( 5 )



Driven is the sequel to Drive, now also an award-winning film. As we exit the initial novel, Driver has killed Bernie Rose, “the only one he ever mourned,” ending his campaign against those who double-crossed him. Driven tells how that young man, done with killing, later will become the one who goes down “at 3 a.m. on a clear, cool morning in a Tijuana bar.”   Seven years have passed. Driver has left the old life, become Paul West, and founded a successful business back in ...

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Driven is the sequel to Drive, now also an award-winning film. As we exit the initial novel, Driver has killed Bernie Rose, “the only one he ever mourned,” ending his campaign against those who double-crossed him. Driven tells how that young man, done with killing, later will become the one who goes down “at 3 a.m. on a clear, cool morning in a Tijuana bar.”   Seven years have passed. Driver has left the old life, become Paul West, and founded a successful business back in Phoenix. Walking down the street one day, he and his fiancee are attacked by two men and, while Driver dispatches both, his fiancee is killed.   Sinking back into anonymity, aided by his friend Felix, an ex-gangbanger and Desert Storm vet, Driver retreats, but finds that his past stalks him and will not stop. He has to turn and face it.

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Editorial Reviews

Publishers Weekly
The enigmatic loner known as Driver, introduced in 2005’s Drive, takes to the road again after two thugs assault him and his fiancée on a Phoenix, Ariz., street in this terse, brutal, poetic, perfectly wrought sequel. Maybe Driver is paranoid, but is it really paranoia when one team of hit men after another track you down and try to put you on ice? “Two cars this time, and they’d waited for an isolated stretch of road. Chevy Caprice and a high-end Toyota.” Sallis once again pays homage to the tight behaviorist style of French noir master Jean-Patrick Manchette (“he felt the trachea give way and fold in on itself”) and the bleak existential world of criminals beloved by fans of the films of Charles Bronson and Alain Delon, not to mention the passionate cult following for the 2011 film version of Drive. As is the case for all such episodes in the life of the stoic driver, you can come into this excellent novel cold, strap in, just hit the gas, and go. Author tour. Agent: Vicky Bijur, Vicky Bijur Literary Agency. (Apr.)
Library Journal
Sallis's slim sequel to his acclaimed Drive might at first glance seem like a prose poem or a children's book. With its close attention to telling detail and a vocabulary that rarely ranges beyond two-syllable words, it is a bit of both, mixed with interludes of extreme violence, in an angst-drenched Phoenix. That is to say that this novel is a close to perfectly executed noir. By the second paragraph, Driver sees his lover viciously shot dead at his side, and this causes him to set out to discover who is after him. The language is plain, the action is brutal, and the characters are memorably and briefly etched. Typical is this characterization of a suburban couple: "Sectional couch! Jell-O salad! Mashed potatoes! Lawrence Welk!" Charles Bukowski couldn't have said it better. VERDICT Coming hard on the heels of the 2011 film version of cult favorite Drive, this gritty, gristly tale will rivet Sallis's growing audience.—Bob Lunn, Kansas City, MO
Marilyn Stasio
…[a] lean and lethal noir narrative…
—The New York Times Book Review
From the Publisher
"Lean and lethal...The underworld characters Driver deals with have a tendency to wax philosophical. 'You think about stuff much? Why you’re here, what it all means?' one of the hit men asks him. 'Not really,' Driver answers. And then he kills the guy." —New York Times

"Sallis works vividly throughout Driven, but he has a special gift for drawing cinematic chase scenes, all of which practically reek of burnt rubber and gasoline on the page...In the end, Driven is simply a great ride."—NPR

"The enigmatic loner known as Driver, introduced in 2005’s Drive, takes to the road again after two thugs assault him and his fiancée on a Phoenix street in this terse, brutal, poetic, perfectly wrought sequel." —Publishers Weekly, starred review

"Sallis, perhaps the most genuinely poetic crime writer alive, bleeds tone on every page, crafting sentences that read like a Thomas Hardy lyric." —Booklist, starred review

"Coming hard on the heels of the 2011 film version of cult favorite Drive, this gritty, gristly tale will rivet Sallis's growing audience." —Library Journal

"Imagine the heart of Jim Thompson beating in the poetic chest of James Sallis and you'll have some idea of the beauty, sadness and power of “Drive"...[it] has more thought, feeling and murderous energy than books twice its length."—Chicago Tribune, praise for Drive

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Product Details

  • ISBN-13: 9781464200113
  • Publisher: Poisoned Pen Press
  • Publication date: 4/3/2012
  • Pages: 158
  • Sales rank: 628,704
  • Product dimensions: 5.40 (w) x 8.40 (h) x 0.50 (d)

Meet the Author

JAMES SALLIS is the author of the popular Lew Griffin novels and over a dozen other books, including the biography "Chester Himes, "a "New York Times "Notable Book. He has been short-listed for the Anthony, Nebula, Edgar, Shamus, and Gold Dagger awards. He lives in Phoenix, Arizona.
"An "Entertainment Weekly "Top 10 Book of 2005
A "Washington Post "Best Book of 2005"

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Read an Excerpt


By James Sallis

Poisoned Pen Press

Copyright © 2012 James Sallis
All right reserved.

ISBN: 978-1-61595-401-8

Chapter One

They came for him just after 11:00 on a Saturday morning, two of them. It was hot going hotter; sunlight caught in the fine sheen of sweat on Elsa's forehead. A hint of movement in the side of his eye as they passed a short side street—and the first one was there. He spun, slamming his foot and the whole of his body weight against the outside of the man's right knee, and heard it give. By the time the man was down, that same foot hit his throat. He shuddered twice, trying to pull in air through the shattered windpipe, and was still. The second had come up behind by then, but Driver was down, rolling, and behind him, left arm clamped around his neck, right elbow locked over the wrist.

It was all over in minutes. He understood then what had delayed the second man's attack. Elsa lay against the wall of an abandoned café, blood pumping from the wound beneath her breast.

She had been trying to smile up at him as the light went out of her eyes.

* * *

In movies the guy who almost drowned shoots up out of the water and into sunlight like a porpoise, gulping at the air so long denied him, relief writ large on his face.

When Driver first surfaced, six, seven years ago, it had been like that, only in reverse. Sunlight, air, and freedom—his impulse was to dive back in. He wanted the darkness, safety, anonymity. Needed it. Didn't understand how he could live without it.

He was 26.

* * *

Now he was 32, sitting at a table on the deck of HIPPIE PLACE, around to the side, away from the street.

"They first set this place down," Felix was telling him, "it was an in-your-face beachhouse. Sand every which way you looked. Kinda didn't take in as to how the hood's full of stray cats? Cats loved it, brought them in from miles around. Biggest sandbox ever, you know? Reassessments were made at the corporate level." Hands still on the table, Felix leaned back, sleeves pulling to show the lower edge of tattoos gone colorless. No hearts, anchors, women or women's names here. Knives. A flame or two. A wolf. "Long time back. And you know how few things go the distance around here. The food's crap, but it's dependable."

Driver didn't know that much about Felix, about his background anyway. Knew he'd been in Desert Storm, a Ranger he figured, from what little Felix said. And sometime before that, a gangbanger back in good old east L.A. Some kind of bodyguard or enforcer. A lifetime of walking through doors into new lives. They'd met on a job, where it seemed Felix was along mostly to look out for one of the other guys. That's how Desert Storm came up; Felix and his boy had been in it together. Rule is, once the job's over, you're strangers. But something had clicked. Driver and Felix stayed in touch.

And who better to hang with when you went to ground? One way or another, Felix had been off the screen all his life.

"Appreciate your help," Driver said. The coffee tasted faintly of the fish tacos that were HP's specialty.

Felix's eyes followed a pair of women being seated by the front railing. Mother and daughter? Twenty, thirty years apart, dressed alike. Same body language, same legs.

"Anything else we need to do?"


"Oh, like persuade whoever's on your trail what a bad idea that could turn out to be."

"These aren't the kind of people you step up and talk to."

"I wasn't planning on a conversation."

"You wouldn't be. But there's no need. I've gone invisible. They can't see me. It's over."

"Invisible, huh? That's why we're sitting back here by the dumpster and you came in with a hat sitting halfway down your nose." He sipped his own coffee, made a face. "Doesn't smell near as bad as it tastes. That is one cool hat, though."

The older of the women smiled at Felix. Highland Park, upper East Side, Scottsdale kind of woman. Money, class, privilege. Yet here she was smiling over at this middle-aged hardass with worn-out tats and bad hair. Something about Felix did that to people.

The younger woman glanced over to see what her companion was looking at. Then she smiled too.

"All the same to you, invisible or not, I'll keep an eye out, watch for flares." Some ways, Felix never left the desert, anymore than he left L.A. He hadn't put the weight down; he carried them around inside. "Key's where it always is. Far as I know, no one's there. Someone is, you'll need to have a conversation.—Johnny, my man."

The server had come to ask if there was anything else he could do for them. Tan, blond, kid that was probably 25, looked 18 and would keep looking it till he slammed into the hard edge of 40, 45.

"We could use a couple of beers. When you get time. No one's in a hurry here."

Felix watched Johnny's back as he walked off, then checked his two women again. "And you have no idea who this deadly duo was?"

"Or why they showed up. None."

"They wouldn't be carrying ID."

"Doubtful. Not that I stayed around to check."

"You're sure it was a kill."

"How they came in, had to be."

"All the ways you can kill a man, that has to be the dumbest. Too many unknowns, outcome's in the wind, you're hanging out there. So why bring it in close?"

"And why take Elsa?"

"Which they did before putting you down. What sense does that make?"

Johnny brought the beers. He wiped the table with a damp rag, then picked up both coffee mugs with his left hand and set the bottles down with his right.

"Nothing recent to tip this," Felix said.

Driver shook his head.

"Something from the past, then."

"It usually is."

Felix took a small sip of beer and rolled it around in his mouth before swallowing. "Excellent bloom." He looked off to the tree where a bird was giving it everything it had, as though Judgment Day or final exams were in an hour. "You think birds gargle?" Then, without looking back, "In the bathroom, cabinet under the sink. Pull all the shit out, there's a board you can pry up. Just in case it turns out you need it."

"Thanks, Felix."

"Nada. Ride light, my friend."

* * *

Felix called it his warren. Unlike most souls who aren't nailed down, once he moved on from a place, he didn't let it go, he kept it. His you-never-know principle, that also being his rejoinder to pretty much whatever life threw at him or anything asked of him: why he did things, the actions of others, what he thought the chances were of the sun coming up tomorrow. There were Felix apartments, nondescript houses and duck-holes, scattered all around Phoenix.

This particular cell of the warren was the southeast unit of a quadraplex cut from what had been a respectable single-family house back when what was now the central city had been cozy suburbs. Latticework along one side of the drive held fragments of dead vines. Lizards scampered on the slump-block wall behind. The key was under a brick at the base of the century plant by the two-car garage that now served as storage for tenants. Driver glanced through the window. Dozens of boxes, furniture, a potbelly stove, framed paintings, an ancient Fender speaker cabinet. Looking much as it had the last time he'd seen it, better than a year ago, though chances were good that tenants had turned over two or three times since.

Driver did a quick cockroach count—two in the tub still breathing, six visible in the kitchen and mostly dead—before unpacking. Unpacking took about as long as the cockroach check had. He'd never cared much about possessions, so it had been easy walking away from the house and all the rest. Walking away from Elsa's body had been the hard thing.

He carried utility luggage, a duffel bag, with utility clothes to match: jeans, khakis, blue dress shirts and a blazer, t-shirts, underwear, black socks, all of it common stock from Target, Sears. He put the clothes away in a bureau the color of maple syrup whose uppermost layers of laminate had worn away in stages, like riverbed rock. The roach count went up by three.

Some bird had built its now abandoned nest on the outside ledge of the bedroom window, the nest spilling through a missing chunk of screen into the space between. A tiny fragment of freckled eggshell remained.

He'd been living on coffee, air, and nerves since yesterday morning, and he'd seen a diner two streets up, Billy's or Bully's, hard to tell from the sign, where the last time he'd been through, there'd been a Mexican restaurant.

Its historic smells had come forward with it to the new ownership. As though chile and cilantro and cumin were additional pigments in the wall's blue paint. Judging by the row of counter seats, booths and gunnery windows to the kitchen, the place had in some earlier incarnation been a Big Boy's or Denny's. An old man with a fringe of dandelion white hair sat at the counter, looking as though he grew there. A waiter stood off at a safe distance, talking through the half-door into the kitchen. Young couple in the back corner booth by the emergency exit, both busily engaged with hand-held devices, iPods, cells, whatever.

Driver sat down-counter from the dandelion, who kept glancing his direction. The eggs were surprisingly good, the bacon thick-cut and rimed with the perfect amount of fat. Coffee fresh, though watery. When the cook peered through the window, Driver gave him a nod and held up his fork.

Someone had scratched the name Gabriel into the counter Formica, with the blade of a pocket knife held sideways from the look of it. Driver found himself wondering during what incarnation of the diner that had happened, about the person who had done the carving, and the story behind it—his name? A friend's or loved one's? Thinking, too, about how we all struggle to leave markers behind, signs that we were here, that we passed through. How imprints like this, and like the fanciful tags on walls and buildings and overpasses, were urban equivalents of cave paintings.

He paid up at the register, $7.28, and cut through the parking lot on the way back. Just past, he came across a block of homes, five in a row, that didn't seem to belong here, so perfectly in order—windows clear, roofs free of debris, lawns freshly barbered, a quarter-inch gap at the edge of foundations, drives and walkways—that he wondered if the same compulsive person owned them or saw to their upkeep. Then, crossing the street, he was back in the real world, back among shambles and make-dos.

And taking note of the car parked across from his house, a sleek Buick sedan in a neighborhood of pickups and make-do's, single occupant.

The other one would be out back, he figured.

Driver cut around to the wall bordering the alley. Enough stuff back here, piled up along the wall, to furnish five or six homes, parts of all of it gone missing: legs on the furniture, glass in the mirrors, cords and elements on appliances. The gate, he knew from his initial reconnaissance, was held by a chain, one he'd be able to reach through the gap but not without making noise. No problem, though, since the wall was just over six feet and through the gap he could see the other guy leaning against the side of the old garage, looking toward the house.

Driver was up, over and on him as a car passed slowly out front, momentarily taking the man's attention. Manicured fingernails raked Driver's arm, ruby or bloodstone ring like a fat jelly bean on one finger. A good choke hold doesn't leave much wiggle room. It's not just the breathing, you're clamping the carotids too, shutting down blood flow to the brain. Work on kung fu movies, you spend hours hanging out with stars and stunt men while waiting to saddle up and drive. You learn things.

Without thinking—he was on some level now where thought and action were a single seamless thing—he slammed the man's body against the side of the garage, got a drumlike thud, louder than he'd anticipated, then a series of reverberations. He slipped around behind, into the narrow channel between garage and wall.

It took all of three minutes for the other one to show. Came in carrying something in his left hand, gun, slapjack, taser. Spotted his partner and moved slowly toward him. Crouched low, Driver watched through the cracks between boards.

Left-handed then. And carrying about forty extra pounds.

Driver waited.

The man drew up close, looked around one last time. Struggled some on the squat, then dropped that left hand to the ground as he eased down.

The moment the man's eyes shifted, Driver was there, stomping hard on his hand. Still wrapped around the gun handle, fingers cracked. But the man didn't make a sound. He looked up with blank eyes, waiting to see how this was going to go.

Driver kicked him in the head.

Sirens sounded in the distance, over on McDowell or thereabouts, maybe coming this way, maybe not. Driver looked around. There hadn't been enough noise to alert neighbors, but three or four two-storeys were within view, someone could have seen and called it in. He listened again for the sirens. Closer? Much as he wanted to talk to these two, to have a conversation as Felix would put it, he couldn't take the chance.

He was up the alley and around the corner when two police cars swung onto San Jacinto.

* * *

"That's your idea of laying low?"

"So I'm out of practice."

Driver was on a throwaway. Felix was calling back from the message he'd left at the tattoo parlor on Camelback.

"One might surmise that hanging out by dumpsters isn't going to make it."

"Right. Somehow they got on to me again, and fast."

"I don't like it much, either. They found you, chances are good they know more about me than anyone should."

"Just what I'm thinking, why I'm checking in."

"You put four of their people down and they're still on empty. Whatever jones they had for you at first, it's got way stiffer now. What can I do?"

"I'll need another place to stay."


"That's taken care of." Old habits hadn't completely passed with the old life. He had stashes of money, ID, bank cards.

"Might want to give Maurice a call."

"Your guy who does false documents?"

"Not just documents. He does whole identities—birth certificate, military, degrees. But he's just as good at erasing them. This juncture, more invisible would be wise."

"You're right."

"Swing by The Ink Spot in an hour or two. Justin'll have everything you need. Keys, clothes. Anything else you're wanting, call me direct." Felix gave him the number. "That one's with me and always on."

"Many thanks, my friend."

"Nothing. Be cool—"

"—and care. Will do." Driver hung up.

The second call was the one he dreaded, but he knew he had to make it. Mr. Jorgenson picked up on the seventh ring. Once hello was done, he said nothing further, not when Driver told him who was calling, not when he told him how sorry he was, not when he told him they wouldn't be hearing from him again.

He and Elsa had always joked about how purely middle-America her parents were. "Toasted cheese!" one of them would say, then the other: "Sectional couch!" "Jello salad!" "Mashed potatoes!" "Lawrence Welk!"

When Driver stopped talking, there was silence on the line for a time.

"Mrs. Jorgenson and I knew from the first that we didn't have the whole story, Paul. We knew that. But our girl loved you, and you loved her, and whatever we felt, about the strangeness that stood behind you where it couldn't be seen, about all those things that didn't quite add up—none of that came to matter much."

Silence again before he said, "How terribly we will miss her, I can't begin to tell you."

Most anyone else, Driver thought, would be dispensing homilies now: she's in a better place, she's gone to her reward, her journey's over. He could see where so much of Elsa had come from. Her spirit, the quiet at her center, her generosity.

"But we will miss you too, Paul. We are your family. What is going on now, once it's done, however and whatever it is, we hope you'll come back to us. We'll be here.... I have to go, son."

Driver was at America's Tacos on Seventh Avenue, misters going full, no one else out here on the patio. Mostly couples inside, beyond the windows. Just two men eating alone. One of them young, crested hair, denim shirt with sleeves ripped off, head bobbing to the piped music. The other in his fifties or sixties, staring at the wall as he ate. Lost in reverie? Or to memory?

Leaving, Driver dropped his paper plate, cup, and cell phone in the recycle container.

* * *

A young woman was bent over something that looked like a gymnast's pommel horse, bare butt in the air, eating a burger as the tattooist worked on her. Every time she took a bite, a brownish mess of grease, mayonnaise and who knows what else spurted onto the floor. Hebrew letters took form slowly on her butt. Justin's eyes kept going back and forth from that butt to the printout tacked on the wall. His Rasta hair looked like something pulled down from attic storage, first thing you'd want to do is thwack out the dust. Jeans low on hips, shirtless, nipples sporting tiny gold anchors. After watching closely a moment, Driver wondered if the young woman or anyone else realized how bad Justin's eyes were.

Those who wore their exception like a billboard were a puzzle to Driver. Given his circumstances, he'd always worked hard to appear to fit in, not be noticed. But he was with them in spirit.


Excerpted from Driven by James Sallis Copyright © 2012 by James Sallis. Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Customer Reviews

Average Rating 2.5
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Sort by: Showing all of 5 Customer Reviews
  • Anonymous

    Posted April 24, 2012

    Great Read

    I really enjoyed reading Drive, but I think Driven is much better. Driven is very brief like its counterpart but it was a better read because it was linear. The problem I had with Drive was that it jumped all over the place and some things were hard to follow. Going deeper into Driver's background was interesting to me, and he just beats the crap out of people without breaking a sweat.I will say that I found it very funny that everybody in this book talks like a poet regardless of their background.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 13, 2013

    Typical sequel

    I thought the first book, Drive, was excellent. I also loved the movie. This second book, in which I hope there's not a third, just plain missed the mark. In the way James Sallis writes, characters just appeared with no introduction, and that made it hard to follow. Sometimes you don't even know who Driver is talking to. I was eager to read as soon as I found there was a sequel, but I soon found myself hurriedly trying to finish it just so I could move on to something else. I was not impressed.

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  • Anonymous

    Posted November 10, 2012

    Very short and not much of a story..waste of time

    Dont buy

    0 out of 1 people found this review helpful.

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  • Posted August 3, 2012

    more from this reviewer


    He is called, simply, Driver, because that’s what he is, that’s what he does and, he feels, that’s what he will always do. Once one of the best stunt drivers in film, his life has taken different turns, most of them illegal. But he gave up that life over six years ago, became a successful businessman named Paul West, a man with a ‘normal’ life and a fiancée he dearly loved. Until one day when his old life catches up to him, and he has to kill the two men who have suddenly appeared and attacked him, but not before his fiancée has been killed. So back he must go, to his old life in Phoenix. But soon two other men find and attempt to kill him, and he has no choice but to kill again.

    As his friend Manny succinctly puts it, “you have to decide what you want, else you just keep spinning around, circling the drain. You want to get away from the guys? Or you want to put them down? Well, there it is, then. We ponder and weigh and debate. While in silence, somewhere back in the darkness behind words, our decisions are made.” Now 32 years old, he goes where life, and his attempts to track down whoever is behind the continuing attempts on his life, take him, theorizing that “you moved faster with the current than against.”

    The author’s descriptions, in his typical [and typically wonderful] spare prose, conjure up immediate mental images: Of a tattooist, he says “His Rasta hair looked like something pulled down from attic storage, first thing you’d want to do is thwack out the dusts.” Of a young crowd in a mall food court “wagging their iPods and cellphones behind them, fatally connected.” The book is filled with the author’s - - and his protagonists - - philosophizing: “We all struggle to leave markers behind, signs that we were here, that we passed through . . . urban equivalents of cave paintings.”

    The sequel to the excellent “Drive,” published in 2005, I devoured the book in a single day. This was a short but memorable visit into the world created by Mr. Sallis, and it is highly recommended.

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  • Anonymous

    Posted July 30, 2012

    Driven to quit reading

    This book was hard to follow. It seemed like every chapter was incomplete, and pages were missing. I kept getting lost and decided to quit reading. This book has only 72 pages and i quit at page 52. This will probably be the only time in history that a movie will be better then the book. I cant believe this got published.

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