From the Publisher
2009 Eisner Award Winner
“By far Tezuka’s edgiest work at that point in his career, this series is riveting and, frankly, creepy as hell, with Tezuka’s signature ‘cute’ style offering a welcome counterpoint to the visceral horrors depicted. Highly recommended.” —Publishers Weekly
“The premise and Tezuka’s eerie renditions of larval Hyakkimaru and the monsters that come after him is unusually effective and chilling.” —The Onion A.V. Club
“It’s the pioneer of the manga tradition wading neck deep into the mire of freakish swordsmen, ghouls and historical messiness: Kurosawa and Leone meets Romero… Dororo stands as a classic that showcases Osamu Tezuka’s unique approach to manga and to the world.”—Aint’t It Cool News
“Sleek in design and swift in pacing, the story’s blend of mayhem and laffs and depression creates a uniquely chaotic world… The monster designs are excellent, ranging from detailed etchings to gargantuan masses of doomy scribbles.” —Jog-The Blog
The late master manga storyteller Tezuka (Astro Boy; Phoenix) returns with the next volume of his 1967-1968 horror/samurai epic, and the dire doings escalate to horrifying levels as young swordsman Hyakkimaru continues his quest to reclaim his stolen body parts from a gaggle of demons, accompanied by the self-described "world's greatest thief," the diminutive Dororo. This time their wanderings bring them into carnage-laden conflict with fearful villagers, carnivorous fox spirits, opposing actions in a border war, a face-stealing evil Buddha statue, unrestful child ghosts and a nobleman whose loving marriage to a moth demon brings about shocking tragedy. Along this journey of despair, vengeance and the darkest of magic, Hyakkimaru encounters long-lost members of his family-with devastating results-while secrets from Dororo's past are revealed in the presence of a monk who persuades Hyakkimaru that an aspect of his thieving companion may offer a hint to his mission in life once he completes his odyssey of righteous killing. As per the previous volume, this is compelling stuff and notable among Tezuka's works for being almost relentlessly downbeat, gruesome and genuinely creepy, all elements somehow enhanced by the artist's appealing animation-influenced visual style. (June)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.