granted that he was a native of Seville, because there are families in that city known by the names of Cervantes and Saavedra; and our author mentions his having, in his early youth, seen plays acted by Lope Rueda, who was a Sevilian. These, indeed, are presumptions that deserve some regard, tho', far from implying certain information, they scarce even amount to probableconjecture: nay, these very circumstances seem to disprove the supposition; for, had he been actually descended from those families, they would, in all likelihood, have preserved some memorials of his birth, which Don Nicholas Antonio would have recorded, in speaking of his fellow-citizen. All these pretensions are now generally set aside in favour of Madrid, which claims the honour of having produced Cervantes, and builds her title on an expression? in his Voyage to Parnassus, which, in my opinion, is altogether equivocal and inconclusive.

In the midst of such undecided contention, if I may be allowed to hazard a conjecture, I would suppose that there was something mysterious in his extraction, which he had no inclination to explain, and that his family had domestic reasons for maintaining the like reserve. Without admitting some such motive, we can hardly account for his silence on a subject that would have afforded him an opportunity to indulge that self-respect which he so honestly displays in the course of his writings. Unless we conclude that he was instigated to renounce all connexion with his kindred and allies, by some contempt'ous flight, mortifying repulse, or real injury he had sustained; a supposition which, I own, is not at all improbable, considering the jealous sensibility of the Spaniards in general, and the warmth of resentment peculiar to our author, which glows through his productions, unrestrained by all the fears of poverty, and all the maxims of old age and experience.


From the Hardcover edition.

Copyright 2001 by Miguel de Cervantes

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