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Dreadnought
     

Dreadnought

4.4 85
by Cherie Priest
 

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Nurse Mercy Lynch is elbows deep in bloody laundry at a war hospital in Richmond, Virginia, when Clara Barton comes bearing bad news: Mercy’s husband has died in a POW camp. On top of that, a telegram from the west coast declares that her estranged father is gravely injured, and he wishes to see her. Mercy sets out toward the Mississippi River. Once there

Overview

Nurse Mercy Lynch is elbows deep in bloody laundry at a war hospital in Richmond, Virginia, when Clara Barton comes bearing bad news: Mercy’s husband has died in a POW camp. On top of that, a telegram from the west coast declares that her estranged father is gravely injured, and he wishes to see her. Mercy sets out toward the Mississippi River. Once there, she’ll catch a train over the Rockies and—if the telegram can be believed—be greeted in Washington Territory by the sheriff, who will take her to see her father in Seattle.

Reaching the Mississippi is a harrowing adventure by dirigible and rail through war-torn border states. When Mercy finally arrives in St. Louis, the only Tacoma-bound train is pulled by a terrifying Union-operated steam engine called the Dreadnought. Reluctantly, Mercy buys a ticket and climbs aboard.

What ought to be a quiet trip turns deadly when the train is beset by bushwhackers, then vigorously attacked by a band of Rebel soldiers. The train is moving away from battle lines into the vast, unincorporated west, so Mercy can’t imagine why they’re so interested. Perhaps the mysterious cargo secreted in the second and last train cars has something to do with it?

Mercy is just a frustrated nurse who wants to see her father before he dies. But she’ll have to survive both Union intrigue and Confederate opposition if she wants to make it off the Dreadnought alive.

Editorial Reviews

Publishers Weekly
An intimate, well-crafted portrait of a nurse on a mission adds depth to this exceptional Civil War steampunk thriller, the self-contained sequel to 2009’s Locus Award–winning Boneshaker. Mercy Lynch, recently widowed and taxed to exhaustion by caring for Confederate wounded in Richmond, must cross the war-torn nation to reach her estranged father, who lies dying in the Washington territories. After her dirigible is shot out of the air, Mercy joins Horatio Korman, a Texas Ranger with an agenda, on the Union’s famous steam engine, the Dreadnought. On their trail are desperate Confederate soldiers and a zombified Mexican legion. The battles and intrigue are entertaining, but the real draw is Priest’s latest no-nonsense heroine, who comes equipped with a full measure of sharp judgment and brutal competence as well as a nurse’s kind (but not saintly) heart. (Oct.)

Product Details

ISBN-13:
9781429943642
Publisher:
Tom Doherty Associates
Publication date:
09/28/2010
Series:
Clockwork Century , #2
Sold by:
Macmillan
Format:
NOOK Book
Pages:
400
Sales rank:
360,031
File size:
444 KB

Read an Excerpt

Dreadnought


By Cherie Priest, Liz Gorinsky

Tom Doherty Associates

Copyright © 2010 Cherie Priest
All rights reserved.
ISBN: 978-1-4299-4364-2


CHAPTER 1

Down in the laundry room with the bloody-wet floors and the ceiling-high stacks of sheets, wraps, and blankets, Vinita Lynch was elbows-deep in a vat full of dirty pillowcases because she'd promised — she'd sworn on her mother's life — that she'd find a certain windup pocket watch belonging to Private Hugh Morton before the device was plunged into a tub of simmering soapy water and surely destroyed for good.

Why the private had stashed it in a pillowcase wasn't much of a mystery: even in an upstanding place like the Robertson Hospital, small and shiny valuables went missing from personal stashes with unsettling regularity. And him forgetting about it was no great leap either: the shot he took in the forehead had been a lucky one because he'd survived it, but it left him addled at times — and this morning at breakfast had been one of those times. At the first bell announcing morning food, against the strict orders of Captain Sally he'd sat up and bolted into the mess hall, which existed only in that bullet-buffeted brain of his. In the time it took for him to be captured and redirected to his cot, where the meal would come to him, thank you very kindly, if only he'd be patient enough to receive it, the junior nursing staff had come through and stripped the bedding of all and sundry.

None of them had noticed the watch, but it would've been easy to miss.

So Nurse Lynch was down in the blistering hot hospital basement, dutifully fishing through laundry soiled by injured and greasy heads, running noses, and rheumy eyes in hopes that Private Hugh Morton would either be reunited with the absent treasure, or would be separated from it long enough to forget all about it.

Upstairs, someone cried out, "Mercy!"

And downstairs, in the hospital basement, Vinita Lynch took a very deep breath and let it out slowly, between her teeth.

"Mercy! Mercy, come up here, please!"

Because that's what they'd taken to calling her, through some error of hearing or paperwork, or because it was easier for a room full of bed-bound men to remember a common word than call her by her given name.

"Mercy!"

It was louder this time, and insistent, and bellowed by Captain Sally herself somewhere up on the first floor. Captain Sally sounded like she meant business; but then again, Captain Sally always meant business, and that was why she was the captain.

The nurse angled her head to cast her voice up the stairs and shouted, "Coming!" though she continued to rifle through the laundry, because something sharp had tapped against the nail of her thumb. And if she could just snare one long finger around the smooth metal plate of the watch's back — yes, that had to be it — then she'd be only a moment longer. "I'm coming!" she said even more loudly, to stall for those extra seconds, even though the summons hadn't come again.

She had it. Her fist closed around it and wrested the palm-sized device, ticking and intact, up through the folds of cotton bedding and out of the vat. The watch was cool in her hand, and heavier than it appeared — not an expensive piece, but one with thumb-spots worn into its finish from a lifetime of use and appreciation.

"Found it," she said to herself, and she shoved it into her apron's pocket for temporary safekeeping.

"Mercy!" Again from upstairs, and impatient.

"I said I was coming!" she responded as she hiked the hem of her skirts and bolted up the stairs, less ladylike than swiftly, back into the hall behind the kitchen. Moving sideways, she squeezed past the orderlies, one of the doctors, and three of the elderly women who were hired to perform mending but mostly bickered amongst themselves. Her way was briefly blocked by one of the retained men who was carrying a basket full of bandages and wraps; they did a brief and awkward dance, back and forth, each trying to let the other pass, until she finally dashed by with an apology — but if he replied, she didn't hear him, because the main ward was now immediately before her.

She entered it with a breathless flourish and stood panting, squeezing at the pocket watch in her apron and trying to spot Captain Sally in the sea of supine bodies lying on cots in varying states of health and repair.

The rows ran eight cots by fifteen in this ward, which served as admittance, triage, and recovery room alike. It should've held only two-thirds that number, and the present crowding served to narrow the aisles to the point that they were nearly impassible, but no one was turned away. Captain Sally said that if they had to stitch them standing up and lash them to the closet walls, they'd take every Confederate boy who'd been carried off the field.

But she could make such declarations. It was her hospital, and she legally outranked everyone else in the building. The "Captain" bit was not a nickname. It was a commission from the Confederate States of America, and it had been granted because a military hospital must have a military commander, but Sally Louisa Tompkins would accept no superior, and she was too wealthy and competent to be ignored.

The din of the ward was at its ordinary hideous level; the groaning patients, creaking cot springs, and hoarse requests combining to form the usual background hum. It was not a pretty noise, and it was sometimes punctuated with vomiting or cries of pain, but it was always there, along with the ever-present scents of dirty bodies, sweat, blood, shit, the medicinal reek of ether, the yellowy sharp stink of saltpeter and spent gunpowder, and the feeble efforts of lye soap to combat it all. Mere soap, no matter how finely scented, could never scour the odors of urine, scorched flesh, and burned hair. No perfume could cleanse away the pork-sweet smell of rotting limbs and gangrenous flesh.

Mercy told herself that the reek of the hospital wasn't any worse than that of the farm in Waterford, Virginia. That was a lie.

It was worse than the summer when she'd gone out to the back twenty and found their bull lying with its legs in the air, its belly distended with the bloat of rot and a crawling carpet of flies. This was worse than that because it wasn't the decomposition of beef lying in the sun, flesh dripping away gray and mushy. This was worse because after a while the bull had faded and gone, its smell washed away by the summer rains and its remains buried by her stepfather and brother. After a while, she'd altogether forgotten where the creature had fallen and died, and it was as if it'd never happened.

But that never happened here.

Not even at the cleanest hospital in all the Confederacy, where fewer men died and more men recovered to return to the front than in any other in the North or South or even Europe. Not even in the wake of Captain Sally's strenuous — almost maddening — insistence on cleanliness. Enormous pots of water boiled constantly, and mops were pushed in two-hour shifts by legions of retained men who were healed enough to help but not enough to fight. Paul Forks was one of these men. Harvey Kline was another, and Medford Simmons a third, and Anderson Ruby a fourth; and if she knew more of their names, Mercy Lynch could've listed another dozen maimed and helpful souls.

They kept the floors from staining red, and helped carry the endless trays of food and medicines, tagging along in the wake of the doctors and helping the nurses manage the unruly ones who awoke afraid.

And even with the help of these men, and two dozen nurses like herself, and five doctors working around the clock, and a whole contingent of laundry and kitchen women, the smell never, ever went away.

It worked itself into the wrinkles in Mercy's clothes and lurked in her hair. It collected under her fingernails.

She carried it with her, always.

"Captain Sally?" Mercy called out, and as soon as the words were spoken, she spied the woman standing near the front door, accompanied by another woman and a man.

Sally was small and pale, with dark hair parted severely down the middle of her head and a plain black dress buttoned tightly from waist to chin. She was leaning forward to better hear the other woman speak, while the gentleman behind them shuffled back and forth on his feet, moving his gaze left to right.

"Mercy." Captain Sally wended through the maze of cots to meet the young nurse. She had stopped shouting. "Mercy, I need a word with you. I'm very sorry, but it's important. Would you join us?" She indicated the anxious-looking man and the stoic woman with a New Englander's ramrod posture.

"Who are those people?" she asked without agreeing to anything.

"They have a message for you."

Mercy didn't want to meet the man and woman. They did not look like people with good news to pass along. "Why don't they come inside to deliver it, then?"

Sally said, "Dearest," and she pressed her mouth close to Mercy's ear. "That's Clara Barton, the Red Cross woman, and no one'll bother her. But the fellow beside her is a Yankee."

Mercy made a little choking sound. "What's he doing here, then?" she asked, though she already had a very good idea, and it was horrible.

"Mercy —"

"Ain't they got their own hospitals, hardly a hundred miles away in Washington? He doesn't look hurt none too bad, anyhow." She was talking too quickly.

Sally interrupted. "Mercy, you need to talk to that man, and Miss Barton."

"That Red Cross woman, what does she want with me? I've already got a job nursing, and it's right here, and I don't want to —" Sweat warmed the inside of her collar. She tugged at it, trying to give herself some air.

"Vinita." The small woman with the big rank put her hands on Mercy's shoulders, forcing the younger nurse to stand up straight and meet her eyes. "Take a deep breath now, like we talked about before."

"I'm trying," she whispered. "I don't think I can."

"Breathe deep now. Let it out, and take your time. Hold yourself up. And come, let's have a talk with these people." Her tone softened, dipping from commander to mother. "I'll stay with you, if you like."

"I don't want ...," she began, but she didn't know what she wanted, so when Sally took her hand and squeezed it, she squeezed back.

"Someplace private," the officer said. Sally nodded at Clara Barton and her nervous companion, indicating that they should follow; and she led Mercy through the remaining rows of cots and out the back, and down a corridor swiftly — urging their followers to hasten — and then they were in the courtyard of what used to be Judge Robertson's mansion. Tents peppered the yard and bustling officials came and went from flap to flap, but they ignored the nurse and her party.

Back between the trees, where the chilly, sun-dappled grass moved with shadows from the leaves overhead, Captain Sally led all three to a picnic area where the ground was cleared and a set of benches was placed for lovers, or lunches, or rest.

Mercy was still squeezing Sally's hand, because the moment she let go, someone was going to speak.

When everyone was seated, Sally pried Mercy's fingers off her own, then held the shaking hand and patted it gently as she said, "Miss Barton, Mr. Atwater. This is Vinita Lynch, though around here, most everyone calls her —"

"Mercy," said Mr. Atwater. He'd been good-looking once, but was almost haggard now, with dark hair and brown eyes, and a thin body that seemed on the rebound from the very cusp of starvation.

"Mrs. Lynch," he tried again. "My name is Dorence Atwater, and I was in the camp at Andersonville for six years." He kept it low, soft. Quiet. Not wanting anyone to hear.

He wasn't fighting anymore, and he wasn't in uniform, but the cadence of his speech marked him as a northern boy — a real northern boy, not a border-state boy like Vinita's husband. He didn't have an accent that could go either way: Kentucky or Tennessee; Virginia or Washington, D.C.; Texas or Kansas.

"Mr. Atwater," she said, more curtly than she meant to. But all her words were clipped, and her grip on the matron's hand was leaving crescent moons where her nails were digging deep. "That must've been ... difficult."

It was a stupid word, and she knew it. Of course the camp had been difficult; everything was difficult, wasn't it? Marrying a border-state Yankee was difficult when her Virginia home stayed gray. Missing him for two years now was difficult, too, and folding his letters over and over again, reading them for the hundredth time, and the two hundredth time, that was difficult. Nursing the injured was difficult, and so was wondering with each new wound if it'd been inflicted by her very own spouse, or if her very own spouse was somewhere else — maybe a hundred miles away in Washington — being nursed by a woman much like herself, dutifully tending her own cannon fodder lads on sagging cots.

But he wasn't in Washington.

She knew that. She knew it because Clara Barton and Dorence Atwater were sitting on a low stone bench facing her, with serious eyes and sad news on their lips — because, bless them both, they never brought any other kind.

Before either of the visitors could say anything else, Mercy nattered on again. "I've heard of you, both of you. Miss Barton, it's wonderful work you're doing on the battlefield — making it safer for the lot of us, and making it easier for us to comfort the wounded, and patch them up —" She nearly spit that last part out, for her nose was beginning to fill, and her eyes were blinking, slamming open and shut. "And Mr. Atwater, you made a ..."

Two things rampaged through her brain: the name of the man not four feet in front of her, and why she'd heard it before he ever entered the Robertson Hospital. But she couldn't bring herself to make these two things meet, and she struggled to hold them apart, so the connection couldn't be made.

It was futile.

She knew.

She said, and every letter of every word shook in her mouth, "You made a list."

"Yes ma'am."

And Clara Barton said, "My dear, we're so very sorry." It wasn't quite a practiced condolence. It wasn't smooth and polished, and for all the weariness of it, it sounded like she meant it. "But your husband, Phillip Barnaby Lynch ... his name is on that list. He died at the Andersonville camp for prisoners of war, nine months ago. I'm terribly, terribly sorry for your loss."

"Then it's true," she burbled, not quite crying. The pressure behind her eyes was building. "It'd been so long since he sent word. Jesus, Captain Sally," she blasphemed weakly. "It's true."

She was still squeezing Sally Tompkins, who now ceased patting her hand to squeeze back. "I'm so sorry, dear." With her free hand, she brushed Mercy's cheek.

"It's true," she repeated. "I thought ... I thought it must be. It'd been so long. Almost as long as we were married, since I'd got word of him. I knew it went like that, sometimes. I knew it was hard for the boys — for you boys — to write from the front, and I knew the mail wasn't all kinds of reliable. I guess I knew all that. But I was still dumb enough to hope."

"You were newlyweds?" Clara Barton asked gently, sadly. Familiar with the sorrow, if not quite immune.

"Been married eight months," she said. "Eight months and he went out to fight, and he was gone for two and a half years. And I stayed here, and waited. We had a home here, west of town. He was born in Kentucky, and we were going to go back there, when all this was done, and start a family."

Suddenly she released Sally's hand and leaped forward, making a grab for Dorence Atwater's.

She clutched his wrists and pulled him closer. She demanded, "Did you know him? Did you talk to him? Did he give you any message for me? Anything? Anything at all?"

"Ma'am, I only saw him in passing. He was hurt real bad when they brought him in, and he didn't last. I hope that can be some comfort to you, maybe. The camp was a terrible place, but he wasn't there for long."

"Not like some of them. Not like you," she said. Every word was rounded with the congestion that clogged her throat but wouldn't spill out into hiccups or tears, not yet.

"No ma'am. And I'm very sorry about it, but I thought you deserved to know he won't be coming home. They buried him in a grave outside of Plains, unmarked with a dozen others. But he didn't suffer long."


(Continues...)

Excerpted from Dreadnought by Cherie Priest, Liz Gorinsky. Copyright © 2010 Cherie Priest. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

CHERIE PRIEST is the author of Boneshaker, the first book in the Clockwork Century series, and several other novels. She lives in Seattle, and keeps a popular blog at cmpriest.livejournal.com.

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Dreadnought (Clockwork Century Series) 4.4 out of 5 based on 0 ratings. 82 reviews.
SteveTheDM More than 1 year ago
"Dreadnought" is, at it's core, the story of Mercy Lynch and her journey from a field hospital in an alternate-history Civil War to her far-off estranged father dying in Seattle, and the adventures she had along the way. (Which include the Steampunk standard airships and massive battle machines, along with other stuff.) So in essence, this is a travel adventure. Now, I've read a number of travel adventures, and except for a small few (The Lord of the Rings comes to mind), they've been pretty lousy. That's because they're a collection of nearly unrelated episodes, which works all right for a television show, but not generally for a novel. Priest avoids that gimmick, and actually gives us an exciting journey. The protagonist, Mercy Lynch, a confederate nurse, is smart, capable, and fun to learn about. The war machines and people she meets are all compelling and interesting. Her goal, reaching the west coast, is neither a Union or Confederate goal, and so who the "bad guys" are keeps changing, which is an neat twist. Much of the difficulty I had with Priest's earlier novel in this world, "Boneshaker", which basically amounted to confusion in the chaos of battle, is much reduced in "Dreadnought". When the action gets heaviest, it's still a bit difficult to follow the action, but the less chaotic stuff is much better this time around. This was a fun read, and if you're at all interested in the growing Steampunk mini-genre, you should give this book a shot. 4.5 of 5 stars.
harstan More than 1 year ago
At a Richmond hospital nurses like Mercy Lynch do everything from patient care to scrubbing blood from laundry. It is in the laundry room; Clara Barton finds Mercy and informs her that her husband died in a POW camp. Mentally and physically exhausted, Mercy receives a telegram from the Pacific Northwest informing her that her father was recently injured and dying. He wants to see her one last time. Though estranged, Mercy decides to take the dangerous trip across the continent to Seattle in the Washington territories. The trek by rail and air across the war ravaged Confederacy to St. Louis is dangerous and the dirigible she rides crash lands after shots punctured it. In St. Louis, Mercy boards the steam engine Dreadnaught heading to Tacoma. On the Union train, Mercy meets Texas Ranger Horatio Korman who has an undercover mission he conceals form her. The trip West of the Mississippi proves dangerous though most of the Civil War battles are on the other side of the mighty river. Confederate soldiers attack, which makes Mercy wonder what cargo they carry in the forbidden cars. Worse a Mexican zombie unit assaults the train. Used to death but not the undead, Mercy may be weary, but the intrepid female vows soldiers, rangers, zombies and other ilk will not prevent her from achieving her personal quest. The sequel to Boneshaker, Dreadnaught is a super steampunk Civil War fantasy. The courageous bone tired Mercy, who overcomes her PTSD, keeps the exciting story line focused. However, it is Cherie Priest's grim dark 1860s Americana landscape including the aptly named train that makes for a great harrowing historical thriller. Harriet Klausner
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Best book of the series so far! Dreadnought is a hell of a ride. Mercy Lynch, a Confederate nurse and widow to a Union soldier, is a wonderful character with depth and strength that made me love her from the beginning. She sets off across the war-torn country on a quest to find her father, far off in the poisoned city of Seattle, and finds a whole other adventure she didn't expect. Priest does a wonderful job of showing both the horror and complexity of war and the people caught up in it. The action will keep you reading long after your bed time.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Much more interesting plot than boneshaker
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TankerDude More than 1 year ago
I really enjoyed Boneshaker so I looked forward to Dreadnought. The first half or maybe even three-quarters of the book is very good. But the last portion ruined it for me. You have to suspend disbelief for these stories but this one stretched what was a rather plausible story line into implausibility and just downright repetition near the end. The last half also just seemed to lack the real depth presented in Boneshaker.
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