Approachable, informative, and compelling.
One of the most misunderstood aspects of Arab life is the harem. Long viewed by the West simply as a place of sensual abandon, promiscuity, and overall languor, the harem has suffered denigration and misrepresentation based largely on supposition alone. With her semiautobiographical Dreams of Trespass, author Fatima Mernissi subverts this Orientalist viewpoint by providing a much more accurate portrayal of harem life through the eyes of a nine-year old resident. This female narrator, also named Fatima, relates her life and the events of her world in an innocent fashion, yet her voice is wizened with an insight that bespeaks her burgeoning understanding of patriarchy. As she gains acumen into the familial structure of the harem, Fatima is plagued with confusion on both personal and political levels. She is, after all, a young girl, content with the games, laughter and trappings of childhood; yet she is also growing up in a highly sheltered world dominated by men, and this emerging reality constantly penetrates her thoughts. It is through this unique lens that the reader is invited to understand Fatima¿s struggle between boundary and freedom, and the distinct ways in which both are found within the harem. Young Fatima¿s world, restricted largely to her harem compound, is beset with boundaries ¿ both physical and implied ¬¿ and to that end, the book is rife with metaphor, as well as visually rich descriptions of Fatima¿s home. Her scope of life is widening with age and insight, and she begins to understand all the ways in which the home and family life she loves is indicative of a restriction she cannot name. Instead, she resorts to naming those things with which she is familiar. Often she sits on the threshold of the harem¿s courtyard and observes her world, describing the appointments of the harem and ultimately coming to a confused conclusion that there does, indeed, exist a freedom that remains tantalizing but intangible. And in a child¿s manner, Fatima discovers the cracks in her patriarchal home life, teasing into the slippages and winnowing out the ways in which she can maintain a loyalty to her family, yet grow into independence as an Arab woman. I appreciate not only the succinct way in which Mernissi begs social change from especially her female readers, but also the book¿s rich visuals, portrayed with photography and painted textually with Fatima¿s voice. The Moroccan art and architectural patterns that pervade the book also serve as a grounding point for Fatima ¿ a touchstone, a way in which she can remain secure through the things she knows, as she senses the changing world outside the harem. I believe this type of grounding is a way in which all women firmly grasp their place in their respective societies, and I applaud the skillful and affirming way in which Mernissi weaves together this global unity. I found this to be a beautifully compelling and insightful novel that offers a unique perspective into the realities of harem life. Mernissi¿s clever talent is apparent in using the young voice of Fatima to address not only the problematic position of Arab women in a patriarchal culture, but through the wide array of distinctive female voices in the book, Mernissi speaks to all women.
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Overview
”I was born in a harem in 1940 in Fez, Morocco...” So begins Fatima Mernissi in this exotic and rich narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth—women who, deprived of access to the world outside, recreated it from sheer imagination. Dreams of Trespass is the provocative story of a girl confronting the mysteries of time and place, gender and sex in the recent Muslim world.
In a book as evocative as anything found in A Thousand and One Nights, Mernissi, who was ...