Down Here on the Ground

Down Here on the Ground

by Wes Montgomery
     
 
Wes Montgomery acceded to the whims of producer Creed Taylor for this, one of the very first CTI productions that would, over the next decade, popularize jazz with string backdrops or rhythm & blues beats. Much to either the delight or chagrin of urban or traditional jazz fans, the music changed, and Montgomery was in the middle, though

Overview

Wes Montgomery acceded to the whims of producer Creed Taylor for this, one of the very first CTI productions that would, over the next decade, popularize jazz with string backdrops or rhythm & blues beats. Much to either the delight or chagrin of urban or traditional jazz fans, the music changed, and Montgomery was in the middle, though his delightful playing was essentially unchanged. On the plus side, the legendary guitarist was allowed to collaborate with great musicians like bassist Ron Carter, pianist Herbie Hancock, flutist Hubert Laws, and percussionist Ray Barretto. While the small orchestral trappings never dominate this session, the seeds for a more grandiose style of music had been planted with the release of this date in 1968. The arrangements of Don Sebesky are for the most part pretty, unobtrusive, and pleasant but lack groove and soul in the main. "Wind Song" is exactly as its title suggests, a light funk loaded up with chords and woodwinds. The melody of "Georgia on My Mind" is barely stated although the strings are subtle; "I Say a Little Prayer" is a sappy tune made into Muzak; oboe and cello bring "When I Look Into Your Eyes" into an ultimately maudlin arena; and Lalo Schifrin's theme from "The Fox" has the same instrumental complement, more film noir, and parallel to Rahsaan Roland Kirk's "Theme to the Eulipions" if you compare them side by side. The best material is the light funk of Montgomery's original "Up & at It" in a small ensemble, nice enough, and the roots of so-called "smooth" jazz. The bright samba "Know It All" best showcases the guitarist and Hancock's luminous piano, reflecting the classic "No More Blues," while "Goin' on to Detroit" is a typical Montgomery-styled, cool road song featuring Laws. In may real and important ways, this is the beginning of the end for Montgomery as a jazz artist, and the inception of bachelor pad lounge/mood music that only lasted for a brief time. This recording, with no extra material, alternate takes, or bonus tracks, cannot compare to Charlie Parker with strings. It does fall in that category of recordings where the musicians chose to produce, rather than create their personal brand of jazz, and is at the very least an historical footnote.

Product Details

Release Date:
06/09/2009
Label:
Verve
UPC:
0602517995734
catalogNumber:
001270002

Tracks

Album Credits

Performance Credits

Wes Montgomery   Primary Artist,Guitar,Vocals
Ray Barretto   Percussion
Ron Carter   Bass
Herbie Hancock   Piano
Hubert Laws   Flute,Oboe
Grady Tate   Drums
Deodato   Conductor
Amanuel Vardi   Viola
Don Sebesky   Conductor
Mike Mainieri   Vibes
George Marge   Flute,Oboe
Gene Orloff   Violin
Romeo Penque   Flute,Oboe
Raoul Poliakin   Violin
George Ricci   Cello
Bobby Rosengarden   Percussion
Emanuel Vardi   Viola

Technical Credits

Lalo Schifrin   Composer
Hoagy Carmichael   Composer
Deodato   Arranger
Gale Garnett   Composer
João Donato   Composer
Don Sebesky   Arranger
Rudy Van Gelder   Engineer
Ira Gitler   Liner Notes
Neil Larsen   Composer
Mike Mainieri   Vibe Master
Creed Taylor   Producer
Stuart Gorrell   Composer
Hollis King   Art Direction
Pete Turner   Cover Photo

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