Double Exposure, Take Three

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Editorial Reviews

Publishers Weekly
In his third volume of celebrity photographs, the film star, now also a professional photographer, once again pairs photos of each subject with comments by a well-known acquaintance. ``A grand old shoe,'' says Alice Faye of Don Ameche, and Lauren Bacall finds Alistairsp correct Cooke ``awe-inspiring.'' Similar kudos come from Stanley Kramer on Maximilian Schell (``unbelievable''), Ronald Reagan on Bob Hope (a ``master showman'') and Anne Bancroft on Patricia Neal (``a true gentlewoman''), to name a few. McDowall uses a variety of techniques--extreme close-up, highlighting, distortion, oversize settings--to characterize his 102...
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Editorial Reviews

Publishers Weekly
In his third volume of celebrity photographs, the film star, now also a professional photographer, once again pairs photos of each subject with comments by a well-known acquaintance. ``A grand old shoe,'' says Alice Faye of Don Ameche, and Lauren Bacall finds Alistairsp correct Cooke ``awe-inspiring.'' Similar kudos come from Stanley Kramer on Maximilian Schell (``unbelievable''), Ronald Reagan on Bob Hope (a ``master showman'') and Anne Bancroft on Patricia Neal (``a true gentlewoman''), to name a few. McDowall uses a variety of techniques--extreme close-up, highlighting, distortion, oversize settings--to characterize his 102 subjects, most often shown with the severely candid, unglamorous miens of ordinary people. Fans of the two earlier volumes will not be disappointed. (Oct.)
Gordon Flagg
In the third volume of actor McDowall's photographs of famous faces in the entertainment world during the past 40 years, each portrait is once again accompanied by commentary on its subject by another celebrity. The pairings encompass both old Hollywood (Alice Faye on Don Ameche, Spanky McFarland on Hal Roach) and new (Tim Burton on Johnny Depp, Isabella Rossellini on Kyle MacLachlan), as well as other areas of entertainment (Andre Previn on Dizzy Gillespie, Barnaby Conrad on Charles Schulz). Although many of the tributes tend toward the banal, others provide genuine insight or at least the amusing anecdote. Much the same can be said for the photographs themselves. Although they are technically accomplished and generally manage to convey the subjects' inherent glamour (is it "possible" to take a dull photo of Clint Eastwood?), in only a few cases does McDowall bring anything additional to them. One of these exceptions, a truly remarkable pairing of close-ups of a seemingly unchanged Elizabeth Taylor taken in 1964 and 1991, goes a long way toward justifying the price of this lavish, oversize volume.

Product Details

  • ISBN-13: 9780688100636
  • Publisher: HarperCollins Publishers
  • Publication date: 10/1/1992
  • Edition description: 1st ed
  • Pages: 256
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