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Overview
Achieving a likeness in portrait requires close coordination of the hand and eye; Douglas Graves, a professional portraitist, has developed this basic premise into a functional technique. He describes portraiture as an evolving process: observing the basic surface shapes, discovering how these features deviate from the symmetrical ideal, envisioning the underlying human anatomy, interpreting the sitter’s personality, then conveying all this with a direct medium in a tonal drawing.
Mr. Graves begins with a list and discussion of the necessary materials—compressed and vine charcoal, chalk, Conte, graphite pencils, papers, erasers, and fixative. He next ...