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Don'T Murder Your Mystery

Don'T Murder Your Mystery

5.0 4
by Chris Roerden

ISBN-10: 1933523131

ISBN-13: 9781933523132

Pub. Date: 04/01/2006

Publisher: Bella Rosa Books

Product Details

Bella Rosa Books
Publication date:
Edition description:
New Edition
Sales rank:
Product dimensions:
6.00(w) x 9.00(h) x 0.68(d)

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Don't Murder Your Mystery: 24 Fiction-Writing Techniques to Save Your Manuscript from Turning up D. O. A. 5 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
No mystery author should be without this book. It is chock full of examples and information needed for writing mysteries. Editors should use it as well. She touches on just about every aspect of mystery writing. She gives lots of examples from published mystery writers and explains in layman¿s terms the do¿s and don¿ts. This is not just another how-to book. It is geared specifically for mysteries. You may have a great plot and great characters, but there is so much more in writing a mystery. Many don¿t make it past the first few pages when being read by agents and publishers. This book will help your manuscript shine above the others. I highly recommend this book to all writers and editors. I use it in my editing and recommend it to my clients. Dawn Dowdle, Sleuth Editing.
Guest More than 1 year ago
I have shelves filled with how-to books about writing, but Chris Roerden's DON'T MURDER YOUR MYSTERY instantly surpassed them all and became my number one reference and guide. She covers the 24 writing mistakes she sees most often as an editor and uses examples from published works to illustrate skillful techniques for avoiding those deadly traps. Although the book is specifically aimed at mystery writers, this accomplished editor's advice will help writers in all genres. A special pleasure of the book is the author's own lively, entertaining writing style. Highly recommended!
Guest More than 1 year ago
From the beginning of this immensely insightful writing manual, Chris Roerden focuses on what it takes to write novels that will survive both an agent¿s and a publisher¿s screening process. I spent a couple of years in the early 1990s reading the slush pile at two nearby publishing houses, and I can affirm Roerden¿s statement that the vast majority of manuscripts submitted to agents and presses are rejected because the writers fail to submit a solid, well-written, and entertaining product.####### In the dog-eat-dog world of publishing, Roerden tells us publishers pick very few new writers ¿ and only those who look like winners ¿ and they ¿ignore the rest whose work reveals evidence of average writing, aka `amateur.¿¿ She goes on to tell us: ¿The publishing industry cannot afford to gamble on writers who are still developing their potential, who show little evidence of having studied the craft of the profession they aspire to, or who fail to reflect the preferences that publishers and agents state in their submission guidelines¿ (p. 12). ####### The book setup is clever. In ten parts, she delineates 24 specific fiction-writing areas to focus upon in revisions. To start out, in Part I: DEAD ON ARRIVAL, she lays out all the reasons why writers simply must write, revise, edit, and format their novels or else they won¿t be published. In that section, Roerden tells us about THE JUDGES: Screener-outers - and what they look for THE PLAINTIFFS: Writers - and what you hope for THE DEFENDANTS: Agents and publishers - and why they do what they do and CORRECTIONS FACILITIES: Self-editors - and how to do what you need to.####### Each of the subsequent nine parts features one of the 24 fiction-writing techniques, which Roerden, tongue in cheek, labels CLUES. For instance, in Part III: FIRST OFFENDERS, she¿s got: CLUE #1: HOBBLED HOOKS - Replace with high-tensile lines that stretch your holding power CLUE #2: PERILOUS PROLOGUES - Beware: May lead to low-tension, post-prologue, backstory ache CLUE #3: BLOODY BACKSTORY - To remove the evidence, slice, dice, and splice. ####### The advice to ¿slice, dice, and splice¿ is quite simply wonderful, and with her terrific explanations, it¿s easy to remember what she means and apply it to work on a manuscript. In concise language steeped in good humor and fabulous examples, Roerden reveals each of the 24 CLUES (including FATAL FLASHBACKS, TOXIC TRANSCRIPTS, DECEPTIVE DREAMS, DASTARDLY DESCRIPTION, DYING DIALOGUE, KILLED BY CLICHÉ, GESTURED TO DEATH, and many more). She systematically provides tips and techniques for avoiding these pitfalls. The 24 ¿Clues,¿ when properly understood and applied, will make any author¿s well-told tale a winner. ####### She rounds out this well-written guide with an index and four ¿Exhibits,¿ including: instructions for standard manuscript formatting a bibliography of the multitude of books she cited throughout the text a list of popular Internet crime writing sites and recommended nonfiction in the areas of general writing, mystery, editing, character building, marketing, etc. ####### All too often How-To guides warn you about basic no-no¿s, but I¿ve never before seen a guide that does such a great job detailing HOW TO AVOID those no-no¿s. Using clear-headed explanations, Roerden creates outstanding examples of poor form and uses shining examples of good form from 150 published novels, all of which provides through and easy-to-understand instruction. ####### Despite the title of this book, this How-To manual is *not* only for mystery writers. I would recommend it for anyone who is attempting to create a finished draft for publication. HIGHLY RECOMMENDED.
Guest More than 1 year ago
I've been writing for over 10 yrs and I don't write mysteries. For years I've attended classes and conferences. I've read dozens of how-to books and bushels of writers' magazines,but I learned from this book. It's basic enough for beginners, thorough and deep enough for seasoned writers, and humorous enough to read just for fun¿the best how-to I've read.