Druid King

Druid King

4.2 5
by Norman Spinrad

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A major triumph of historical fiction, The Druid King, is a masterly retelling of the life of the legendary general Vercingetorix and his brilliant crusade against the Roman invasion of Gaul.Vercingetorix was both a man of myth and a real historical figure—he managed, where others had failed, to unite the tribes of Gaul and lead them against the might of


A major triumph of historical fiction, The Druid King, is a masterly retelling of the life of the legendary general Vercingetorix and his brilliant crusade against the Roman invasion of Gaul.Vercingetorix was both a man of myth and a real historical figure—he managed, where others had failed, to unite the tribes of Gaul and lead them against the might of the entire Roman empire.

After watching his father’s harrowing death, young Vercingetorix retreats to the forest where he learns the ways of the druids. Soon he must return to civilization to reclaim his birthright and his father’s honor, but the city of his birth has changed. Now, he must confront the greatest military power the world has even known--the Roman legions of Julius Ceasar. This is the story of Vercingetorix, Druid King of Gaul.

From the Trade Paperback edition.

Editorial Reviews

The Barnes & Noble Review
The Druid King -- a historical novel about Vercingetorix, the last and greatest leader of the Gauls, and his epic battles against Julius Caesar -- is a dramatic departure for Norman Spinrad, renowned author of controversial science fiction works like Bug Jack Barron and The Iron Dream. As a young boy, Vercingetorix watched his father valiantly try to unite the tribes of Gaul against Caesar and the ever-expanding Roman Empire -- only to be burned alive by treacherous clan leaders. After spending many years in seclusion being trained in the ways of the Druids, Vercingetorix -- galvanized by a hallucinogenic mushroom–induced vision -- returns to the fray to finish what his father could not do: unite the warriors of Gaul and lead them against the might of the Roman Empire. Thus begins the grand chess match between two completely different yet almost equally skilled master strategists. The culmination of battles leads to an endgame that is as bloody as it is genius.

The much-storied life and fated death of the almost mythical figure of Vercingetorix is arguably as compelling as any Arthurian tale. Spinrad's The Druid King is essentially a doomed love story about a young man who cherishes his honor as much as his heritage, and who, after witnessing the impending destruction of the druidic Gaul culture underneath the boot heels of the Roman Empire, sacrifices everything he has to save it. Fans of historical fiction -- as well as those who enjoy military strategy -- will undoubtedly relish this powerful and enthralling portrait of a truly heroic figure who remains a French national icon to this day. Paul Goat Allen

Publishers Weekly
A distinguished science fiction author (Bug Jack Barron, etc.) turns to historical fiction with this sweeping but unremarkable tale of the myth-infused adventures of Vercingetorix, the greatest and last leader of the Gauls against the Romans under Julius Caesar. As a young man, Vercingetorix is forced into hiding after the execution of his father, who tries to usurp the leadership of the Gauls. Trained by the Druids in the arts of war and magic-his teachers are the Arch Druid Guttuatr and the dazzling swordswoman Rhia, who has pledged to live as a virgin warrior-Vercingetorix is visited by premonitions and dreams of his grand but tragic fate. When his learning is complete, he is manipulated into an alliance with a certain Gaius Julius Caesar, a master of war and intrigue, a leader with great ability and few scruples. Reasoning cleverly with the young man, Caesar also reintroduces him to his childhood love, the beautiful Marah. Vercingetorix is to become a client king through whom the Romans will rule Gaul, but when he realizes that his father's death was part of the plot, he turns ferociously against the Romans. The conclusion is a series of grand battle scenes interwoven with mystic visions. The author's sympathies are clearly with the Gauls, but he is balanced in his portrait of Roman and Gallic factionalism, and reconstructs a Celtic society without the worshipful attitude that marks many fictional treatments of those creative and valiant folk. It's a solid, intelligent effort-but readers familiar with Spinrad's iconoclastic science fiction novels will find it disappointingly conventional, despite the mystical trappings. Agent, Russell Galen. (Aug. 11) Forecast: The seed for this novel was the original version of the screenplay Spinrad wrote for the 2001 film Druids (originally titled Vercingetorix). The book won't flop as hard as the movie, but chances are it will be a harder sell than Spinrad's sci-fi. Copyright 2003 Reed Business Information.
The Druid King tells the story of the Gallic chieftain, Vercingetorix, who united the tribes of Gaul against the Roman invasion led by Julius Caesar. The novel begins as Caesar sets his sights on Gaul, a land governed by separate tribes, each with its own territory. Part of his initial scheme involves co-opting a Druid from one of the tribes and manipulating the downfall of Vercingetorix's father, Keltill, a man who wishes to unite Gaul under one leader. When Keltill is captured and condemned to death, Vercingetorix takes refuge with the Druids until he is ready to emerge and face his destiny. Spinrad alternates the perspective between Vercingetorix and Caesar, a choice that highlights their differences, their similarities and how they learn from each other. At the same time, the characters are on the shallow side, and it is difficult to feel much for any of them. Spinrad embellishes the straightforward timeline of the narrative with visions, Druid rituals and elements of fantasy as well as meticulous descriptions of the strategies and the battles. After a while, though, the repetition of the gory details has a numbing effect on the reader and the impact is lessened. The plot drags in places, but the final battle scene is extremely gripping. Overall, the book is well written and a good addition to larger collections or where there is a strong interest. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2003, Random House, Vintage, 411p. map., Ages 15 to adult.
—Donna Scanlon
Library Journal
Spinrad's new historical novel examines the difference between Gallic fatalism and Roman optimism during Caesar's Gallic Wars by following the Gaul Vercingetorix from childhood through youth to his assuming leadership of the tribal Gauls. As a boy, Vercingetorix witnesses the perfidy of his father's rivals and his subsequent death, which drives the younger Gaul to develop his own pragmatic brand of leadership. As a teenager, he is trained to fight by the Amazon-like Rhia, with whom he falls in love, and his obsession first with revenging his father and then with uniting the Gauls takes on mythic proportions. On the verge of manhood, he confronts the man from whom he will learn the art of war, Julius Caesar himself, and the two begin the slow dance of destiny. Clich dominates the book's first half, but the second part is more exciting, as Gallic obsessions with honor undermine Vercingetorix's chess match with Caesar. Meanwhile, the reader is treated to an imagining of both Caesar and Vercingetorix's decision making. Recommended for collections strong in historical fiction. [Previewed in Prepub Alert, LJ 4/1/03.]-Harold Augenbraum, Mercantile Lib. of New York Copyright 2003 Reed Business Information.
Kirkus Reviews
The Gallic side of Julius Caesar's campaigns comes to bloody life in a story about Vercingetorix, one of the future emperor's noblest foes. Generations of schoolchildren have slogged through the Gallic Wars hearing only the winner's side. Here, Spinrad (Greenhouse Summer, 1999, etc.) attempts to complete the picture, re-creating the world of the Gauls, those barbarous residents of the territory that would eventually become France, fragmented warrior tribes whose humiliation was the centerpiece of Caesar's master plan to become master of the universe. Rather more civilized than the snooty Romans would like to believe, Gallic culture rested in the hands and arts of their priestly Druids, carefully educated men whose cumulative knowledge went well beyond the babblings of the soothsayers in blue paint of popular imagination. Young Vercingetorix, the real life warrior king who turns up in Caesar's reports, is taken on by the Druids after the death of his tribal leader father, a victim of family treachery and Caesarian scheming. Trained in the usual Druid arts by the usual Druidic professors, Vercingetorix, clearly on the fast track, gets extra curricular instruction from Rhia, a beautiful, buffed, former savage who knows everything there is to know about sword fighting. Although Gallic hormones start pumping at the sight of wonder woman, there is to be no sex. Not for now, at any rate. Rhia, who finds Vercingetorix thoroughly attractive, must remain chaste to stay alive. So says the future revealed to her in a mushroom-induced dream. Vercingetorix's own mushroom future reveals a crown and a peek at modern Paris. On the way to the crown, there will be many, many battles, some on-the-jobtraining from Caesar himself, lots of gore, a reunion with a saucy number from his past, now part of Caesar's road show, and boozy nights with fellow barbarian teachers. The lad is doomed, of course. Caesar did come, see, and conquer, after all, but it's intriguing to see the anti-Roman side of things. Humorless, occasionally ponderous, but interesting. And no pesky translating. Agent: Russell Galen
From the Publisher
“Spinrad realisitically portrays both the strengths and weaknesses of Vercingetorix and Ceasar. . . . Lovers of historical fiction . . . should enjoy The Druid King.” –The News & Observer

“Exciting, insightful historical fiction.” —Midwest Book Review

“Powerfully written. . . . The stark and compelling portraits he paints of the Gallic people, of Caesar, are painted with a masterful flourish. . . . A good read, with a lot of meat & substance." —Medieval Times

“Refashion[s] an intriguing legend into an epic piece of historical fiction. . . . Spinrad breathes new life into a mythical figure, reimagining the adventures and motivations of a larger-than-life superhero.” —Booklist

“Spinrad realisitically portrays both the strengths and weaknesses of Vercingetorix and Ceasar…. Lovers of historical fiction, strategy and battle should enjoy The Druid King.” —The News and Observer (Raleigh, NC)

“Powerfully written…The stark and compelling portraits he paints of the Gallic people, of Caesar, are painted with a masterful flourish…. A good read, with a lot of meat & substance." —Medieval Times

“Refashion[s] an intriguing legend into an epic piece of historical fiction...Spinrad breathes new life into a mythical figure, reimagining the adventures and motivations of a larger-than-life superhero.” —Booklist

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Knopf Doubleday Publishing Group
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Read an Excerpt

The country of the tribes of Gaul extends from the sere and rugged cordillera of the Pyrenees in the west to the grandeur of the snow-capped Alps in the east, from the dank fogbound coast of the northern sea to sunny southern reaches where the balmy tang of the Mediterranean can be smelled drifting up through the mountain passes.

But in truth, the lands of the Edui and the Arverni, the Carnutes and the Belovaques, the Turons and the Santons, and all the rest, their farmsteads, their cities, their pastures, are but islands in an ocean of trees. For it is the mighty green forest, cresting over hills and rolling down valleys, that fills the greater part of their world; it is the oak that reigns supreme, not man.

Deep within this endless oak forest is a round clearing, its grass sprinkled with wild flowers, mushrooms, mossy rocks. Waiting silently just within the ferny undergrowth fringing its margin is a circle of leaders of a score and more of the tribes of Gaul, wearing pantaloons in their tribal colors, woolen shirts, leather jerkins, their scabbards empty of swords. Each of these vergobrets stands beside a pole bearing aloft the sigil animal of his tribe--boar, hawk, bull, bear, stag, wolf, and the like--roughly carved in wood or cast in subtly modeled bronze or silver.

In the center of the clearing, illumined by the bright noonday sun, stands Guttuatr, Arch Druid of all Gaul, a tall, slightly stooped man in early old age. His hair and neatly trimmed beard are silvery gray. He wears a white robe with no tribal colors. The cowl of the robe is drawn over his head, but does not hide his face, with its hawk-beak nose and its deeply set green eyes that seem to look through this world and into another. He bears, but does not lean upon, a gnarled oaken staff as tall as he is. Atop the staff is fixed a fallen star, a roughly spherical piece of dark-gray pockmarked iron twice the diameter of an apple.

He looks up at the sun, then down at his own shadow, severely foreshortened as the sun passes through its zenith. Then he raises his staff one-handed, the fallen star now a quarter of a man's height above his head.

From the four quadrants of the wind, their white robes trimmed in the many colors of the tribes of Gaul, druids emerge silently past the vergobrets and into the clearing.

They form an inner circle around the Arch Druid, then stand immobile. Guttuatr grounds his staff once more upon the earth. No one moves. No one speaks.

And then the ghostly-pale midday moon begins to move across the face of the golden sun.

The vergobrets gasp as a shadow begins to cross the clearing and the forest beyond, as the sky slowly turns a deeper blue.

The Arch Druid Guttuatr speaks.

"As in the heavens, so upon the earth. The gods of night seek to conquer the day. Those who serve the dark war against those who serve the light. As upon the earth, so in the heavens."

The moon, like a mouth open wide, swallows an ever-growing portion of the golden sun, as if bent on devouring it entire.

The tribal leaders moan and shuffle their feet in distress. The druids stand silent, knowing eyes fixed upon Guttuatr, as if waiting for some signal.

Nothing is to be heard but the shuffling feet and softer and softer moans of the vergobrets, then the confused cries of day birds returning to roost and night birds awakening and the faint far-off baying of dogs and wolves, as the blood-red light of false sunset falls upon the forest.

Then the night itself descends. The sky turns black and the stars appear, but the sun is still visible, its face a void of darkness, but rimmed in a gauzy light like hair and beard aflame or the fiery crown of a celestial god.

"The night destroys the day!" Guttuatr shouts, and brings forth cries of terror from the men beside their tribal standards. "The dark devours the light!"

And the druids begin a stately circling round him.

Guttuatr begins a slow chanting.

"But the Great Wheel turns and we turn with it...."

The circling druids answer.

"That which is eternal, that which passes..."

"As in the heavens, so upon the earth..."

"As upon the earth, so in the heavens..."

"Let the Great Wheel turn with us!" Guttuatr shouts, raising his staff high above his head as if to command the heavens. "Night into day! Darkness to light! Let the Great Wheel--"

Suddenly vergobrets and druids alike cry out, a great collective shout not of terror but of wonder. The druids abruptly cease their circling, and turn to stare at something above and behind Guttuatr. All at once the solemn spell is broken, and an unruly crowd is pointing at the sky, shouting and babbling.

Guttuatr himself whirls around, looks up to see--

A point of light emerging from nothingness, growing brighter, and brighter, and brighter.

A new star being born.

Guttuatr's jaw drops slack, and his eyes widen in awe, as those of a man beholding the visage of a god.

"Once in a thousand years...," the Arch Druid whispers.

The vergobrets do not move, but the druids crowd close to him, and one of them dares to speak.

"What means this, Arch Druid?"

With enormous reluctance, Guttuatr slowly turns from this mighty portent.

"This is the sign of a Great Turning," he tells his fellow druids uneasily. "This Great Age will die to give way to the next."

"But what will--"

"No man of the age that is passing can see clearly into the age that is to come," Guttuatr says quickly and more firmly. "We have conjured more than those of the world of strife should know. We must finish the rite before the heavens finish it for us!"

And he raises his staff aloft once more.

"Behold!" he shouts. "The heavens themselves declare their favor! Light from darkness! Day from light! The Great Wheel turns!"

The druids hastily and somewhat clumsily resume their circling and chanting. The vergobrets draw back.

"We turn round, and round, and round...."

"Let the Great Wheel turn with us!" Guttuatr commands.

And, as if to obey, the moon begins to disgorge the light it has eaten, and the sky begins to brighten in a gloriously luxurious purple-and-gold false sunrise. The forest awakens, and blue skies and bright sun once more look down upon a world of verdant green. The rite has succeeded.

Or so it might seem.

Half a dozen roasting boar and as many sheep dripped their fat on crackling log fires, perfuming the air with deliciously pungent smoke. Boys pulled planks of steaming loaves from the ovens and set them out to cool. Peasants brought in wicker baskets overflowing with ripe red apples, white turnips, and dark-green nettles, savory and freshly picked. Bards toyed with their harps, and here and there servants sang with them.

It was the happiest day of Vercingetorix's young life, trotting to keep up with the mighty strides of his father, Keltill, as they crossed the outer courtyard of the family homestead in the bright afternoon sunshine. It was the day of the great feast to be given by Keltill to celebrate the inauguration of his year as vergobret of the Arverni.

Though robust and brawny, Keltill was but of average height for a Gaul, yet, in the eyes of his fourteen-year-old son, he was a giant.

His lands and his riches and his rule might have been passed down to him by the will of the gods, as the druids proclaimed, but what Vercingetorix saw in the eyes of his father's people was something no god could bestow. Nor were the smiles that greeted him bought solely with the gold coins he tossed with gay abandon into the air, as if they were so many sprigs of mistletoe.

Keltill was loved by his people.

Keltill grinned and made a great show of smacking his lips as they approached the brew master's cart. Seeing this famous enthusiast of his wares, the balding, fat-bellied fellow drew two foaming horns of beer from two different barrels.

"This one I would say has rather more flavor, Keltill," he said, offering the horn in his left hand, then raising the one in his right. "But this one has a bit stronger spirit."

Keltill quaffed the first, then the other.

"Well, which one do you favor?" asked the brew master.

"When did I ever taste a brew I didn't favor?" said Keltill. He laughed, then grinned at Vercingetorix. "What do you say, Vercingetorix, would you care to favor us with an opinion?"

Like any boy of Gaul, Vercingetorix was familiar with watered-down beer, given when hot weather made milk curdle or cows went dry. But this would be his first taste of the full-strength manly brew. He took a hesitant sip of the "more flavorful" beer. It was thick and sweet. Under the watchful eye of his father, he took a more manly gulp. Now a bitter aftertaste emerged, which he found less than pleasant.

"Well?" asked Keltill.

"Uh...good. Nice and, uh, foamy."

Keltill handed him the second horn. This time, Vercingetorix took a full adult mouthful straightaway, and made a show of rolling it around in his mouth thoughtfully before he swallowed. Less bitter, less sweet too, and not as thick.

"Even better!" he declared sincerely.

"Like father, like son!" Keltill said, fetching him a mighty clap on the shoulder. "My sentiments exactly! You heard our beer-taster, we'll have twenty barrels--of each of them!"

"Of each?" said the brew master, eyeing Keltill skeptically. "About the money..."

"Name your price! I'll pay you double whatever it is when we've both died and gone on to the next world in the good old Gallic fashion!"

"Very generous, Keltill, but if I, my family, and my brewers don't eat in this world, we'll find ourselves there for a good long while before you, so, if you don't mind..."

"Well, if you're going to be that way about it..." Keltill said impishly, reaching into the leather pouch from which he had been so freely dispensing largesse, and extracting but a single coin.

The brew master was not amused.

Keltill laughed at his sour expression.

"Come along, then," he said. "There's plenty more where that came from!"

He held the coin, which Vercingetorix knew bore Keltill's own portrait, closer for the brew master's inspection. "Handsome, are they not?"

They passed through a gate in the wooden palisade that enclosed the inner courtyard. Within was the great round house, with its well-hewn plank walls caulked with wattle, its tall conical roof freshened with newly cut thatch for the occasion, and still redolent of earth and hay. The roof, as always, was crowned with a carved wooden bear, sigil animal of the Arverni, but now a bear cast in bronze stood on a pole before the doorway--the standard of their new vergobret.

At the front of the house, trestle tables had already been set up and servants were setting out benches, dressing the tables with platters, and piling up logs for a bonfire.

Keltill crossed the courtyard to a wooden shed. Vercingetorix had been inside and so knew what to expect, but the brew master didn't. Two artisans were beating lumps of soft gold into sheets with heavy, broad-faced iron-headed mallets, and two more were stamping out coins from the sheets with round-faced dies and tossing them into big leather sacks already brimming with the fruit of their labors.

Keltill led the gaping brew master to one of the sacks. "Take what you consider just," he said. "No more and no less."

The brew master gave Keltill a look of amazement, which transformed to greed. He dipped both hands in the sack and came up with as much as he could carry.

He froze. He looked at Keltill.

Then he slowly dribbled half his load of coins back into the sack and departed.

"You just trusted him to take what he would!" Vercingetorix exclaimed.

"I trusted his honor. This is our way, Vercingetorix. Honor is to be trusted. Fortune is to be shared. Else what are we?"

He scooped up a great handful of coins and stuffed them in the leather pouch tied to his belt.

"Of course, it does not diminish a man's reputation for generosity that his likeness appears on his largesse, so that those who receive it never forget whence it came," he said. Then he laughed. "Not every notion of the Romans is foolish."

Keltill picked up another handful of coins and held it up before Vercingetorix's eyes. "On the other hand, the way they whore after this stuff to the point where they will even let it buy their honor is pitiful!"

"Pitiful, Father?"

"Indeed! They forget what gold is for. Do you know, Vercingetorix?"

Vercingetorix could only shake his head.

"Consider," said Keltill. "You cannot eat it, you cannot drink it, you cannot ride it, you cannot even forge a sword from this pretty but otherwise useless metal."

"But you can buy food and drink and horses and swords and more with it!"

"Exactly!" cried Keltill. "Life is not to be spent in the making and hoarding of money! Meat is to be eaten! Beer is to be drunk! Horses are to be ridden! A year as leader of your tribe is to be celebrated freely!"

With a wild laugh he tossed the whole handful of coins into the air. "Money is to be spent on the pleasures of living!"

By the time the sun had set, the festival had begun, and it could fairly be said that much money had indeed been spent on the pleasures of living.

A horde of guests had arrived. Most were Arverne nobles, their families, and warriors, and the ordinary folk of Keltill's holdings who had been favored with admission to the outer courtyard for the feast. Some few were invited nobles from other tribes of Gaul; some fewer still were druids, who had the right to invite themselves to any feast, anytime, anywhere, in the lands of the Gauls.

The drinking of beer was already well under way. Everyone had a foaming mug of copper or pottery, open barrels had been set out everywhere, and the fumes alone were enough to make the very old and the very young lightheaded.

Not that they were relying on their noses to get the beer to work its happy magic. Nor, having savored his first true taste, did Vercingetorix fail to quaff his fair share and then some. The torches seemed to him haloed, the final handful of coins tossed by Keltill cascaded through the syrupy air like flurries of golden snow, and the music and voices melded into the wordless song of a burbling stream.

Keltill's entry was greeted by a collective cheer. And though this was not lacking in wholehearted affection for the man himself, stomachs spoke as loudly as hearts when Keltill strode up to the bonfire.

A warrior handed Keltill a torch. Keltill made a grinning show of hesitation. "Surely, my friends, you have not yet drunk enough beer to truly whet your appetites?" he said. "Best we wait a bit longer before going on to the meat."

From the Hardcover edition.

Meet the Author

Norman Spinrad is the author of Bug Jack Barron, The Iron Dream, Child of Fortune, The Void Captain’s Tale, and numerous other novels. He has also written literary criticism, political commentary, and the screenplays for two feature films. He lives in Paris.

From the Trade Paperback edition.

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Druid King 4.2 out of 5 based on 0 ratings. 5 reviews.
harstan More than 1 year ago
In Ancient Gaul, after watching treachery lead to the defeat and subsequent death of his tribal leader father, Vercingetorix flees, taking shelter with the Druids. The Arch Druid Guttuatr and the swordswoman Rhia become the lad¿s teachers training him in the art of magic and war.

Gaius Julius Caesar recruits the young man to become Rome¿s client ruler over Gaul. Vercingetorix accepts the position thinking that Caesar is now his mentor. However, their relationship abruptly changes when Vercingetorix learns that Caesar was the devious force behind the death of his father. Now Vercingetorix turns feral against his former benefactor leading his people in war against the Roman legion.

This exciting insightful historical fiction provides the audience with an interesting look at Ancient Gaul without the victorious Roman filter altering the view. The story line is very vivid as Norman Spinrad points quite a panorama. The hero is an engaging individual who comes to lifee in THE DRUID KING. Though Mr. Spinrad¿s loyal science fiction fans should be aware that this book is not anything like his Sci Fi tales, readers will appreciate the rest of the story from the loser¿s perspective as opposed to the victors goes the history books.

Harriet Klausner

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