Double Blind is always interesting because St. Aubyn is exacting. He takes all of this book’s topics seriously; he distills them and gives them all a good shake . . . [Ian McEwan] isn’t the only novelist unafraid of serious thinking about technology and science."—Dwight Garner, The New York Times
"[St. Aubyn] has a way of dealing with heavyweight themes with bantam agility . . . [Double Blind] jabs and dances and dazzles as it manages the neat trick of turning such weighty topics as neuroscience, ecology, psychoanalysis, theology, oncology, and genetics into a sparkling entertainment that challenges as it delights . . . In this devourable novel, St. Aubyn is a wielder of diamond-sharp sentences that cut to the essences of family and love, friendship and rivalry, ambition and mortality.” —Mark Rozzo, Air Mail
"If, as Henry James said, the first duty of the novelist is to be interesting, he would be happy in St. Aubyn’s company. Double Blind is emotionally cogent and intellectually fascinating. There are reflections and conversations here which adroitly evoke those important intersections where science and our urgent contemporary concerns meet. I was gripped by it." —Ian McEwan
“I am incapable of reading Edward St. Aubyn's writing without perpetual gasps of astonishment and admiration at the craft of his sentences . . . How consciousness emerges; what genetics can tell us about our existence; the failure of the utopian hopes of genetics to explain everything as recently as twenty years ago—all of these things are alive in this novel of ideas, along with a deeply felt and moving story of human love and attachment.” —Adam Gopnik, author of A Thousand Small Sanities and Paris to the Moon
"A rollicking tale of love and science in a world increasingly hostile toward both . . . Hectic—but very funny." —Amy Brady, Scientific American
"St. Aubyn expounds on epigenetics, rewilding, art, neuroscience, and philosophy in this sublime character-driven novel. With his usual elegant prose, St. Aubyn follows three friends—Francis, Olivia, and Lucy—through a transformative year . . . St. Aubyn brings off a seemingly effortless and provocative examination of the mind and its refractions. This one’s not to be missed." —Publishers Weekly (starred review)
“[An] elegant, carefully plotted tale . . . More humorous but just as intellectually inclined as Richard Powers . . . St. Aubyn explores human foibles even as he brilliantly takes up headier issues of the human brain in sickness and in health . . . Thought-provoking, [and] smartly told.” —Kirkus Reviews (starred review)
"Double Blind is a book of big ideas, in which the characters experiment with medicine, psychology, narcotics, religion and meditation to understand themselves and find peace. But as cerebral as the book is, it is also deeply felt, because St Aubyn has been thinking about these issues for decades." —Hadley Freeman, The Guardian
"This is a novel with heart . . . Double Blind is both clever and compassionate, confirming St Aubyn as among the brightest lights of contemporary British literature." —Alex Preston, The Spectator
"Shakespearean in scope and tone, moving from the intimate to the universal within paragraphs and providing tragedy, comedy and human frailty . . . without forgetting the tapestry-like threads of the story itself . . . Brimful of energy, this novel asks big questions—'How could one ever truly enter into another subjectivity?'—without giving us all the answers." —Zoe Apostolides, Prospect
"Likeable and rounded characters and a celebration of the best things in life: the wilderness of Knepp and a touching but complex love story . . . St Aubyn's reinvention as a writer is heroic and astonishing. He has emerged from the 'very difficult truth' of this childhood to write brilliantly about that and, now, about a lot more." —Bryan Appleyard, Sunday Times
"There is in Double Blind a compassion that St Aubyn has elsewhere tended to either eschew or keep implicit. Despite the novel's acerbic edge, St Aubyn is attentive to his characters' suffering and vulnerability whatever their privileges . . . St Aubyn's prose is as elegant as anybody familiar with his previous work might expect." —Luke Warde, Irish Independent
"This is the best kind of novel of ideas, as entertaining as it is chewy, not to mention immensely pleasurable on the sentence level." —Stephanie Cross, Daily Mail
"St Aubyn has lost none of his ability to create rounded characters . . . and the witty dialogue is well up to the standard of the Melrose books." —Jake Kerridge, Daily Telegraph
In his remarkable performance of Edward St. Aubyn’s newest novel, stage and screen actor Benedict Cumberbatch proves yet again that he is a master of pacing and characterization. With a plot that is captivating, funny, and bewildering, listeners should just hang on for the ride and Cumberbatch’s performance as three endearing friends and their mostly endearing compatriots consider ecology, genetics, neuroscience, fortitude, and kindness while experiencing life in England, France, and the States. When not delivering a silky, warm, and beautifully enunciated narration, Cumberbatch subsumes himself into a multiplicity of male and female roles. Among others, an Italian priest, an American venture capitalist, an English naturalist, and an unforgettable English schizophrenic all walk across the mind’s eye and into the heart. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2021, Portland, Maine
In his remarkable performance of Edward St. Aubyn’s newest novel, stage and screen actor Benedict Cumberbatch proves yet again that he is a master of pacing and characterization. With a plot that is captivating, funny, and bewildering, listeners should just hang on for the ride and Cumberbatch’s performance as three endearing friends and their mostly endearing compatriots consider ecology, genetics, neuroscience, fortitude, and kindness while experiencing life in England, France, and the States. When not delivering a silky, warm, and beautifully enunciated narration, Cumberbatch subsumes himself into a multiplicity of male and female roles. Among others, an Italian priest, an American venture capitalist, an English naturalist, and an unforgettable English schizophrenic all walk across the mind’s eye and into the heart. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2021, Portland, Maine
★ 2021-01-13
St. Aubyn moves on from a troubled King Lear type (Dunbar, 2017) to characters with greater problems still concerning life, death, and figuring out how much caviar and cocaine are enough.
This is a novel of ideas—more specifically, the idea that somehow the world can be saved, whether through rewilding a patch of English forest or employing virtual reality to battle schizophrenia. Everyone involved represents an aspect of mind, from Sebastian, a young man battling mental illness, to Lucy, a principal player who has a frightening encounter with a tumor. Her sympathetic surgeon is of help: When Lucy, brilliant at both science and business, asks if she should avoid any kind of activity, given her condition, he replies, “My only advice is not to drink a case of champagne and go swimming at night in shark-infested waters.” That’s good advice under any circumstances. Lucy swims in the sharky waters of venture capital, working for a man suggestively named Hunter Sterling, who uses his brain and infinite fortune both to execute forward-looking mergers and acquisitions and to explore just about every narcotic there is, a habit that opens the way for moments of bad personal judgment and vulnerability, as when a greedy associate, urged by his wife and sensing the boss’s addictive behavior, tries to engineer a financial coup: “Money had turned his nervously cheerful, basically shy, nerd of a wife into Lady Macbeth.” Even the pure-hearted, ecological character called Francis—think Assisi, which figures in St. Aubyn’s elegant, carefully plotted tale—isn’t above the human fray; he’s ostensibly the faithful lover of Olivia, Lucy’s best friend, but he gets tangled up with a rich investor, which gives the story a bit of erotic frisson and some attention to our vile bodies just at a time when the characters are exploring the higher mysteries of the mind. More humorous but just as intellectually inclined as Richard Powers and David Mitchell, among other contemporaries, St. Aubyn explores human foibles even as he brilliantly takes up headier issues of the human brain in sickness and in health.
A thought-provoking, smartly told story that brings philosophy, medicine, and neuroscience into boardroom and bedroom.
