Don't Cry Now

( 3 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Don't Cry Now expanded the pop
ock concessions of Linda Ronstadt, and the result was the singer's first genuine hit record, peaking at number 45 on the charts.
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Don't Cry Now expanded the pop
ock concessions of Linda Ronstadt, and the result was the singer's first genuine hit record, peaking at number 45 on the charts.
Read More Show Less

Product Details

  • Release Date: 10/25/1990
  • Label: Asylum Records
  • UPC: 075596062527
  • Catalog Number: 5064

Album Credits

Performance Credits
Linda Ronstadt Primary Artist, Primary Artist, Primary Artist, Primary Artist, Tabla, Tambourine, Vocals, Background Vocals
Buddy Emmons Steel Guitar
Larry Carlton Electric Guitar
Clydie King Background Vocals
Rick Roberts Acoustic Guitar
Wendy Waldman Background Vocals
Nino Tempo Saxophone
Jim Gordon Saxophone
Sneaky Pete Kleinow Guitar, Pedal Steel Guitar, Steel Guitar
Ed Black Electric Guitar, Steel Guitar
Michael Bowden Bass
Richard Bowden Electric Guitar
Richard Bowen Electric Guitar
John Boylan Electric Piano
Craig Doerge Piano
Chris Ethridge Bass
Jimmie Fadden Harmonica
Glenn Frey Electric Guitar
Gib Guilbeau Fiddle
James Gordon Saxophone
Jimmie Haskell Strings
Ginger Holladay Background Vocals
Andy Johnson Electric Guitar
Mackinley Johnson Trumpet
Russ Kunkel Drums
Darrell Leonard Trumpet
Shirley Matthews Background Vocals
Marti McCall Background Vocals
Jerry McGee Electric Guitar
Mickey McGee Drums
Spooner Oldham Piano
Herb Pedersen Acoustic Guitar, Guitar, Background Vocals
Sid Sharp Concert Master
Lee Sklar Bass
J.D. Souther Acoustic Guitar, Bass, Guitar, Electric Guitar, Background Vocals
Dennis St. John Drums
Mary Holliday Background Vocals
Mack Johnson Trumpet
Gail Martin Trombone
Leland Sklar Bass
Jimmy Fadder Harmonica
Mike Bowden Bass
Sherlie Matthews Background Vocals
Sneaky Pete Steel Guitar
Technical Credits
Don Henley Composer
Peter Asher Producer
John Boylan Producer
Ed Caraeff Cover Photo
Peter Granet Engineer
John Haeny Engineer
Jim Ed Norman Horn Arrangements, String Arrangements
Al Schmitt Remixing
J.D. Souther Producer, Remixing
Terry Wright Sleeve Photo
Glenn Ross Cover Design
Ric Tarrantini Engineer
Shawn R. Britton Mastering
Jimmy Haskell String Arrangements
Cathy Seeter Cover Design
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

4 Star

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    TERRIFIC SOUNDING PRE-STARDOM TURN

    Linda had some difficulities under the Capitol Records banner. She made albums that cost more than they sold and she spent much of her time touring making her a well-known cult figure. When she switched to the Warner's group she released this minor masterpiece. Many have complained this disc is more ballad oriented and it's a legitimate observation as only 2 of the 10 tracks are up tempo. With all of Ronstadt's vinyl that has been released on disc, the sound is compressed. One is better off playing the original vinyl. Mobile Fidelity has taken this pre-stardom gem from the original analog master and recorded it in "real time" "not fast duplication used in most CDs" and recorded on a 24k gold disc in a numbered limited edition digipak. And the results are astounding. You are right in the recording studio with her. She has taken several songs associated with others and made them her own signature tunes including The Eagles "her former backup band" DESPERADO and Bonnie Raitt's soft and plaintif LOVE HAS NO PRIDE and given them new life. Long time collaborator and co-producer "this CD has 3" J.D. Souther wrote 3 of the 4 new songs she performs here including the simply complex "no play on words here" title track and the best track on the disc--Neil Young's I BELIEVE IN YOU. She is her finest recording up to the time this disc was released in 1973 and produced by her soon to be mentor/manager/starmaker Peter Asher. This limited edition has 5 digits but that does not equate to 99,999 copies available. So get it while you can. It is an investment and well worth for just the incredible sonics alone. However, this is a historic recording in every aspect. Her next recording almost 2 years later finally catapulted her into well-deserved superstardom. A must for serious correctors and nostalgia fans alike.

    1 out of 1 people found this review helpful.

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