Double Vision: Perspectives on Gender and the Visual Arts

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This interdisciplinary collection on women and art includes essays representing the fields of philosophy, modern European social history, the history of art and architecture, and film theory and criticism. Although their approaches and conclusions are intentionally and markedly diverse, the authors share an experience of "double vision." As women scholars, curators, and teachers, they occupy a position which is both inside the mainstream of their fields and outside the dominant group that has produced the bulk of...
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More About This Book

Overview

This interdisciplinary collection on women and art includes essays representing the fields of philosophy, modern European social history, the history of art and architecture, and film theory and criticism. Although their approaches and conclusions are intentionally and markedly diverse, the authors share an experience of "double vision." As women scholars, curators, and teachers, they occupy a position which is both inside the mainstream of their fields and outside the dominant group that has produced the bulk of the appreciated art of the past and controlled academic institutions and inquiry.
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Product Details

  • ISBN-13: 9780838635407
  • Publisher: Fairleigh Dickinson University Press
  • Publication date: 7/1/1995
  • Pages: 159

Table of Contents

Introduction 9
1 Eros and Sadism: Delacroix's Depictions of Animals Eating People 21
2 The Female Gaze: Women's Interpretations of the Life and Work of Properzia de' Rossi, Renaissance Sculptor 38
3 Women and the Production of Art in the Middle Ages: The Significance of Context 67
4 Women Architectural Patrons and the Shaping of an Arts and Crafts Culture, 1870-1914 95
5 Moderation and Mutuality: The Dutch Family in Life and Art, 1500-1700 111
6 The Voice of the Other: Women in Third World and Experimental Film 125
7 Genre and Gender: The Subversive Potential 138
Notes on Contributors 153
Index of Names and Works of Art 155
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