Antonin Artaud (1896-1948) conceived and inaugurated the Theater of Cruelty, a dramatic movement that has had a profound influence on the avant-garde theater in Europe and the United States. The movement is exemplified by the Peter Brook production of Marat/Sade. This book, the first to analyze Artaud's theories, their sources, and the extent to which he succeeded in implementing them in his own plays, is now available in a 2017 digital edition (and new paperback), readily accessible to scholars and interested fans of literary criticism and the modern theater worldwide.
The new edition adds a thoughtful Foreword by Professor Peter Thompson of Roger Williams University. Originally published by the University of Chicago Press, the book is brought to a new generation by Quid Pro Books. Quality NOOKbook features include proper formatting, linked table of contents and footnotes, and even a fully linked subject matter index.
This sophisticated study will be essential reading for all scholars interested in modern French literature and the evolution of twentieth-century drama, for the many devotees of avant-garde theater, and for those who have felt puzzled by the superficiality of much contemporary drama.
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The new edition adds a thoughtful Foreword by Professor Peter Thompson of Roger Williams University. Originally published by the University of Chicago Press, the book is brought to a new generation by Quid Pro Books. Quality NOOKbook features include proper formatting, linked table of contents and footnotes, and even a fully linked subject matter index.
This sophisticated study will be essential reading for all scholars interested in modern French literature and the evolution of twentieth-century drama, for the many devotees of avant-garde theater, and for those who have felt puzzled by the superficiality of much contemporary drama.
The Dramatic Concepts of Antonin Artaud
Antonin Artaud (1896-1948) conceived and inaugurated the Theater of Cruelty, a dramatic movement that has had a profound influence on the avant-garde theater in Europe and the United States. The movement is exemplified by the Peter Brook production of Marat/Sade. This book, the first to analyze Artaud's theories, their sources, and the extent to which he succeeded in implementing them in his own plays, is now available in a 2017 digital edition (and new paperback), readily accessible to scholars and interested fans of literary criticism and the modern theater worldwide.
The new edition adds a thoughtful Foreword by Professor Peter Thompson of Roger Williams University. Originally published by the University of Chicago Press, the book is brought to a new generation by Quid Pro Books. Quality NOOKbook features include proper formatting, linked table of contents and footnotes, and even a fully linked subject matter index.
This sophisticated study will be essential reading for all scholars interested in modern French literature and the evolution of twentieth-century drama, for the many devotees of avant-garde theater, and for those who have felt puzzled by the superficiality of much contemporary drama.
The new edition adds a thoughtful Foreword by Professor Peter Thompson of Roger Williams University. Originally published by the University of Chicago Press, the book is brought to a new generation by Quid Pro Books. Quality NOOKbook features include proper formatting, linked table of contents and footnotes, and even a fully linked subject matter index.
This sophisticated study will be essential reading for all scholars interested in modern French literature and the evolution of twentieth-century drama, for the many devotees of avant-garde theater, and for those who have felt puzzled by the superficiality of much contemporary drama.
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Product Details
| BN ID: | 2940157553081 |
|---|---|
| Publisher: | Quid Pro, LLC |
| Publication date: | 01/03/2017 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 208 |
| File size: | 3 MB |
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