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3.2 29
by James Sallis

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Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt.


Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt.

Editorial Reviews

Paul Skenazy
In a genre more and more notable for overstuffed 300- and 400-page novels, Sallis's lean tale (158 pages) and flat-voiced prose are refreshing, even startling. Though the pace never lags, Sallis faultlessly throws in references to Borges, Paul Celan and old TV shows and films ("The Rockford Files," "Thunder Road") to make sure we know he's reheating a lot of old conventions in this potboiler. And by cutting back and forth in time, he even manages to provide the backstory of Driver's childhood and first film jobs as well as the lives of the criminals out to kill him and get back the heist money. It's a lovely piece of work that makes you wish some other writers would take lessons from him.
— The Washington Post
Publishers Weekly
I drive. That's what I do. All I do." So declares the enigmatic Driver in this masterfully convoluted neo-noir, which ranges from the dive bars and flyblown motels of Los Angeles to seedy strip malls dotting the Arizona desert. A stunt driver for movies, Driver finds more excitement as a wheelman during robberies, but when a heist goes sour, a contract is put on his head and his survival skills burn up the pavement. Author of the popular six-novel series set in New Orleans featuring detective Lew Griffin (The Long-Legged Fly, etc.) and such stand-alone crime novels as Cypress Grove, Sallis won't disappoint fans who enjoy his usual quirky literary stylings. Reading a crime paperback, Driver covers "a few more lines till he fetched up on the word desuetude. What the hell kind of word was that?" Lines such as "Time went by, which is what time does, what it is" provide the perfect existential touch. In this short novel, expanded from his story in Dennis McMillan's monumental anthology Measures of Poison, Sallis gives us his most tightly written mystery to date, worthy of comparison to the compact, exciting oeuvre of French noir giant Jean-Patrick Manchette. Agent, Vicki Bijur. (Sept.) Copyright 2005 Reed Business Information.
From the Publisher

"Full throttle . . . Sallis' riveting novella reads the way a Tarantino or Soderbergh neo-noir plays, artfully weaving through Driver's haunted memory and fueled by confident storytelling and keen observations about moviemaking, low-life living, and, yes, driving. Short and not so sweet, Drive is one lean, mean, masterful machine. A."--Entertainment Weekly

"Imagine the heart of Jim Thompson beating in the poetic chest of James Sallis and you'll have some idea of the beauty, sadness and power of Drive . . . [It] has more thought, feeling and murderous energy than books twice its length."--Chicago Tribune


Product Details

Poisoned Pen Press
Publication date:
Product dimensions:
5.76(w) x 8.80(h) x 0.69(d)

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By James Sallis

Poisoned Pen Press

Copyright © 2005 James Sallis
All right reserved.

ISBN: 1-59058-181-4

Chapter One

Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn's late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room.

The blood was coming from the woman, the one who called herself Blanche and claimed to be from New Orleans even when everything about her except the put-on accent screamed East Coast-Bensonhurst, maybe, or some other far reach of Brooklyn. Blanche's shoulders lay across the bathroom door's threshhold. Not much of her head left in there: he knew that.

Their room was 212, second floor, foundation and floors close enough to plumb that the pool of blood advanced slowly, tracing the contour of her body just as he had, moving toward him like an accusing finger. His arm hurt like a son of a bitch. This was the other thing he knew: it would be hurting a hell of a lot more soon.

Driver realized then that he was holding his breath. Listening for sirens, for thesound of people gathering on stairways or down in the parking lot, for the scramble of feet beyond the door.

Once again Driver's eyes swept the room. Near the half-open front door a body lay, that of a skinny, tallish man, possibly an albino. Oddly, not much blood there. Maybe blood was only waiting. Maybe when they lifted him, turned him, it would all come pouring out at once. But for now, only the dull flash of neon and headlights off pale skin.

The second body was in the bathroom, lodged securely in the window from outside. That's where Driver had found him, unable to move forward or back. This one had carried a shotgun. Blood from his neck had gathered in the sink below, a thick pudding. Driver used a straight razor when he shaved. It had been his father's. Whenever he moved into a new room, he set out his things first. The razor had been there by the sink, lined up with toothbrush and comb.

Just the two so far. From the first, the guy jammed in the window, he'd taken the shotgun that felled the second. It was a Remington 870, barrel cut down to the length of the magazine, fifteen inches maybe. He knew that from a Mad Max rip-off he'd worked on. Driver paid attention.

Now he waited. Listening. For the sound of feet, sirens, slammed doors.

What he heard was the drip of the tub's faucet in the bathroom. That woman weeping still in the next room. Then something else as well. Something scratching, scrabbling....

Some time passed before he realized it was his own arm jumping involuntarily, knuckles rapping on the floor, fingers scratching and thumping as the hand contracted.

Then the sounds stopped. No feeling at all left in the arm, no movement. It hung there, apart from him, unconnected, like an abandoned shoe. Driver willed it to move. Nothing happened.

Worry about that later.

He looked back at the open door. Maybe that's it, Driver thought. Maybe no one else is coming, maybe it's over. Maybe, for now, three bodies are enough.

Chapter Two

Driver wasn't much of a reader. Wasn't much of a movie person either, you came right down to it. He'd liked Road House, but that was a long time back. He never went to see movies he drove for, but sometimes, after hanging out with screenwriters, who tended to be the other guys on the set with nothing much to do for most of the day, he'd read the books they were based on. Don't ask him why.

This was one of those Irish novels where people have horrible knockdowndragouts with their fathers, ride around on bicycles a lot, and occasionally blow something up. Its author peered out squinting from the photograph on the inside back cover like some life form newly dredged into sunlight. Driver found the book in a secondhand store out on Pico, wondering whether the old-lady proprietor's sweater or the books smelled mustier. Or maybe it was the old lady herself. Old people had that smell about them sometimes. He'd paid his dollar-ten and left.

Not that he could tell the movie had anything to do with this book.

Driver'd had some killer sequences in the movie once the hero smuggled himself out of north Ireland to the new world (that was the book's title, Sean's New World), bringing a few hundred years' anger and grievance with him. In the book, Sean came to Boston. The movie people changed it to L.A. What the hell. Better streets. And you didn't have to worry so much about weather.

Sipping at his carryout horchata, Driver glanced up at the TV, where fast-talking Jim Rockford did his usual verbal prance-and-dance. He looked back down, read a few more lines till he fetched up on the word desuetude. What the hell kind of word was that? He closed the book and put it on the nightstand. There it joined others by Richard Stark, George Pelecanos, John Shannon, Gary Phillips, all of them from that same store on Pico where hour after hour ladies of every age arrived with armloads of romance and mystery novels they swapped two for one.


At the Denny's two blocks away, Driver dropped coins in the phone and dialed Manny Gilden's number, watching people come and go in the restaurant. It was a popular spot, lots of families, lots of people if they sat down by you you'd be inclined to move over a notch or two, in a neighborhood where slogans on T-shirts and greeting cards at the local Walgreen's were likely to be in Spanish.

Maybe he'd have breakfast after, it was something to do.

He and Manny had met on the set of a science fiction movie in which, in one of many post-apocalypse Americas, Driver had command of an El Dorado outfitted to look like a tank. Wasn't a hell of a lot of difference in the first place, to his thinking, between a tank and that El Dorado. They handled about the same.

Manny was one of the hottest writers in Hollywood. People said he had millions tucked away. Maybe he did, who knew? But he still lived in a run-down bungalow out towards Santa Monica, still wore T-shirts and chinos with chewed-up cuffs over which, on formal occasions such as one of Hollywood's much-beloved meetings, an ancient corduroy sports coat worn virtually cordless might appear. And he was from the streets. No background to amount to anything, no degree. Once when they were having a quick drink, Driver's agent told him that Hollywood was composed almost entirely of C+ students from Ivy League universities. Manny, who got pulled in for everything from script-doctoring Henry James adaptations to churning out quickie scripts for genre films like Billy's Tank, kind of put the lie to that.

His machine picked up, as always.

You know who this is or you wouldn't be calling. With any luck at all, I'm working. If I'm not-and if you have money for me, or an assignment-please leave a number. If you don't, don't bother me, just go away.

"Manny," Driver said. "You there?"

"Yeah. Yeah, I'm here.... Hang a minute? ... I'm right at the end of something."

"You're always at the end of something."

"Just let me save.... There. Done. Something radically new, the producer tells me. Think Virginia Woolf with dead bodies and car chases, she says."

"And you said?"

"After shuddering? What I always say. Treatment, redo, or a shooting script? When do you need it? What's it pay? Shit. Hold on a minute?"


"... Now there's a sign of the times. Door-to-door natural-foods salesmen. Like when they used to knock on your door with half a cow butchered and frozen, give you a great deal. So many steaks, so many ribs, so much ground."

"Great deals are what America's all about. Had a woman show up here last week pitching tapes of whale songs."

"What'd she look like?"

"Late thirties. Jeans with the waistband cut off, faded blue workshirt. Latina. It was like seven in the morning."

"I think she swung by here, too. Didn't answer, but I looked out. Make a good story-if I wrote stories anymore. What'd you need?"


"Reading again, are we? Could be dangerous.... It means to become unaccustomed to. As in something gets discontinued, falls into disuse."

"Thanks, man."

"That it?"

"Yeah, but we should grab a drink sometime."

"Absolutely. I've got this thing, which is pretty much done, then a polish on the remake of an Argentine film, a day or two's work sprucing up dialog for some piece of artsy Polish crap. You have anything on for next Thursday?"

"Thursday's good."

"Gustavo's? Around six? I'll bring a bottle of the good stuff."

That was Manny's one concession to success: he loved good wine. He'd show up with a bottle of Merlot from Chile, a blend of Merlot and Shiraz from Australia. Sit there in the wardrobe he'd paid out maybe ten dollars for at the nearest secondhand store six years ago and pour out this amazing stuff.

Even as he thought of it, Driver could taste Gustavo's slow-cooked pork and yucca. That made him hungry. Also made him remember the slug line of another, far classier L.A. restaurant: We season our garlic with food. At Gustavo's, the couple dozen chairs and half as many tables had set them back maybe a hundred dollars total, cases of meat and cheese sat in plain view, and it'd been a while since the walls got wiped down. But yeah, that pretty much said it. We season our garlic with food.

Driver went back to the counter, drank his cold coffee. Had another cup, hot, that wasn't much better.

At Benito's just down the block he ordered a burrito with machaca, piled on sliced tomatoes and jalapenos from the condiment bar. Something with taste. The jukebox belted out your basic Hispanic homeboy music, guitar and bajo sexto saying how it's always been, accordion fluttering open and closed like the heart's own chambers.

Chapter Three

Up till the time Driver got his growth about twelve, he was small for his age, an attribute of which his father made full use. The boy could fit easily through small openings, bathroom windows, pet doors and so on, making him a considerable helpmate at his father's trade, which happened to be burglary. When he did get his growth he got it all at once, shooting up from just below four feet to six-two almost overnight, it seemed. He'd been something of a stranger to and in his body ever since. When he walked, his arms flailed about and he shambled. If he tried to run, often as not he'd trip and fall over. One thing he could do, though, was drive. And he drove like a son of a bitch.

Once he'd got his growth, his father had little use for him. His father had had little use for his mother for a lot longer. So Driver wasn't surprised when one night at the dinner table she went after his old man with butcher and bread knives, one in each fist like a ninja in a red-checked apron. She had one ear off and a wide red mouth drawn in his throat before he could set his coffee cup down. Driver watched, then went on eating his sandwich: Spam and mint jelly on toast. That was about the extent of his mother's cooking.

He'd always marvelled at the force of this docile, silent woman's attack-as though her entire life had gathered toward that single, sudden bolt of action. She wasn't good for much else afterwards. Driver did what he could. But eventually the state came in and prised her from the crusted filth of an overstuffed chair complete with antimacassar. Driver they packed off to foster parents, a Mr. and Mrs. Smith in Tucson who right up till the day he left registered surprise whenever he came through the front door or emerged from the tiny attic room where he lived like a wren.

A few days shy of his sixteenth birthday, Driver came down the stairs from that attic room with all his possessions in a duffel bag and the spare key to the Ford Galaxie he'd fished out of a kitchen drawer. Mr. Smith was at work, Mrs. Smith off conducting classes at Vacation Bible School where, two years back, before he'd stopped attending, Driver had consistently won prizes for memorizing the most scripture. It was mid-summer, unbearably hot up in his room, not a lot better down here. Drops of sweat fell onto the note as he wrote.

I'm sorry about the car, but I have to have wheels. I haven't taken anything else. Thank you for taking me in, for everything you've done. I mean that.

Throwing the duffel bag over the seat, he backed out of the garage, pulled up by the stop sign at the end of the street, and made a hard left to California.

Chapter Four

They met at a low-rent bar between Sunset and Hollywood east of Highland. Uniformed Catholic schoolgirls waited for buses across from lace, leather and lingerie stores and shoe shops full of spike heels size fifteen and up. Driver knew the guy right away when he stepped through the door. Pressed khakis, dark T-shirt, sport coat. De rigueur gold wristwatch. Copse of rings at finger and ear. Soft jazz spread from the house tapes, a piano trio, possibly a quartet, something rhythmically slippery, eel-like, you could never quite get a hold on it.

New Guy grabbed a Johnny Walker black, neat. Driver stayed with what he had. They went to a table near the back.

"Got your name from Revell Hicks."

Driver nodded. "Good man."

"Getting harder and harder all the time to step around the amateurs, know what I'm saying? Everybody thinks he's bad, everybody thinks he makes the best spaghetti sauce, everybody thinks he's a good driver."

"You worked with Revell, I have to figure you're a pro."

"Same here." New Guy threw back his scotch. "Fact is, what I hear is you're the best."

"I am."

"Other thing I've heard is, you can be hard to work with." "Not if we understand one another."

"What's to understand? It's my job. So I'm pit boss. I run the team, call all the shots. Either you sign on to the team or you don't."

"Then I don't."

"Fair enough. Your call ..."

"Another sparkling opportunity gone down the tubes."

"Let me buy you another drink, at least."

He went to the bar for a new round.

"I do have to wonder, though," he said, setting down a fresh beer and shot. "Care to enlighten me?"

"I drive. That's all I do. I don't sit in while you're planning the score or while you're running it down. You tell me where we start, where we're headed, where we'll be going afterwards, what time of day. I don't take part, I don't know anyone, I don't carry weapons. I drive."

"Attitude like that has to cut down something fierce on offers."

"It's not attitude, it's principle. I turn down a lot more work than I take."

"This one's sweet."

"They always are."

"Not like this."

Driver shrugged.

One of those rich communities north of Phoenix, New Guy said, a seven-hour drive, acre upon acre of half-a-mill homes like rabbit warrens, crowding out the desert's cactus. Writing something on a piece of paper, he pushed it across the table with two fingers. Driver remembered car salesmen doing that. People were so goddamned stupid. Who with any kind of pride, any sense of self, is gonna go along with that? What kind of fool would even put up with it?

"This is a joke, right?" Driver said.

"You don't want to participate, don't want a cut, there it is. Fee for service. We keep it simple."

Driver threw back his shot and pushed the beer across. Dance with the one who bought you. "Sorry to have wasted your time."

"Help if I add a zero to it?"

"Add three."

"No one's that good."

"Like you said, plenty of drivers out there. Take your pick."

"I think I just did." He nodded Driver back into the chair, pushed the beer towards him. "I'm just messing with you, man, checking you out." He fingered the small hoop in his right ear. Later, Driver decided that was probably a tell. "Four on the team, we split five ways. Two shares for me, one for each of the rest of you. That work?"

"I can live with it."

"So we have a deal."

"We do."

"Good. You up for another shot?"

"Why not?"

Just as the alto sax jumped on the tune's tailgate for a long, slow ride.


Excerpted from Drive by James Sallis Copyright © 2005 by James Sallis. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

JAMES SALLIS is the author of the popular Lew Griffin novels and over a dozen other books, including the biography Chester Himes, a New York Times Notable Book. He has been short-listed for the Anthony, Nebula, Edgar, Shamus, and Gold Dagger awards. He lives in Phoenix, Arizona. An Entertainment Weekly Top 10 Book of 2005 A Washington Post Best Book of 2005

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Drive 3.2 out of 5 based on 0 ratings. 29 reviews.
McCarthy92 More than 1 year ago
It would be safe to say that about 95% of the books that I have read this year were of the crime genre. Drive by James Sallis is a crime novel, a very hard-boiled one, but it is also one of the most different crime novels I have read yet. Drive is told in a very strange order in some really beautiful prose. At times, the book can be hard to follow, but it was an excellent, short read nonetheless. The first author that I thought of when I read the book was of Cormac McCarthy, whose novel, No Country for Old Men is a novel very similar to Drive. I would recommend Drive to those who want a very special twist to the crime fiction genre.
harstan More than 1 year ago
Drive James Sallis Poisoned Pen, Sep 2005, $19.95 ISBN: 1590581814................................ . Los Angeles based Drive lives up to his name day and night. During the day he works in films as an action drive while at night he drives the getaway car in criminal activities. His current evening job has Drive working a heist just north of Phoenix. As he sits in the vehicle waiting for his teammates, The New Guy who cooked up the job and hired Drive, Dave Strong who aptly provides muscle, and Blanche, who offers the sexy distraction, he notices another car sitting in the nearby alley, mirroring what Drive is doing................. Shots are fired Blanche races into Drive¿s car with the money urging him to take off. Drive leaves with the other vehicle on his back he gets rid of the tail by cleverly using the police to stop the other car. However that night at the motel, the thugs from the other car arrive shooting at Drive and Blanche leaving her and the two adversaries dead Drive has a ton of money, but first must clean up the double cross if he is to use it without someone trying to murder him....................... DRIVE is a throwback tale to the Noirs of the late 1940s and 1950s starring a tough individual who steps over the legal line, but only so far until the double-cross and attempts on his life turn him into a retaliatory machine. The story line is action-packed with a strong support cast that provides a look at the support Hollywood role of a driver as well as a first class criminal tale. Fans will want to hitch a ride with James Sallis as he provides an excellent hardboiled crime thriller................ Harriet Klausner
Anonymous More than 1 year ago
I loved the film,one of my faviorite, but hated the book. It read like a community college creative writing class project. Save your money and buy yourself the DVD.
Anonymous More than 1 year ago
This book was difficult to finish, despite how short it is. It was very difficult to follow - too many characters were introduced in short three page paragraphs, never to be heard of again. Some characters would randomly be reintroduced much later in the book after you had already forgottem about their existence. I couldn't connect with any characters. No one had motives or reasons to their actions. I'm truly amazed at how such an incredible movie was created from this stale confusing block of text. I give it one extra star because there were a couple of chapters that grabbed my attention and made me feel some type of emotion.
Anonymous More than 1 year ago
This is one of those rare occassions where the film is actually better than the book. When i began reading this book, i had already seen the movie which i absolutely loved. So i already had expectations for what i thought the book should be like. Let me tell you now, this book is NOT like the movie. When i first started reading this book, i hated it. I didnt like the charatcer Driver. He was not likeable and seemed to have little to no motives for anything he did. There were characters that were introduced constantly and would never appear again. It seemed vaguely written and didnt make much sense at times. I was turned off, but i felt the need to finish it because i loved the film so much. I eventually came to accept that this book is nothing like the movie and i decided to stop comparing the two, it was then that i finally began to enjoy this book. When it comes down to it, its just hardboiled neon noir crime story. It isnt the romantic story of the film. I do not picture ryan gosling when i read it. If i read this prior seeing the movie, i probably wouldnt have liked the movie as much as i do. But im glad to see where it came from. Overall i suggest this book regardless if youve seen the film. Its a quick read, and it has some entertaining scenes of violence. But as for story telling and delivery of these characters, the film does it better
SleepDreamWrite More than 1 year ago
I really like the movie. Having watched it after a long time, I didn't even know it was based on a book. After reading, I found that I kind of like the movie better. I mean the book is okay. We know a little more about Driver and his backstory. And the events that happen, etc. In the movie he's a little more mysterious so we don't know that much except maybe hints or interactions between the other characters, etc. Still, the book was interesting at times and the movie followed it alright. Glad I read the book at least and found there's a sequel.
Anonymous More than 1 year ago
Had moments where I couldn't follow who was speaking, but overall, a book worth reading.
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Youre my slave now and im ordering you to do so
Anonymous More than 1 year ago
Not as good as the movie, but still good.
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