Well, what do you know? Little Maddy Spencer got out of Hell. God help us all. Palahniuk (Damned, 2011, etc.) is rarely known to revisit characters in the manner of Irvine Welsh. But after the heavily experimental voices in Snuff, Pygmy and Tell-All, maybe a little more blasphemy by way of Judy Blume is an acceptable compromise. The author's muse, 13-year-old Madison Spencer, may be a lot of things--chubby, dead, virginal and sarcastic to the point of sadism--but she's often quite funny in her most shocking moments. To catch up, Maddy woke up in Hell. It turns out that Hell has a hell of a lot of rules, and Maddy broke every one of them trying to figure out her predicament--the last when she overstayed a visit to Earth on Halloween. Now, she's stuck here as a ghost. As a notoriously unreliable narrator, Madison can grate on the nerves, but it's sort of peek-between-your-fingers interesting to learn more of her gruesome back story. First, Maddy runs into her dead grandmother, then discovers her billionaire father shagging her rival from Hell. So there's that to fix. For better or worse, Madison is guided by Crescent City, a Ketamine-addicted paranormal detective who can see her during his frequent binges. Oh, remember those rules we discussed? Farting, cussing and picking your nose are all grounds for eternal damnation--except little dead Maddy told her diva of a mother that they were requirements for ascendancy to Heaven, and now Mommy Dearest has founded a new religion based on all of her daughter's grossest behaviors. The book's other revelation--other than a long-hatching conspiracy about Maddy's role in the End of the World--turns out to be the real reason that Madison Spencer believes she was damned in the first place. If you only read one book this year about a dead teenager posting on message boards about playing supernaturalist and tempting Satan's wrath, let it be this one.
With a disturbing but mordantly funny body of work that began with 1996's Fight Club, Chuck Palahniuk has become a cult author who regularly attracts both the interest of Hollywood and the bewilderment of readers who have never seen writing so fearless, modern, and smart.
Biography
Readers of Chuck Palahniuk's novels must gird themselves for the bizarre, the violent, the macabre, and the just plain disturbing. Having done that, they can then just enjoy the ride.
The story goes that Palahniuk wrote Fight Club out of frustration. Believing that his first submission to publishers (an early version of Invisible Monsters) was being rejected as too risky, he decided to take the gloves off, so to speak, and wrote something he never expected to see the light of day. Ironically, Fight Club was accepted for publication, and its subsequent filming by directory David Fincher earned the author an obsessive cult following.
The apocalyptic, blackly humorous story of a loner's entanglement with a charismatic but dangerous underground leader, Fight Club was the first in a series of controversial fiction that would keep Palahniuk in the spotlight. Since then, he has crafted strange, disturbing tales around unlikely subjects: a disfigured model bent on revenge (the revised Invisible Monsters) ... the last surviving member of a death cult (Survivor) ... a sex addict who resorts to a bizarre restaurant scam to pay the bills (Choke) ... a lethal African nursery rhyme (Lullaby) ... and so the list continues.
Palahniuk has said that he has heard a lot from readers who were never readers before they saw his books, from boys in schools where his books are banned. This might be the best evidence that Palahniuk is a writer for a new age, introducing a (mostly male) audience to worlds on the page that usually only exist in technicolor nightmares.
Good To Know
Palahniuk (pronounced paul-a-nik) worked as a diesel mechanic for a trucking company before he became an author, jotting story notes for The Fight Club under trucks he was supposed to be working on.
Palahniuk's family has had a sad history of violence: His grandfather killed his grandmother and then committed suicide; later in life, his divorced father was murdered in 1999 by a girlfriend's ex-husband. The killer was convicted and sentenced to death in October, 2001. Palahniuk's book, Choke, was driven by an attempt to look at how sexual compulsion can destroy (see essay below for more).
When not working on his novels, Palahniuk has written features for Gear magazine, through which he befriended shock rocker Marilyn Manson; and is reportedly working on a script of the Katie Arnoldi novel Chemical Pink for Fight Club director David Fincher.
While writing, Palahniuk has said he listens to Nine Inch Nails, Marilyn Manson, and Radiohead.
To a reader who asked in a Barnes & Noble.com chat why the novel Invisible Monsters was not released in hardcover, Palahniuk responded: "My original request was not to have any of my books released as hardcovers b/c I felt guilty asking for over $20 for anything I had done. With Invisible Monsters I finally got my way."
Invisible Monsters was inspired by fashion magazines Palahniuk was reading at his laundromat, according to an interview with The Village Voice. "I love the language of fashion magazines. Eighteen adjectives and you find the word sweater at the end. 'Ethereal. Sacred.' I thought, Wouldn't it be fun to write a novel in this fashion magazine language, so packed with hyperbole?"