As a literary trope, the zombie has become one of the most presc
As a literary trope, the zombie has become one of the most prescient and fruitful symbols of contemporary and future human society and its many problems. It seems as if there is no limit to the possibilities that the zombie presents to enterprising writers. Nevertheless, some things will forever remain the same where writing is concerned. Despite how fantastic, weird, or stylized an idea, theme, or topic becomes at the hands of a writer, readers still expect, at the very least, that a story remain cogent, coherent, and believable within the confines of its fictionalized universe. Readers expect cause and effect, character motivation, and the central conflict to remain logically realized within the context of surrounding narrative elements.
While the zombie genre presents certain challenges when it comes to these writerly imperatives, it also affords a certain amount of freedom. Unfortunately, that freedom is easily abused by both writers and enterprising publishers expecting to make a quick buck. Slap the lable "zombie horror story" on a cover, along with some catchy cover art, and you have something that will sell in the current market. Unfortunately, that means that readers loyal to the genre and eager to sample the goods from a variety of writers must at times suffer through some terrifically bad writing . . .
. . . I give you _Down the Road_ by Mr. Ibarra, perhaps the worst and most incompetently written piece of fiction I've ever had the displeasure of reading (and I am not a finicky reader). The actions of many of the characters are completely not in keeping with the basic expectations established by characterization, and Mr. Ibarra manages to leave out enough necessary plot details to display not only a very poor understanding of his audience's needs, but a complete misunderstanding of the writing process. The action scenes are hard to follow and unrealistic, and the novel reads more like a novice indulgence in gratuitous violence than a serious tract on survival horror . . . good zombie stories have a purpose and lesson regarding what it means to be human when faced with inhuman challnges. Mr. Ibarra's vapid novel has nothing to teach us except that bad writers have a chance at getting published.
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