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Nanette is back in New York City and busy getting over her ex-boyfriend in the only sane way possible for a woman of her sensitive, artistic nature: drinking herself into oblivion. But when a friend gives her a voodoo doll, Nanette's life seems to turn around. A missing check turns up, her street-corner saxophoning starts raking in the money, and she's even offered a regular gig at a jazz club. Nan is so grateful that she invites the doll's creator, an older woman named Ida Williams, to her first performance. But...
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New York, New York, U.S.A. 2000 Hard Cover First Edition New/New Remainder Mark 0892966793.

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Nanette is back in New York City and busy getting over her ex-boyfriend in the only sane way possible for a woman of her sensitive, artistic nature: drinking herself into oblivion. But when a friend gives her a voodoo doll, Nanette's life seems to turn around. A missing check turns up, her street-corner saxophoning starts raking in the money, and she's even offered a regular gig at a jazz club. Nan is so grateful that she invites the doll's creator, an older woman named Ida Williams, to her first performance. But the gig has only just begun when the room explodes in gunfire. When the smoke clears, Ida is found dead. Who was the shooter? And why would they shoot a harmless old woman? Soon, Nanette will learn that the elderly craftswoman had a somewhat checkered past, and it will take more than a voodoo doll to protect a sometime sleuth from its secrets.
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Editorial Reviews

Library Journal
Emerging from an alcoholic, self-destructive phase, black jazz saxophonist and part-time sleuth Nanette Hayes (Coq au Vin, 1999) attributes her new positive attitude to a rag-doll street vendor. When someone shoots the old woman--who turns out to have several identities--Nan feels that the New York cops may neglect the murder case of just one more poor black person, so she investigates on her own. She winds up helping police, using her own educated, upper-middle class family connections for access to clues. Upbeat, tough, sexy, and wryly humorous, Nan is an appealing series heroine supported by equally unusual but compelling faithful friends. Don't miss this one. Copyright 1999 Cahners Business Information.
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Product Details

  • ISBN-13: 9780892966790
  • Publisher: Grand Central Publishing
  • Publication date: 2/8/2000
  • Series: Nanette Hayes Mystery Series , #3
  • Pages: 224
  • Product dimensions: 5.84 (w) x 8.60 (h) x 0.80 (d)

Read an Excerpt

Chapter One

'Tis Autumn

"Who said something bad about Charlie Rouse?" I demanded, my voice slow, bullying, vile. "Goddammit, I will kill a motherfucker who says something bad about Charlie Rouse!"

A silence fell in the room.

"Who?!" I yelled, knocking over several drinks. I stood with my hand on my hip. I know I must've looked ferocious, because a couple of women on the sectional sofa started clawing at the coat sleeves of their men.

"Uh . . . Nan? I think we need to go home now."

I looked at him—my little date—with supreme scorn. "Your hands off me, yutz. You go home if you want. Ima have another drink."

"You've had enough, Nan. Let's get your coat." He sounded like Richard Pryor doing his uptight white guy accent.

I won't recount what I said to him then. It would make me too ashamed. Just know it was filthy and cruel and utterly uncalled for. I didn't know I had that kind of poison in me until I heard it rolling off my tongue.

That guy shrank away from me, gasping like a Sunday school teacher in a Storyville whorehouse. I had humiliated his ass in front of his friends—well, I'm guessing they were his friends. Maybe, even worse, they were his colleagues from work, whatever work he did. The truth is, I don't remember what he did for a living; I don't remember what he looked like, except that he was a tall black man who wore nice shoes; and I don't remember whose apartment we were in, because, see, I was drinking pretty heavily then, and had been for months.

And hey, as long as I'm being honest here? To say I was drinking "heavily" is kind of a laughableunderstatement. The fact is, I was drinking suicidally.

To his credit, my date, whoever he was, turned out not to be such a wimp after all. When my vile, party-killing monologue was over, I began to wend my way back to the table where a gorgeous young sister in dreadlocks and a white apron was serving the drinks. I never made it back there. Before I knew what was happening, my man had a hold of the neck of my shirt. I was thrown out of the front door so hard that I bounced off the back wall of the waiting elevator, landing on my butt. A split second later, my brown suede jacket came sailing in after me, looking for all the world like Rocky the flying squirrel.

I cussed all the way down to the lobby, where I stumbled past the tight-lipped doorman, who had undoubtedly watched the whole episode on his little security monitor.

It was a Saturday night. I remember that because of all the strolling couples. The ones I looked at with such hatred. The ones whose heads I wanted to saw off because they looked so fucking happy together.

How dare they be happy! How dare they! I wished I had my gun.

And a drink. I wished I had a drink, too.

I'm not trying to paint myself as a badass or anything—this stuff was nothing to brag about. I was out of control and I knew it.

It had started as a severe post-affair depression last spring, when I returned from Paris. It simmered and deepened over the ugly New York summer, during which I scratched out a living by day—playing my sax long hours on the street and picking up tutoring or translation jobs here and there—and kept to myself at night. I sought the company of no one except for my best friends, Mr. Gin and Ms. Tonic. I kept the answering machine on all the time but rarely returned any calls. Too scattered to read, too listless to write, no hanging with friends, no men, only sporadic contact with my mom and my oldest friend Aubrey to let them know I was still alive.

The cooler weather meant a switch to bourbon. In the month of September I drank, if not a river of whiskey, then certainly a major tributary. I also acquired a weapon.

A neighbor of mine had been raped over the Labor Day weekend. The cops thought the guy was responsible for a string of attacks further uptown as well. In the grip of spiraling nihilism, I purchased an illegal piece, figuring that if he came after me, I'd be the last episode of his series, because I was going to cancel his ass. I fully realized the bastard just might take me with him. But if it came to that—well, so be it.

I knew a conga player, Patrice, from Haiti, who had kind of a thing for me. Lovely man, but we never quite got our riddims together, to use his words. He had a cousin who specialized in putting people together with the right weapon. Patrice and I made a night of it. He took me first to a Filipino meal on First Avenue; next, to a new club on Avenue A, where a group with a sensational tenor opened for a rising male singer; and last, working our way steadily east, into the bowels of a red brick building on Avenue D.

The cousin, whose name was never mentioned, was one scary fella. But when I emerged onto the street again, I was the proud owner of an only slightly used little Beretta, which, I was told, a former policewoman had traded for heroin. It fit neatly into my hand but was guaranteed to have the punch of a much meaner piece. And, as a bonus, seeing as how I was Patrice's bitch, I was fixed up with regular as well as hollow-point ammo.

Luckily for the both of us, they caught the rapist.

I was walking around in perpetual gloom or hostility or sourness, no gratitude for life and no taste for living. Nothing moved me. And I mean nothing—not the most beautiful tenor solo I heard on the radio, not the heavenly gold and flame that anointed the parks and gardens, not even a good hamburger. My impersonation of Lady Hardass went on. Tough Nan and her beat-up saxophone. She didn't like the way things were, but she bit down on the loneliness and took it like a man.

I had three or four lovers in October. But there I go again, understating. Four men in one month and you never see any of them again—those are tricks, not lovers. And the drinking went on unabated, and the isolation, and the just feeling shitty and not knowing when, or if, the clouds would ever lift.

My friend Aubrey had not given up on me completely; of course not. But she was damned tired of my self-destructive nonsense. We spoke on the phone but seldom got together for dinner or going out to visit my mother—or anything. Things had not been right between us for months now—ever since my return from Paris and the affair that I was mourning. On the rare occasions when we did meet we just seemed to get on each other's nerves.

And so November rolled around. I was still depressed, and more evil than ever. What could I do? I knew my Lady Hardass act was sheer self-indulgence. But I hurt; I hurt so bad. And then, one night, I met this guy at a jazz club—I think that's where I met him—and tried to take some solace in a fling with him.

Cut to: that jive party in that deluxe hi-rise building, that Saturday night when I went way over the top.

Understand, Mr. and Mrs. Hayes did not raise any heathen daughters, and as a person of some refinement, I was unaccustomed to being asked to leave people's homes, let alone being hauled out by the scruff of my neck and tossed into an elevator like I was a crate of lettuce that had gone bad.

Yet I knew I deserved what that guy did to me—and worse. I had behaved abominably.

I got out into the brisk November air, a hint of winter in the wind, and I saw those couples in their big sweaters strolling with their arms around each other. And laughing—that's what really got to me—their sweet, exclusionary laughter. They were done with their little dinners in their little trattorias. They were coming home from the movies. Stopping off for fucking decaf espresso. Going to hear music somewhere where the lights were low. I wanted to kill somebody.

But of course that isn't what I wanted at all. Just the opposite. To be precise, I wanted Andre, the man I had found and then parted from in Paris.

I zipped up my jacket and crossed the street, hurrying up the block and out of the sight of the doorman, now regarding me as if I belonged in a zoo. I barely made it into the doorway of the shuttered cigar store before the dam burst. I broke down and began to sob helplessly. I cried in the way I'd been trying to cry for months, but somehow had not been able to. Mouth wide open, screaming almost, testifying. Snot on my chin. The whole nine yards. I cried so hard and so long that I gave myself a nosebleed.

Scenes like this were regular occurrences in the city: some poor soul, usually a woman, crying her heart out, publicly, past all embarrassment. The pain is almost tangible. You get a sharp, sudden pang of empathy in your throat. You want to cry too. You start hurting too. But you don't stop, you don't interfere, you keep walking. And now the poor soul was me; I was the one on display.

Nobody paid me any mind. New York, right?

At last the storm was over. I was exhausted. I was ravenous. And I was still very sad. But, oddly, I felt a whole lot better. I walked a couple of blocks north and found a no-name diner. While my BLT was being made, I went into the ladies' and cleaned myself up as best I could.

I polished off my sandwich in no time and had a stale cookie with my third cup of coffee. Lord, I thought, I hope this is rock bottom—Saturday night, alone in a Greek coffee shop where the most attractive man in sight was gumming a roll that he kept dipping in his watery chicken soup, and me with bloody snot on my good coat and my face looking like a hot air balloon in the Macy's parade. I hope there's nowhere to go but up from here.

It was nearly 2 a.m. when I left the diner. For a brief moment I thought of going back to the party to apologize for my behavior. I quickly scotched that idea. I just knew I didn't want to go home yet. The thought of walking into my empty apartment just then was unbearable. Besides, I owed apologies to somebody else.

I jumped into the first taxi I saw, thanking my stars the cabbie was an Indian. Not that they know the city so well or are such superb drivers—many of them are awful. It's only that they usually pick up black people when nobody else will and it was two in the morning and I looked like I lived under the Brooklyn Bridge.

Under ordinary circumstances the last place on earth I'd want to be at 2 a.m. was Caesar's, the club where Aubrey dances with her tatas hanging out six nights a week. Under ordinary circumstances that loser Greek diner would be preferable to Caesar's Go Go Emporium. But tonight its gaudy neon lights were like a beacon of hope lighting up that scary little patch of Sixth Avenue.

Aubrey was on and it was a full house. Like always, the men were enthralled, loving her moves, eyes riveted to the stage. I made my way over to the bar, where I saw Justin, the manager, settling in on his reserved barstool. He smiled at me and elbowed a customer off of his stool so that I could sit next to him.

"God amighty!" he said, getting a good look at me. "I hope you caught the license number of that truck."

"I know, I know" was all I said.

"Did you get mugged or something?"

"No, I'm all right."

"Where have you been all this time, Smash-up? Ugly school?"

I laughed in spite of myself, shaking away the runaway tear that was creeping down my nose, and he put a consoling arm around my shoulder. He shook one of his stupid long cigarettes at me and I took it gratefully.

"Well, even in your bag lady drag, it's good to see you."

"I've been lying kind of low. Emphasis on low.'"

"You got some troubles, right?"

"It's a long story, Justin. And you've heard it a thousand times before. Only the names change."

"Oh," he said knowingly, "that. Say no more, child. Mens! Can't live with 'em, can't chop their pricks off."

He bought me a brandy over my protests that I'd had enough to drink.

We fell silent for a time, until he commented, "Aubrey's still number one," he said, his eyes following her gyrations. "Girl's looking fabulous tonight."

I nodded, and echoed, "Fabulous. And you, Justin. How are you?"

"Little me? Your favorite fagorita is cool." He turned the smile up a notch, then not so much said as sang, "Met somebody noo-hoo."

"No kidding? That's terrific, J." He did look exceptionally happy.

"Still playing your jazz music, Smash-up?"

"Yeah. Still playing. Lot of tourists around this summer. I made out pretty good. I've got to hustle up some kind of steady income soon, though."

"We can always put you in a wig and you can wait tables here. With that shelf of yours, the tips would be awesome. Maybe you could work up some kind of topless routine with your sax. Who knows, darling? Anything goes."

Now that was something I'd never thought of. Topless lady saxophonist. That would secure my place in the annals of jazz, surely.

"I'll give it some thought," I said. "How long do you think it'll be before Aubrey's done?"

"A few minutes. Listen, why don't you go backstage to wait for her? I'll be back there in a few minutes."

I grabbed my drink. "Thanks. See you later."

It was nice and warm back in Aubrey's little room. I sipped my brandy and picked up her pack of Newports but threw it back down again with a snort of distaste.

I sat at her dressing table and surveyed the damage in the oversized mirror. Yeah. Magna cum laude from Ugly School. Top of the class. Makeup wasn't going to help much, but I picked up one of Aubrey's lipsticks and began to apply it.

No, I was right; it wasn't helping. Soon I had drawn a pair of terrifying clown lips over my mouth. I popped my eyes wide and sang in falsetto: "Everybody dance now!"

I broke into crazy laughter then. It mounted higher and higher, until I became aware that someone else was in the room. I heard the lifeless greeting: "Hey."

Aubrey was standing behind me, staring at my reflection in the mirror. I whirled around to face her.

"Jesus, Aubrey, I'm sorry. I mean, not just for this. I mean I'm sorry period. About—you know—how I've been."

She stared impassively at me for another few seconds, and then she too began to laugh wildly.

I gave her the short version of my earlier humiliation, replete with the frightened women on the sofa and the suede jacket landing on my face. As I should have known, she found that hilarious, too.

Justin found us collapsed in each other's arms.

"What kind of riot is going on back here, girlfriends? Can I get in on it?"

"Yeah, you can," Aubrey said. "You know the party don't start till you come."

He put his crazy cigarette down on the edge of the nearest surface, and then, with a devilish grin, revealed the object he had been concealing behind his back. "This is for you," he said, looking directly at me. "Happy birthday, Smash-up."

I looked down at it. A twelve-inch-high rag doll with dark brown "skin." And speaking of riots: she was a portly old lady in a wildly colored pinafore and head wrap—jungle reds and yellows and oranges and zebra stripes. On her little face a mysterious expression was sewn in white thread. Her mouth wasn't downturned, exactly, but she certainly wasn't smiling. Her head wrap was color coordinated, to use the term loosely, tightly wound and towering high on her head. There was even a tiny ring in her left ear. And in one hand she held a little pouch with a drawstring.

"That must be where she keeps her voodoo medicine," Aubrey snorted.

"That's right," Justin confirmed, then turned to me to say, "She can put the mojo on that man who jammed you up. You'll get him back in a minute."

"I'm touched, J. But we've got a few months to go before my birthday."

With a toss of his head, he pressed the doll into my hands.

"What the fuck? It's somebody's birthday every day, isn't it? Here, take it. I have it on good authority that this lady will fix up your life, no matter what kind of blues you have. And let's face it, Smash-up, you could use the help."

Like they say, don't look a gift horse in the mouth. Though I never had an idea in hell what that old axiom meant.

"Thanks, J. That's really sweet of you. I think I'll name her Justine, in your honor."

"Unh unh," he cautioned. "She's already got a name: Mama Lou. You have to call her Mama Lou."

"Okay. But why?"

"Perry Mason," he said, as if that answered my question.

"Perry Who?" Aubrey asked.

Myself, I knew who Perry Mason was, but his answer still made no sense.

"You know that old TV show from the fifties," he began to explain. "He was a lawyer that never lost a case. And my girl Della, his secretary, used to wear these kickass high heels without the backs to them.

"Well, when I first started working at Caesar's, my shift would start about two in the afternoon. So I would get out of bed about eleven or twelve. They used to show Perry Mason reruns every day on Channel Five. I would eat my breakfast and get ready for work while I watched it. Got to the point it would ruin my day if I couldn't see it. I saw most of the shows five . . . six . . . a hundred times.

"Anyway, they had this one story about this young white girl who had lost her parents, and so she was raised down in Haiti by this voodoo mammy they called Mama Lou. But somebody killed Big Mama. Man, that was my favorite Perry. The thing is, while I was watching it the power went out in my building, and I never found out who the murderer was. They never showed that one again, godammit. To this day, I don't know who killed Mama Lou.

"So there I am the other day, coming back from Armani on Fifth Avenue, and I cut down Fifteenth Street to come back over east. Right there at Union Square and Fifteenth where all those street vendors hang out—"

"Armani?" That was Aubrey's incredulous hoot, interrupting Justin's narrative. "Motherfucker, you don't shop at no Armani and you know it."

He bristled and snapped at the air. "I buy my soap there, bitch. Everybody knows Italian soaps are the best. Anyway, as I was saying, there I am at that corner of Fifteenth and the park. And I look up and there's Mama Lou staring me right in the face.

"There's this woman who looks like she could be a voodoo lady herself. She sews these dolls and sells them on the street there. Got a whole table full of different kinds of dolls. She said all her dolls got magic powers. Hell, I can always use a little magic. So now you come in here looking like . . . well, like you're looking," he said. "I figure you'll be a real good test of Mama Lou's magic. If she can help you, she can help anybody."

I took the doll and held her close, swallowing hard. "From your lips, Justin."

I looked over at Aubrey. "Are you still pissed at me, Aub?"

She didn't say anything, just plucked a few tissues from her table and began to wipe my mouth.

I smiled at the two of them. "Thanks, Mom and Dad," I said.

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  • Posted December 9, 2008

    more from this reviewer

    Enjoyable amateur sleith tale

    Nanette Hayes returns to New York feeling depressed after her Paris relationship with Charlie Rouse ended. Nanette turns to the bottle to help her forget. However, her suicidal binge with alcohol isolates her from her friends and leaves her family worried about her. Life change for Nanette when she receives a voodoo doll as a present. Things suddenly begin happening for Nanette as she obtains work in a jazz club and a check arrives that Nanette gave up on ever obtaining. <P>A grateful Nanette relishes her new luck that the doll apparently brought with her. Nanette visits the dollmaker to thank the elderly woman, Ida Williams. Nanette invites Ida to watch her perform, but just as she starts to play the sax, someone murders Ida. Feeling guilty for causing her guest¿s death, Nanette begins to make inquires into the murder, not realizing the danger she places herself in from a cool killer. <P>DRUMSTICKS, The third Nanette Hayes novel (see the rousing Rhode Island RED and the delightful COQ AU VIN), is an enjoyable amateur sleuth tale. The who-done-it and the why it was done storyline is fun to follow as Nanette and her support crew dig for the truth. Saucy Nanette is an intriguing middle class African-American woman struggling with her identity. Through this protagonist, Charlotte Carter provides her audience with a triumphant novel worth reading. <P>Harriet Klausner

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