Tennis has been Willy Novinsky's one love ever since she first picked up a racquet at the age of four. A middle-ranked pro at twenty-three, she's met her match in Eric Oberdorf, a low-ranked, untested Princeton grad who also intends to make his mark on the international tennis circuit. Eric becomes Willy's first passion off the court, and eventually they marry. But while wedded life begins well, full-tilt competition soon puts a strain on their relationship—and an unexpected accident sends driven and gifted Willy...

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Double Fault

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Tennis has been Willy Novinsky's one love ever since she first picked up a racquet at the age of four. A middle-ranked pro at twenty-three, she's met her match in Eric Oberdorf, a low-ranked, untested Princeton grad who also intends to make his mark on the international tennis circuit. Eric becomes Willy's first passion off the court, and eventually they marry. But while wedded life begins well, full-tilt competition soon puts a strain on their relationship—and an unexpected accident sends driven and gifted Willy sliding irrevocably toward resentment, tragedy, and despair.

From acclaimed author Lionel Shriver comes a brilliant and unflinching novel about the devastating cost of prizing achievement over love.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
An unabashed messagelove and ambition don't mixflashes repeatedly between the lines of this earnest narrative about two tennis pros who must choose between their marriage and the game. In her sixth novel, Shriver (The Female of the Species) has imagined a credible marriage crisis: when Wilhelmina (Willy) Novinski and Eric Oberdorf meet, Willy already has standing in the ranks of pro tennis, and Eric, fresh out of Princeton, is scrambling to organize his ascent. Together and apart, they hit the circuit, gathering ranking points in a competitive, erotic struggle that infuses their marriage with rising tension. Their roles reverse: Willy grudgingly acknowledges Eric's skill, then struggles to beat him and ends up humiliated as he masters her own game and uses it against her. Eventually, Willy succumbs to the fear of failure that ensures the failure she fears. Shriver stacks the deck against Willy, whose defeatist family and embittered coach have filled her with mean-spirited insecurities, so that her final sacrifice for Eric (equally cocky but more individualized and just plain nicer) is also, unfortunately, her only really instinctive, unprogrammed gesture in the book. In a lengthy letter included with the galley, Shriver explains that she wrote this novel as a cautionary tale about the fatal mix of love and ambition. By substituting simple "truths" for complex, dynamic characters, this didactic novel fulfills her purpose all too well. (Aug.)
Publishers Weekly
Novelist Shriver offers this aptly named romance about two aspiring tennis pros who fall in love and marry only to come to blows on the court and subsequently at home. The narration by soap-opera actress Renée Raudman brings an air of theatricality to the occasionally stiff prose. Under her command, the story becomes an old-fashioned romance replete with one-dimensional characters (who actually become quite likable through Raudman's well-crafted tone) and overwrought scenarios that only serve to make listening all the more enjoyable. Fans of the genre will be giddy with delight, but those looking for a serious love story may be disappointed. A Harper Perennial hardcover. (May)
Library Journal
A marriage wrecked on the shoals of ambition is the theme of Shriver's intriguing sixth novel (The Female of the Species, LJ 2/15/87). When 23-year-old Willy Novinsky meets and marries Eric Oberdorfer, she's a rising professional tennis star and he's a Princeton graduate who just plays for the love of the game. As Eric's tennis prowess increases and his ranking in the men's professional circuit rises, Willy suffers an injury and then a loss of confidence, both of which cause her rankings to plummet. Willy must decide whether her love for her husband is greater than her desire for a number-one ranking in women's tennis and how much she will sacrifice to achieve her goal. Shriver's challenge here is to convince the reader to empathize with Willy, despite her unattractive behavior and misguided choices. Shriver is a talented enough writer to win over some readers, but many will quickly lose patience with Willy and want to tell her to simply grow up and set her priorities straight. Recommended for public libraries.Nancy Pearl, Washington Ctr. for the Book, Seattle
Kirkus Reviews
Fully using the strongest part of her game—psychological insight—Shriver (The Bleeding Heart, 1990, etc.) tracks the fleeting joy and prolonged despair of a young couple, both rising tennis stars, who find their love imperiled by one another's fierce urge to win.

"Love me, love my game," says petite, 23-year-old Willy to lanky Eric on their second meeting, after a first encounter in Manhattan's Riverside Park in which Willy cleaned his clock. She's played since she was five and is ranked in the 400's; he's played less than four years, having discovered tennis at 18, but he already has a ranking himself. The pair's mutual attraction turns to romance, and they marry within the year, knowing that being on tour will offer few chances for them to be together. Willy is prepared to suffer Eric's envy as she advances, but she isn't ready for him to season his game as quickly as he does. On their first anniversary, he wins against her for the first time; six months later, they play in a showcase tournament for new talent and he wins his match while she chokes at match point in a humiliating loss. Not long after, in a funk over her mental state, Willy seriously injures her knee. Even when she resumes playing, she's unable to turn things around, while Eric, with a few lucky breaks but also inspired play, moves to the international circuit and continues to win. He's unable to do well in Willy's eyes, however, no matter how hard he tries, and the marriage quickly goes from rocky to ruinous. Willy discovers that she's pregnant just as Eric is preparing to play in the US Open; her announcement of what should have been happy news creates a new crisis, which proves to be the last straw.

A persistently melodramatic tone doesn't disguise the tragedy in this moving, resonant tale of two sparkling careers and two decent people unable to live in harmony.

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Product Details

  • ISBN-13: 9780061915895
  • Publisher: HarperCollins Publishers
  • Publication date: 5/19/2009
  • Format: eBook
  • Pages: 352
  • Sales rank: 636,839
  • File size: 896 KB

Meet the Author

Lionel  Shriver

Lionel Shriver's novels include The New Republic, the National Book Award finalist So Much for That, the New York Times bestseller The Post-Birthday World, and the Orange Prize winner We Need to Talk About Kevin. Her journalism has appeared in the Guardian, the New York Times, the Wall Street Journal, and many other publications. She lives in London and Brooklyn, New York.


At age seven, Lionel Shriver decided she would be a writer. In 1987, she made good on her promise with The Female of the Species, a debut novel that received admiring reviews. Shriver's five subsequent novels were also well-received; but it was her seventh, 2003's We Need to Talk About Kevin, that turned her into a household name.

Beautiful and deeply disturbing, ...Kevin unfolds as a series of letters written by a distraught mother to her absent husband about their son, a malevolent bad seed who has embarked on a Columbine-style killing spree. Interestingly enough, when Shriver presented the book proposal to her agent, it was rejected out of hand. She shopped the novel around on her own, and eight months later it was picked up by a smaller publishing company. The novel went on to win the 2005 Orange Prize, a UK-based award for female authors of any nationality writing in English.

A graduate of Columbia University, Shriver is also a respected journalist whose features, op-eds, and reviews have appeared in such publications as The Guardian, The New York Times, the Wall Street Journal, the Financial Times, and the Economist. Since her breakthrough book, she has continued to produce bestselling fiction and gimlet-eyed journalism in equal measure.

Good To Know

In our interview, Shriver shared some interesting anecdotes about herself with us:

"I am not as nice as I look."

"I am an extremely good cook -- if inclined to lace every dish from cucumber canapés to ice cream with such a malice of fresh chilies that nobody but I can eat it."

"I am a pedant. I insist that people pronounce ‘flaccid' as ‘flaksid,' which is dictionary-correct but defies onomatopoeic instinct and annoys one and all. I never let people get away with using ‘enervated‘ to mean ‘energized,‘ when the word means without energy, thank you very much. Not only am I, apparently, the last remaining American citizen who knows the difference between 'like' and ‘as,‘ but I freely alienate everyone in my surround by interrupting, ‘You mean, as I said.' Or, 'You mean, you gave it to whom,' or ‘You mean, that's just between you and me. ' I am a lone champion of the accusative case, and so –- obviously -- have no friends."

"Whenever I mention that, say, I run an eight-and-a half-mile course around Prospect Park in Brooklyn, or a nine-mile course in Hyde Park and Kensington Gardens in London, I inevitably invite either: ‘Huh! I only run five! Who does she think she is? I bet she's slow. Or I bet she's lying.' Or: ‘Hah! What a slacker. That's nothing. I run marathons in under two and a half hours!' So let's just leave it that I do not do this stuff for ‘fun,' since anyone who tells you they get ‘high' on running is definitely lying. Rather, if I did not force myself to trudge about on occasion, I would spend all day poking at my keyboard, popping dried gooseberries, and in short order weigh 300 pounds. In which event I would no longer fit through the study door, and I do not especially wish to type hunched over the computer on the hall carpet."

"My tennis game is deplorable."

"Most people think I'm working on my new novel, but I'm really spending most of 2004 getting up the courage to finally dye my hair."

"I read every article I can find that commends the nutritional benefits of red wine -- since if they're right, I will live to 110."

"Though raised by Aldai Stevenson Democrats, I have a violent, retrograde right-wing streak that alarms and horrifies my acquaintances in New York. And I have been told more than once that I am ‘extreme.' "

"As I run down the list of my preferences, I like dark roast coffee, dark sesame oil, dark chocolate, dark-meat chicken, even dark chili beans -- a pattern emerges that, while it may not put me on the outer edges of human experience, does exude a faint whiff of the unsavory."

"Twelve years in Northern Ireland have left a peculiar residual warp in my accent. House = hyse; shower = shar; now = nye. An Ulster accent bears little relation to the mincing Dublin brogue Americans are more familiar with, and these aberrations are often misinterpreted as holdovers from my North Carolinian childhood (I left Raleigh at 15). Because this handful of souvenir vowels is one of the only things I took away with me from Belfast -- a town that I both love and hate, and loved and hated me, in equal measure -- my wonky pronunciation is a point of pride (or, if you will, vanity), and when my ‘Hye nye bryne cye' ( = ‘how now brown cow') is mistaken for a bog-standard southern American drawl I get mad."

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    1. Hometown:
      Brooklyn, New York, and London, England
    1. Date of Birth:
      May 18, 1957
    2. Place of Birth:
      Gastonia, North Carolina
    1. Education:
      B.A., Barnard College of Columbia University, 1978; M.F.A. in Fiction Writing, Columbia University, 1982
    2. Website:

Read an Excerpt

Double Fault

Chapter One

At the top of the toss, the ball paused, weightless. Willy's arm dangled slack behind her back. The serve was into the sun, which at its apex the tennis ball perfectly eclipsed. A corona blazed on the ball's circumference, etching a ring on Willy's retina that would blind-spot the rest of the point.

Thwack. Little matter, about the sun. The serve sang down the middle and sped, unmolested, to ching into a diamond of the chain-link fence. Randy wrestled with the Penn-4. It gave him something to do.

Willy blinked. "Never look at the sun" had been a running admonition in her childhood. Typical, from her parents: avert your eyes from glory, shy from the bright and molten, as if you might melt.

A rustle of leaves drew Willy's gaze outside the fence to her left. Because the ball's flaming corona was still burned into her vision, the stranger's face, when she found it, was surrounded by a purple ring, as if circled for her inspection with a violet marker. His fingers hooked the galvanized wire. He had predatory eyes and a bent smile of unnerving patience, like a lazy lion who would wait all day in the shade for supper to walk by. Though his hairline was receding, the lanky man was young, yet still too white to be one of the boys from nearby Harlem scavenging strays for stickball. He must have been searching the underbrush for his own errant ball; he had stopped to watch her play.

Willy gentled her next serve to Randy's forehand. There was no purpose to a pick-up game in Riverside Park if she aced away the entire set. Reining in her strokes, Willy caressed the ball while Randy walloped it. As ever,she marveled at the way her feet made dozens of infinitesimal adjustments of their own accord. Enjoying the spontaneous conversation of comment and reply, Willy was disappointed when her loping backhand tempted Randy to show off. Ppfft, into the net.

This late in the first set, she often gave a game away to keep the opposition pumped. But with that stranger still ogling their match from the woods, Willy resisted charity. And she wasn't sure how much more of this Randy Ravioli (or whatever, something Italian) she could take. He never shut up. "Ran-dee!" echoed across all ten courts when his shot popped wide. Between points Randy counseled regulars in adjoining games: "Bit too wristy, Bobby old boy!" and "Bend those knees, Alicia!" Willy herself he commended: "You pack quite a punch for a little lady." And the stocky hacker was a treasure trove of helpful advice; he'd demonstrated the western grip on the first changeover.

She'd smiled attentively. Now up 4-O, Willy was still smiling.

The Italian's serve had a huge windup, but with a hitch at the end, so all that flourish contributed little to the effort. More, intent on blistering pace, Randy tended to overlook the nicety of landing it in the box. He double-faulted, twice.

As they switched ends again, Willy's eyes darted to her left. That man was still leering from behind the fence. Damn it, one charm of throwaway games in Riverside was not to be scrutinized for a change. Then, he did have an offbeat, gangly appeal . . . Ignoring the passerby only betrayed her awareness that he was watching.

Newly self-conscious, Willy bounced the ball on the baseline six, seven times. If her coach knew she was here he would have her head, as if she were a purebred princess who mustn't slum with guttersnipes and so learn to talk trash. But Willy felt that amateurs kept you on your toes. They were full of surprises-inadvertently nasty dinks from misconnected volleys, or wild lobs off the frame. And many of Riverside's motley crew exuded a nutritious exultation, losing with a shy loss for words or a torrent of gee-whiz. With Randy she was more likely to earn a huffy see ya, but she preferred honest injury to the desiccated well done and two-fingered handshake of Forest Hills.

Besides, Riverside Park was just across the street from her apartment, providing the sport a relaxing easy-come. The courts' wretched repair recalled the shattered Montclair asphalt on which Willy first learned to play: crabgrass sprouted on the baseline, fissures crazed from the alley, and stray leaves flattened the odd return. The heaving undulation of courts four and seven approximated tennis on the open sea. Poor surface mimicked the sly spins and kick-serves of cannier pros, and made for good practice of split-second adjustment to gonzo bounces. Craters and flotsam added a touch of humor to the game, discouraging both parties from taking the outcome to heart. An occasional murder in this bosky northern end of the park ensured generously available play time.

In the second set Randy started to flail. Meanwhile their audience followed the ball, his eyes flicking like a lizard's tracking a fly. He was distracting. When the man aped "Ran-dee!" as the Italian mishit another drive, Willy's return smacked the tape.

"You threw me off," she said sharply.

"It shouldn't be so easy." The onlooker's voice was deep and creamy.

Abruptly impatient, Willy finished Randy off in ten minutes. When they toweled down at the net post, Willy eyed her opponent with fresh dismay. From behind the baseline Randy could pass for handsome; this close up, he revealed the doughy, blurred features of a boozer.

Emerging from his towel, Randy grumbled, "I've been hustled."

"There was no money on the line," she chided.

"There's always something on the line," he said brusquely, "or you don't play."

Leaning for his racket case, Randy grabbed his spine. "Oooh, geez! Threw my back last week. Afraid I'm a pale shadow . . ."

Zipping up, he explained that his racket had "frame fatigue"; not much better than a baseball bat, capisce?

Her coach Max often observed, When boys win, they boast; when girls win, they apologize. "I was in good form today," Willy offered. "And you got some pretty vile bounces."

Double Fault. Copyright (c) by Lionel Shriver . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Interviews & Essays

Before the live bn.com chat, Lionel Shriver agreed to answer some of our questions:

Q: Why did you choose tennis as the backdrop for Double Fault?

A: When I began to write this novel, I had serious misgivings about the direction my literary career was heading in. Like Willy, I've always had a single ambition -- to be a novelist. I had consecutively published my fourth and fifth novels, but only in Britain, and I thought I was slipping off the literary map. I found that possibility inconceivable. Meanwhile, my husband, Jonathan, was receiving faxes from American university presses practically begging him to write a book for them. That drove me crazy. So I realized I was sitting on top of a gold mine and decided to put it in my novel.

Q: Why can't Willy be happy for Eric's success?

A: I was simply being loyal to my subject matter. If Willy had been another type of person, she would have been able to work it out. But after dedicating her life to one goal, Willy can't be noble. Failing is one of the hardest things to do well. It's a lot like growing old.

Q: What message are you trying to convey to a greater audience?

A: I want my readers to feel sympathy for themselves. It's hard enough not to get what you want without feeling that you didn't measure up. Hopefully readers will gain a new appreciation for the people around them who gave everything to a single goal and didn't get what they wanted. Failure may sound dark to American ears, but in Ireland, failing well is revered. In fact, succeeding is somewhat suspect, because we all know that luck plays a significant part. That's what I want people to remember: that they're not the only one in the boat, and that it's not their fault.

Q: How does it feel to publish your sixth book in the United States?

A: Incredible! I'm back.

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