Downsiders (Turtleback School & Library Binding Edition)

Downsiders (Turtleback School & Library Binding Edition)

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by Neal Shusterman

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FOR USE IN SCHOOLS AND LIBRARIES ONLY. When 14-year-old Lindsay meets Talon, who lives in the secret Downsider community that evolved in the subterranean passages of the subway built in New York in 1867, she and her new friend try to bridge the differences between their two cultures.See more details below


FOR USE IN SCHOOLS AND LIBRARIES ONLY. When 14-year-old Lindsay meets Talon, who lives in the secret Downsider community that evolved in the subterranean passages of the subway built in New York in 1867, she and her new friend try to bridge the differences between their two cultures.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
In PW's words, "History and urban folklore are wittily combined in this well-wrought fantasy, centering on an alternative society that thrives undisturbed in the subterranean recesses of New York City." Ages 12-up. (Feb.) Copyright 2001 Cahners Business Information.
Children's Literature - Kathleen Karr
Fact: one Alfred E. Beach invented and constructed the first subway in New York before he and his masterwork disappeared from history. Theory: what if there were an underground civilization living in Beach's old tunnels? When Lindsey unwillingly arrives in New York to live with her divorced father, she feels like an outcast. Perhaps this is why she tends to notice the city's sewer system, and maybe faces lurking behind the grates...Shusterman parlays an intriguing snippet of lost history into a fantasy of contemporary New York fascinating in its implications. It's a good, fast read, too.
VOYA - Jennifer Hubert
Talon lives in New York City, but he is not your average Air-Jordan-wearing, Dawson's Creek-watching, under-eighteen club kid. Instead of navigating the hormonal halls of high school, he prowls a far more dangerous place--the sewers and subways of New York. "The Downside" is what Talon and his people call their city beneath the city, and they never mix with "Topsiders." Yet, almost against his will, Talon finds himself drawn into a friendship with one Topsider named Lindsay whom he encounters when searching for medicine for his little sister. At first, the two are able to reconcile their vast differences and eventually fall in love. Unfortunately, Lindsay's dad is a city engineer who is working on an underground aqueduct. When one of his dump trucks falls through a thin spot between the Downside and Top, Lindsay and Talon find their fragile relationship fraying as they try to keep their two worlds from colliding. Shusterman has invented an alternate world in the Downside that is both original and humorous. Instead of mythical alligators inhabiting the sewers, Shusterman imagines herds of "primitively fierce" Holsteins that escaped from a failed movie production and are now hunted by the Downsiders. His city detail is dead-on, especially his description of the subway smell, "a unique brew of select garbage fermenting in soot-sifted runoff and various body fluids." By injecting a little of the fantastic into the everyday, Shusterman, like his colleague William Sleator, ensures that this novel will be read by more than just fantasy and science fiction fans. VOYA Codes: 4Q 4P M J (Better than most, marred only by occasional lapses; Broad general YA appeal; Middle School, defined as grades 6 to 8; Junior High, defined as grades 7 to 9).
To quote KLIATT's May 1999 review of the hardcover edition: The intriguing notion that a hidden civilization exists beneath the surface of New York City is the basis for this imaginatively far-flung fantasy. We are introduced to three adolescent Downsiders as they catch a fallen Topsider (a homeless man) and induct him into their society. Then we meet adolescent Topsiders, one a girl named Lindsay, new to the city, living with her frequently absent father (a civil engineer), and her obnoxious stepbrother. Talon, an especially curious Downsider drawn to the world he glimpsed when he rescued the homeless man, meets Lindsay, and their forbidden friendship is the backbone of Shusterman's plot. What is the Downside and how did it begin? Will Talon be able to survive his forbidden relationship with Lindsay, even when he is executed by being flushed through a huge main sewer? There are moments of suspense in this fantasy, and a bit of romance, some heroism, flashes of humor, awe-inspiring first experiences of sunshine and snowflakes, and many other qualities sure to attract YA readers. Middle school students who don't feel a need to ask too many questions about how the Downside could exist, even in fantasy, will be the most likely readers. (Editor's note: On the inside back cover of the paperback edition, Shusterman explains what is fact and what is fiction in the novel.) KLIATT Codes: J—Recommended for junior high school students. 1999, Simon & Schuster/Aladdin, 244p, map, 18cm, 98-38555, $4.99. Ages 13 to 15. Reviewer: Claire Rosser; March 2001 (Vol. 35 No. 2)
School Library Journal
Gr 8 Up-The Downsiders live in a subterranean world far beneath New York City. Taboos forbid them from going Topside, but the two worlds collide when Talon, a Downside teen, ventures up looking for medicine for his critically ill sister. There, he meets Lindsay, a Topside girl who intrigues him so much that he breaks a cardinal rule and takes her into the tunnels, showing her an amazing place filled with cast-off items-dryer lint, subway tokens, soda-can tabs-that have become useful, even beautiful. Her visit sets in motion a dangerous chain of events. Talon's friend betrays him to the authorities and Talon is sentenced to death (by being flushed through a sewer pipe). The story takes a fascinating twist when Lindsay discovers that Downside was founded about 100 years ago by Alfred Ely Beach, a 19th-century inventor and scientist. Facts about this historical figure and about the old New York subway system are blended with the fantasy until it is difficult to tell where truth stops and fiction begins. Unfortunately, there is no afterword to explain the connections and readers might miss the fun. There is also a good deal of sophisticated social satire, as Topside is seen through naive underworld eyes. Sometimes the plot lapses too far into the absurd and there are a few weak spots. The often mock-serious tone of the narrative may be lost on some readers. Overall, though, this is an exciting and entertaining story that will please fans of adventure, science fiction, and fantasy.-Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC Copyright 1999 Cahners Business Information.
Kirkus Reviews
Shusterman (The Dark Side of Nowhere, 1997, etc.) twines suspense and satire through this ingenious tale of a secret community living deep beneath the streets of New York City. The boundaries of Lindsay's lonely, friendless world expand suddenly when she meets Talon Angler, an oddly clad teenager who claims to have come from "Downside" in search of medicine for his sick little sister. Against his better judgement, Talon takes Lindsay on a forbidden tour of his own world, a subterranean maze of tunnels and chambers where he and 5,000 others live in peace and comfort, knowing "Topside" only from old tales and occasional peeks through street drains. Spinning Downside's origin from actual events in New York history, Shusterman creates a plausibly complex society with its own art, customs, and assumptions, then turns to view Topside culture, both through Downsider eyes and with a more general, broadly comic, vision. Despite frequent doses of social commentary, the pace never flags; their isolation breached by a Topsider aqueduct project, the Downsiders respond by cutting off all utilities (oblivious, New Yorkers respond with a huge block party), then, under Talon's leadership, filling upper levels with natural gas and setting it off. Urban readers, at least, will be checking the storm drains for peering faces in the wake of this cleverly envisioned romp. (Fiction. 11-15)

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Product Details

Demco Media
Publication date:
Edition description:
Product dimensions:
4.42(w) x 7.24(h) x 0.88(d)
Age Range:
13 - 17 Years

Read an Excerpt


By Neal Shusterman

LRS (Library Reproduction Service)

Copyright © 2000 Neal Shusterman
All right reserved.

ISBN: 1581180713


Chapter One: Talon

High above the windblown city, a drop of falling rain was caught by an icy blast and puffed into a feathery flake of snow. No longer did it plunge through the city, but instead drifted slowly toward the magnificent lights of a New York night.

It sailed past the tip of the Empire State Building, whose upper floors were lit a Christmas green and red. Then, caught in a crosswind, the flake sailed further uptown, spinning around the icicle spire of the Chrysler Building and drifting down toward the late-night traffic of Forty-second Street. At 11:00, from high above, one might think the streets of the city truly were paved with gold, for the roofs of the taxis were like great golden bricks as they sat waiting for the light on Lexington Avenue.

Sheltered from the high winds, the flake wafted undisturbed down the face of Grand Central Station and landed on the tip of the nose of a young man who sat firmly on the bottom rung of life's ladder.

His name and destiny are of little importance, but he does command some attention here, for the sole reason that his life is about to end.

All of nineteen years old, but with a hopeless weariness that made him seem many years older, he huddled in a stoneniche, near the great train station's entrance. He did not bother to shake out the snow that now speckled his hair.

People ignored him as he sat in the lonely corner. The well-dressed men and women in the city were skilled in looking the other way when they came across a derelict bit of humanity. To the business folk in camel-hair coats and Armani shoes, the bums of the city were unfortunate by-products of their lives - like the mountains of trash that accumulated each time the sanitation workers went on strike - so they simply turned their noses up and kept on walking.

Tonight the young man did not extend his cup for spare change. He wanted no one's money anymore, no one's pity. His will to live was quickly failing him, and by morning his will, and his life, would extinguish in the cold, like a streetlight flickering out at dawn.

As he sat there, searching for a reason to be, he caught a pair of eyes watching him from a storm drain across the street. In truth, those eyes had been watching him patiently for more than an hour, studying his actions - or lack of action. Only now, in the headlight glare of a bus changing lanes, did he see those eyes regarding him from beneath the curb across Forty-second Street. The face appeared young - younger than he - but in an instant the bus crossed in front of him and, when it passed, the storm drain was just a dark slit in the curb once more.

With the numbness of his fingers and toes slowly growing into his wrists and ankles, he dug up the will to rise to his feet. Then he shuffled into the warmth of Grand Central Station, still trying to figure out if the face he saw in the drain was truly there or just an image dredged up from his own troubled mind.

There were others like him occupying the warmer corners of the station. Most were older, indigents without a penny to their name who stood little chance of finding their way back into a productive life. Some were drunks. Others were mentally ill. Still others were cast here by unfortunate circumstance and had become resigned to their lot. As the young man passed them, he knew he could not live with that sort of resignation. But neither did he know how to pull himself up. And so he continued down.

He found himself descending the steps of track twenty-five. The platform was deserted and dim in this off-hour, so no one saw him hop down onto the tracks. Or so he thought. In a moment he was stumbling away from the pitiless world above, into a dark tunnel. He made his way through the blackness, not slowing his pace, and he fell many times, shredding his palms on the railroad ties below. Still, he continued on. He wasn't really sure what he was doing, until the headlights appeared far ahead. They lit the track in front of him and the many other tracks on either side that ran deep under the superstructures of the city. He stopped moving and stood there, staring into the light, until he knew for sure that the train was on his track, zeroing in on him.

If he stood his ground and let the train bear down on him, would anyone ever know? Would anyone ever find him in the mildewed darkness? Or was this the perfect place to disappear for good?

His heart beat a rapid, unnatural rhythm as the ground beneath him rumbled with his approaching end. No horn was blown. Perhaps the conductor wasn't watching the track. Or perhaps he was purposely looking the other way.

As the young man stood there, he wondered whether this would be an act of bravery or cowardice and, realized that, in the end, he did not care; in ten seconds, the answer to the question wouldn't matter.

The blinding headlights filled his entire mind, and he leaned forward to receive them...but then somewhere deep beneath his desire to leave this world, an instinct for survival kicked in and surged powerfully up his spine, sizzling in every nerve ending. The fear became so intense that he screamed louder than the roar of the train, and leaped out of the way. The train caught the heel of a shoe and spun him around, slamming him against one of the many steel I-beams that held up the city above, and he gripped onto that beam as the underdraft threatened to drag him under the train, to those crushing wheels that were suddenly far less attractive than they had been a moment before.

When the train was gone he put his head into his hands and, for the first time in many years, he cried. He wept long and loud, crying for all the things lost in his life, and for all the things that he would never be.

It was when he paused for breath that he first heard the rats.

No. Not rats. These skittering sounds were too slow, too heavy to be the footfalls of rats. He looked up and around. While his central vision was still blurred by the bright imprint of the train headlights on his retina, he did see rapidly moving shadows in his peripheral vision. They darted from track to track, hiding behind I-beams. They appeared human.

Finally the shadows stopped before him. He could hear them breathing steadily, just a few feet away, and he began to worry.

He knew of the mole-people: the unloved of the city, who banded together in the city's many tunnels. Some were friendly and accepting of newcomers. Others were dark and dangerous.

"Go away," he snarled at the three figures before him. "I don't have anything to steal."

There was silence for a moment, as if these figures had all the time in the world. Then the one closest to him spoke. "We wish to know your name."

The voice sounded young. A boy's voice, still in the process of changing.

"What do you care?" answered the destitute young man, still clearing the tears from his eyes.

Another moment of silence, and then again the statement, calm and controlled. "We wish to know your name."

The figures before him patiently waited for a response.

"Robert," he finally spat out. "Robert Gunderson."

"We've been watching you, Robert Gunderson," said another voice, this one female. "We saw you challenge the train and survive."

"I didn't mean to survive," he told them. "I just lost my nerve."

"We know this," said a third voice. Another boy, with a voice much raspier than the other's. "This is why we've made ourselves known."

"Look at us, Robert Gunderson," said the boy in front, clearly the leader of the three. The girl then turned on a flashlight, lighting up their faces in shadow-filled relief. Robert gasped at the sight, because it was far from what he'd expected. He'd expected to see three filthy tunnel-rats, held together by hate and mud-stained rags. But there was nothing dirty about this trio. As he sat there wiping his eyes clear, he began to sense that these were not homeless people who took refuge in tunnels. These kids were something entirely different. Their hair was shaved around their ears, but dense and long everywhere else. It hung down their back and about their shoulders. Their clothes were coarse, woven garments, but on closer inspection Robert could see they were made up of tiny patches sewn together from a thousand different fabrics. Each wore wide metallic wristlets and ankle bracelets with intricate designs, and hand-carved hieroglyphics that looked part English, part something else - Arabic or Russian, or Chinese - or maybe a combination of all three. They wore watches on - of all places - their right ankles. The leader, whose hair flowed in thick bronze locks, wore a shining metallic vest that looked like some sort of ancient chain mail. Robert stared at that vest for the longest time, knowing there was something even stranger about it, and the rest of their metallic accessories, but he couldn't quite say what. Even their flashlight was strange - its face oblong instead of round, and its shaft swirling with red and green patterns. It seemed ancient and almost holy.

"Few Topsiders look upon us and live," said the leader. This wasn't a boast or a threat, but a mere statement of fact.

"Then why do I live?" asked Robert.

The leader's face remained solemn. "You don't," he said. Then he reached behind him and he pulled a sword out from a leather patchwork sheath. It wasn't smooth and mirrored like the swords Robert had seen in movies. This was specked and rough - as if it were made of aluminum foil, pounded and re-formed until it was heavy, sharp, and dangerous. And the sword's handle - it seemed to be little more than the grip of a gearshift.

It was then Robert realized what was so strange about the metallic objects they wore. The bracelets were forged of discarded tin cans. The chain-mail vest was a thousand soda-can pop-tops strung together. Everything they had, from their patchwork clothes to their relic of a flashlight, was made out of the world's garbage.

"Today you die, Robert Gunderson," said the leader, and with that he raised his trash-hewn sword above his head and swung it toward Robert's neck in a swift, killing arc.

This was Talon's favorite part. But although he felt a thrill rush through him as he brought the blade down, he kept his face hard and unrevealing. Before him the nineteen-year-old man who had been named Robert Gunderson closed his eyes and grimaced, waiting for his head to be lopped off by Talon's blade...but Talon had something else in mind. He stopped his blade just before it touched his skin, then rested the sword heavily on Gunderson's shoulder. The look of surprise and relief on Gunderson's face was a fie thing indeed.

Gutta turned her flashlight in Gunderson's eyes so they could see him - his every move, and the sincerity of his words.

"You have fallen through the bottom of the World," Talon said, his voice a monotone, almost like a chant. "Say it!"

"I...I have fallen through the bottom of the world," repeated Gunderson, his eyes darting back and forth, not understanding - not knowing how important this moment in his life was.

"Do you renounce the Topside? All its joys and evils?" asked Talon, trying to find a depth in his voice that had not yet come. "Do you shed all ties that held you there?"

"What is this?" demanded Gunderson.

"Answer the question," snapped Railborn, his voice raspy and hard, like his father's. Of the three of them, Railborn had the least patience when it came to catching fallers.

Talon, who was leading today's mission, threw his friend a warning look, then turned back to the frightened faller sitting in the dust before them.

"Nothing holds me there," said Gunderson with just the right level of bitterness in his voice to convince Talon that he told the truth.

"Do you swear never to seek the sky again, for as long as you may live?"

Gunderson faltered a bit with this one. Then, as Talon watched, some color came to the lonely faller's face. He seemed to understand, at least in part, what was happening, what was being asked of him - and what he was being offered. His resistance began to fade, and his falling spirit seemed to open for them to catch.

"Yes, I swear," he said. And then again, with even more resolve, "Yes, I swear."

Talon removed the sword from their pledge's shoulder, and slipped it into the sheath his mother had painstakingly sewn for him from a hundred discarded wallets. "Robert Gunderson is dead," Talon announced. "Stand from the dirt, faller."

The man who had been Robert Gunderson stood up, wafting his filthy stench in their direction as they did. His smell was an abomination that would soon be discarded, along with his former self.

"Remove your clothes," said Gutta, who had her own favorite parts of the ritual.


"Just do it," snapped Railborn.

Talon sighed at his friend's impatience. "To come into the Downside," Talon explained, "you can bring nothing from the Topside but your flesh. You will even leave your name behind."

"My name?"

"Fallers don't need names," said Gutta.

Talon took a step closer and put a reassuring arm on the faller's shoulder. "You will be given a new name when you have earned it. For now, you must remove your Topside garments and follow us."

Talon reached over and pushed Gutta's flashlight down so the faller could disrobe in darkness.

"You're no fun," Gutta grumbled at Talon.

When the faller was as bare as the day he had first entered the world, Talon led the way. He could hear the faller's feet squishing through the midworld muck behind him, while Railborn flailed his sword at some stray pigeons that haunted the train tunnel.

They continued on, veering down a tunnel with rails so seldom used that they didn't have the polished sheen of more well-worn tracks. At last they stopped at a soot-blackened cinder block wall that could have been there since the very birth of the city.

"What's wrong?" asked the faller. "Why are we stopping here?"

"Nothing's wrong," Talon answered simply and he motioned to Railborn, the largest of the three. Railborn leaned against the wall, and it gave inward, leaving a large rectangular opening. Gutta turned off her flashlight to reveal the glow of a single gas lamp within the secret passageway. Its flame cast just enough light to show the set of worn stairs beyond, heading down into darkness.

The faller peered in but did not dare move toward the stairwell. He waited for Talon and the others, but they did not go any further.

"The rest of the journey you must make by yourself," Talon told him. "No one can lead you there."

The faller looked apprehensively down the steps, then back at Talon. "No one can lead me where?"

"You'll find out," said Gutta.

It was only after the faller had taken the first step into the passageway that Talon told him something to ease his fear. "At the bottom of the steps," said Talon, "you'll find a subway tunnel that hasn't been used for two generations. Walk with the breeze to your back and continue hudward. You'll get there."

Railborn looked at him sharply, for Talon was not supposed to offer anything to the faller but a chance.


Excerpted from Downsiders by Neal Shusterman Copyright © 2000 by Neal Shusterman. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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