The Dry Grass of Augustby Anna Jean Mayhew
In this beautifully written debut, Anna Jean Mayhew offers a riveting depiction of Southern life in the throes of segregation, what it will mean for a young girl on her way to adulthoodand for the woman who means the world to her. . .
On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a
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In this beautifully written debut, Anna Jean Mayhew offers a riveting depiction of Southern life in the throes of segregation, what it will mean for a young girl on her way to adulthoodand for the woman who means the world to her. . .
On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been therecooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally.
Bright and curious, Jubie takes note of the anti-integration signs they pass, and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents' failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence. . .
Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform usfrom child to adult, from wounded to indomitable.
"A beautiful book that fans of The Help will enjoy." Karen White, New York Times bestselling author
"Mayhew keeps the story taut, thoughtful and complex, elevating it from the throng of coming-of-age books." Publishers Weekly
"A must-read for fans of The Help." Woman's World
"Written with unusual charm, wonderful dialogue, and a deeply felt sense of time and place, The Dry Grass of August is a book for adults and young people botha beautifully written literary novel that is a real page-turner, I have to add. Fast, suspenseful, and meaningful. I read this book straight through." Lee Smith, author of Last Girls and Fair and Tender Ladies
"Because the novel is totally true to Jubie's point of view, it generates gripping drama as we watch her reach beyond authority to question law and order." Booklist
"A masterful work of blending time and place." The Charlotte Observer
"A beautifully written and important novel. Set in the 1950s South, it deals with race relations in an original, powerful way. It's also a great story about complicated family relationships, told with humor, delicacy, and penetrating insight. I wish I had written this book." Angela Davis-Gardner, author of Butterfly's Child
"Anna Jean Mayhew has a true ear for Southern speech. . .The Dry Grass of August is a carefully researched, beautifully written, quietly told tale of love and despair and a look backward at the way it was back then in the South." The Pilot (Southern Pines, North Carolina)
"Deeply felt, lasting relationships formed in the mid-20th century South between white families and the African-American women who took care of them. In The Dry Grass of August, Mayhew explores the love and conflicting loyalties in one such extended family, adult and child, black and white. She does so with honesty and sympathy, intimate knowledge and valuable perspective, as well as beautiful writing. This is an important story about the Southern experience and the women who helped to form the American generation now at the peak of its powers." Peggy Payne, author of Sister India
"Once you've experienced The Dry Grass of August, you'll swiftly see that Anna Jean Mayhew's debut novel deserves all the early praise it's getting. . .the power, bravery and beauty of Mayhew's narrative is beyond contestation and well-deserving of a wide readership." BookPage
"An extraordinary, absorbing novel." Historical Novel Reviews
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The Dry Grass of August
By Anna Jean Mayhew
KENSINGTON BOOKSCopyright © 2011 Anna Jean Mayhew
All right reserved.
Chapter OneIn August of 1954, we took our first trip without Daddy, and Stell got to use the driver's license she'd had such a fit about. It was just a little card saying she was Estelle Annette Watts, that she was white, with hazel eyes and brown hair. But her having a license made that trip different from any others, because if she hadn't had it, we never would have been stuck in Sally's Motel Park in Claxton, Georgia, where we went to buy fruitcakes and had a wreck instead. And Mary would still be with us.
Stell and I carried the last of the suitcases to the driveway. The sky was a wide far blue above the willow oaks that line Queens Road West, with no promise of rain to break the heat. I put Mary's flowered cloth bag in the trunk and Daddy took it out. "Always start with the biggest piece." He picked up Mama's Pullman and grunted. "She packed like she's never coming back." He hefted it into the trunk. "Okay, girls, what's next?"
Stell tapped her suitcase with the toe of her size six penny loafer.
"That's the ticket." Daddy put Stell's bag in the trunk beside Mama's. He looked at the luggage still sitting by the car and ran his hand through his hair, which was oily with Brylcreem and sweat. "Ninety-five, and not even ten o'clock." He wiped his face with his pocket handkerchief and pushed his wire-rimmed glasses back in place. His hands were tan from playing golf, thick and square, with blunt fingers. On his right pinkie he wore a ring that had been his father's—gold, with a flat red stone.
The cowbell rang as Mary shut the kitchen door behind her. She came down the back walk, Davie on her hip. Puddin stumbled along beside them, struggling with the small suitcase she'd gotten for Christmas.
Daddy said to Mama, "Don't let Mary ride up front."
"I'd never do such a fool thing," Mama said. "Everybody use the bathroom one last time."
Stell stepped into the shade of the garage. "I don't need to."
I ran to the breezeway, touching Mary's arm when I passed her, letting the screen door slap shut behind me. Daddy's bathroom smelled like cigarettes and poop. I cranked open the window and sat on his toilet to pee. In the full-length mirror on the back of the door, I could see the awful welts on my thighs. I stood and yanked up my pedal pushers.
Daddy was rearranging the luggage, making one more square inch of room in the trunk. Stell Ann stood by the car, shiny in her readiness, from her silky hair to her clear lip gloss to her pale-pink nails. Polished like I could never be.
A horn honked. Aunt Rita's green Coupe deVille skidded into our driveway, stopping beside the Packard. She rolled down her window. "I found the picnic basket."
Mama said, "Great!" She asked Daddy, "Can we make room for it?"
He groaned, looking into the crammed trunk.
Aunt Rita passed the basket out the window to Mama. "It's packed with dishes, glasses, utensils. The ones in the paper bag are for Mary." She lowered her voice. "There's talk of the Klan in Georgia."
Mama handed the basket to Daddy. "We'll be fine."
"I hope so." Aunt Rita waved as she pulled out of the driveway.
Mama jingled her car keys. "Say good-bye to your father."
Daddy hugged Puddin with one arm and reached for Stell with the other, but she held herself stiffly away from him. He brushed my forehead with a kiss. "Be good, Junebug. You know you're Daddy's girl, right?"
His head blocked the morning sun and I couldn't see his face.
Mary stood in the driveway, holding Davie. Daddy poked Davie's tummy. "Say bye-bye."
"Take care of my boy for me," Daddy said to Mary.
"Yes, sir." Mary didn't look at Daddy when she spoke.
We all got in the car, Mama and Stell Ann in front, Davie between them in his canvas baby seat. Puddin and I were in the back with Mary, who sat behind the driver's seat, tall and straight, her dark face already damp with sweat. She patted my leg to let me know she liked sitting next to me.
Mama's hair was curled and hanging loose, flashing red and gold. She handed me her sun hat, scarf, and gloves to put on the ledge in the back window. "Fold my gloves and put them under my hat, then cover my hat with the scarf." She watched me in the rearview mirror, making sure I did what she said.
She started the car. "Is everyone ready?"
"Ready, Freddy," I said. Stell sniffed. Slang was beneath her now that she was sixteen, was in Young Life, and had been saved.
Daddy leaned in Mama's window to kiss her on the cheek. "I'll see you at Pawleys, okay?" Mama bent to move her purse and he kissed her shoulder instead. "Keep it in the road," he said.
She put the car in reverse. Had she felt his kiss on her shoulder?
Daddy waved from the garage, looking alone already, and I remembered what he'd said to Uncle Stamos, his older brother. "While they're gone, I'm going to play golf every afternoon and get stinking drunk whenever I want." I wondered how he'd feel, coming home to a quiet house, nobody on the phone, no supper in the oven. No one to yell at when he got mad.
Mama turned onto Queens Road West, into the shady green tree tunnels formed by the towering oaks. "I hope there's not much traffic between here and the highway."
On the way out of Charlotte we passed Municipal Pool, and I saw Richard Daniels poised on the new high dive while another kid did a cannonball from the low board. Nobody was a better diver than Richard. Next time I talked to him, I'd ask him to give me lessons.
When Daddy and Uncle Stamos won the contract to build those diving boards, they had hunkered for weeks over blueprints spread on the dining room table. Huge papers that smelled like ether and had Watts Concrete Fabrications, INC. in a box on every page, with a caption: Charlotte Municipal Swimming Pool, and subheadings: DECK. BASE FOR THREE-METER BOARD. BASE FOR ONE-METER BOARD.
Daddy showed me how to read the drawings. "Always check the scale. An inch can equal a foot or ten feet." He held the papers flat to keep them from curling. "If you don't know the scale, you won't understand the drawings." I learned about blueprints as I breathed in his smell of tobacco and Old Spice.
He liked teaching me things. When I was in first grade he gave me a miniature toolbox with painted wooden tools, which Mama thought was ridiculous. "That kind of thing is for boys," she'd said.
"I don't have any," Daddy had told her. "Yet." He patted her bottom. "And girls need to know the business end of a hammer."
If Daddy wanted help, I grabbed my toolbox and ran to him, but he hadn't asked for my help in a long time. Thirteen was too old for make-believe tools.
Puddin wriggled on the seat next to me. "I want to be in front when we get to Florida so I can see the ocean first."
"That won't be till tomorrow afternoon," I told her.
She put her head against my shoulder. "I can wait." Then she sat up again. "Do my braids so I look Dutch." I knotted her skimpy braids on top of her head, knowing they wouldn't stay, as fine as her hair was.
"Do I look Dutch?"
"You look like Puddin-tane with her braids tied up." Silky blonde wisps fell behind her ears.
Davie started to fuss and Mama asked Stell to check his diaper. He was almost two but wasn't taking to potty training, so Mama had him in diapers for the trip. Stell lifted him free of the car seat and asked, "Are you ever going to let me drive?"
"His diaper's okay. Take him for a while, Mary." She helped Davie climb over the seat. Mary reached for him and he beamed at her, spreading his arms.
Stell asked Mama, "When?"
"At Taylor's, but not on the highway. Not yet."
"I'm qualified." Stell was pushing her luck. Mama didn't answer.
We were going first to Pensacola, Florida, to see Mama's brother Taylor Bentley, who was divorced. His graduation photo from Annapolis was in our living room in a brass frame, taken when he was twenty-one, handsome in his white uniform, his hat held under his arm. When he kicked Aunt Lily out, a judge said their daughter would stay with Uncle Taylor. I heard Mama on the phone. "Lily Bentley is a slut." My dictionary cleared up the mystery enough for me to suppose that Aunt Lily must have been caught in an affair, a word that made me long for details I was hopeless to know.
In the early afternoon, we ate pimento cheese sandwiches in the car and stopped at an Esso station west of Columbia. I dug through the ice in the drink box until my hand was red before I came up with a Coke, and stood in the sun gulping it despite Mama saying I could only have one and to make it last.
I looked around for Mary and saw her closing the door of an outhouse behind the filling station. She took Kleenex from her pocket and wiped her hands. I went to her. "You going to get something to drink?"
She shook her head. "Don't know when I'll find another outhouse."
Stell walked up, tapping her Coke. "Want to play traveling?"
"Okay. Two bits." I guzzled my drink and belched.
"Suave. Do that for the next cute boy you see."
"I'm ready. One, two, three!"
We turned our bottles over. "Charlotte! I win!" I loved beating Stell at games.
"Atlanta," she said. "You lose."
I called to Mama, who was by the drink box, a Royal Crown in her hand, "Which is farther away, Charlotte or Atlanta?"
I slapped a quarter on Stell's outstretched palm. She smirked.
An old man popped the cap off a Seven-Up and raised it as if he were playing traveling, too. He squinted at the bottom of the bottle, where a bubble of air was trapped in the thick glass, green and sparkling in the sun. "Ever who blowed this'un had the hee-cawps," he said in a cracked squeal. When we got in the car, I told everybody what he'd said and the funny way he talked. Only Mary laughed.
We took off again, Puddin snuggling under the feather pillows we'd brought along, curling herself up until just her sandals showed. She hated air-conditioning. I thought it was because she was skinny, with not enough meat on her bones to keep her warm.
I always looked out for Puddin, because before you knew it, she'd disappear. Once, on a trip to the mountains, we left her at a filling station and went twenty miles before we missed her. I'm the only one who noticed how often she hid herself away. Mama wasn't alarmed. "She's only five. She's only six. She's only seven."
Wiggles of heat rose from the highway, and the trip was long and boring, even with Mama pointing out things such as the Georgia state line and peach trees heavy with fruit. We played alphabet until I was almost to Z. Mary pointed to a calf and whispered, "Young cow," for me to use for my Y. Stell said that wasn't fair, and Mama wouldn't rule, so we quit.
In a town called Toccoa, I saw signs in people's front yards: Separate but equal is good for everyone and Segregation ain't broke. Don't fix it.
"Mama, what do those signs mean?"
"It's got to do with that mess in Washington." She glanced at Mary in the rearview mirror. "Never mind; it won't happen in Charlotte."
"What won't happen?"
"Hush. I don't want to talk."
Mary took my hand. I looked at our intertwined fingers—mine slender, smooth, and pale; hers brown, thick-knuckled, and calloused. On her left hand, resting in her lap, she wore a thin gold ring. We didn't talk much in the car, and she seldom spoke except to say "Yes, ma'am" or "No, ma'am" or "Y'all leave off talking till your mama gets us back on the highway." She and Mama hadn't had much to say to each other in a long time.
We passed Davie around to keep him from getting too fussy. He fell asleep in my lap, his head on my chest, and I didn't mind him drooling on my shirt.
South of Atlanta, Mama said, "We'll be at Taylor's by tomorrow afternoon easy." She sounded excited. She told us about a town nearby called Warm Springs. "President Roosevelt went to Warm Springs because of his polio, and he died there when Stell and Jubie were little. I took y'all to the Southern Railway station in Charlotte and we watched his funeral train pass by."
Something important had happened to me and I didn't remember it.
"Girls, Taylor said Sarah can hardly wait to see you." Mama must have been trying hard to make small talk, because she didn't have much to say for her niece, who she once described as prissy. But Sarah was my only girl cousin and she wasn't particularly fond of Stell, so I was excited about seeing her again. In her last letter, she said that when I got there we'd go sunbathing, just the two of us. She never wrote anything about her mother being gone, and I wasn't sure I should ask. I remembered Aunt Lily as exotic, with her brunette hair thick and heavy on her shoulders, her passion-pink toenails, her silver high-heeled slingbacks. She was the only mother I knew who'd named her daughter for a movie star—Sarah Dolores. Mama said she did that because people told Lily she looked like Dolores del Rio. How was Sarah doing living with only her father? I couldn't imagine Daddy fixing our supper or not liking what we'd picked out to wear to school or making a grocery list. Maybe Uncle Taylor had a hired girl who did all those things.
About six thirty my stomach growled, and Mama told Stell to get the paper bag from under the seat. "There's Lance crackers, a pack for everybody, and apples. That'll hold us a while longer. I want to avoid the supper crowd."
It was after eight by the time we stopped, with the trees casting long shadows across the road. We pulled into the parking lot of a restaurant, and Mama twisted the rearview mirror to show her reflection. "Jubie, make room so Mary can change Davie."
Davie started to fuss when Mary put him down. "Gone get you some supper," she crooned. "Baby, now don't you cry."
Mama put on fresh lipstick and powdered her nose.
I felt like I'd been sitting forever. Even with the air-conditioning on, my thighs had perspired against the car seat, making the welts sting. I decided that no matter what, I would not straddle the drive shaft again. Mama had pointed out many times that I needed more leg room than most grown men. Stell had shine, but I had height.
Mama took Davie from Mary. "Anything in particular you want for supper?"
"No, ma'am, just whatever. And the restroom for the kitchen help."
"I'm sure that'll be fine." Mary got back in the car. I looked over my shoulder and waved to her as we walked into the restaurant, Mama first, with Davie on her hip. She stood beside the cash register, looking around until a waitress called out, "Y'all go on and find a table."
The men in the restaurant turned to look at Mama, but she just walked straight to the table she wanted, like the queen of England. I thought it was silly the way she always primped before we left the car, then didn't enjoy the attention she got. Aunt Rita said that it was unfair for a woman who had four kids to still be such a looker.
We sat around a green Formica table by the window, facing the parking lot where Mary waited. Whenever we went out to eat at home, Mama or Daddy did the ordering. This time Mama said, "We're on vacation. Order anything you want."
Stell said, right away, "I'll have a salad with Russian dressing, green beans, candied carrots, and a baked potato with extra butter."
I read everything on the three-page menu before I ordered the spaghetti and meatballs, which Mama almost never fixed at home, but the plate put in front of me had an orange gloppy mess on it that looked like Chef Boyardee. Stell's dinner smelled delicious. So did Mama's pork chop, which she just picked at. While I was chewing the gluey meatballs, I heard the thump of a car door. I looked out the window and saw my own face reflected in the glass, then through it I saw Mary standing by the car, stretching, her arms raised. I was glad Mama had ordered fried chicken for her, not the spaghetti and meatballs.
Before we left, the waitress gave us a greasy paper bag. "Here's the food for your girl. Boss says she can use the bathroom off the kitchen."
There was a sign at the town limits of Wickens, Georgia:
NEGROES Observe Curfew! WHITES ONLY After Sundown!
Daddy would approve of such a sign. I hoped Mary hadn't seen it. Her head was against the seat back, her eyes closed.
Mama pulled into a motor court and asked me to go with her to see about rooms. We passed a lawn jockey with a grin on the black face, white teeth gleaming. Mama told the man at the desk, "I've got four children, one of them still a baby, and I brought my girl along to help. We don't mind sharing with her, but she must have a bed to herself."
Excerpted from The Dry Grass of August by Anna Jean Mayhew Copyright © 2011 by Anna Jean Mayhew. Excerpted by permission of KENSINGTON BOOKS. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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The Dry Grass of August is Anna Jean Mayhew's first published work of fiction. She presently resides just outside of the Raleigh-Durham, NC area.
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Wonderful southern lit! This is another powerful piece set against historical background, reminiscent of THE HELP, which I absolutely loved. Through the eyes of 13 year old, Jubie, captured by the language of the time, the believable, beautiful, heart-felt story of family dynamics, segregation and intolerance brought me to tears. I savored every page. Excellent!
I loved this book. It has a story that warms your heart and keeps you entertained!
If you loved The Help, you will love this!!
This is a beautifully written, powerful book that tells history through the eyes of a 13 year old girl. Mayhew has created such a rich set of characters in this book - they will touch your heart. Be advised you may need to have some kleenex handy - the book made me cry in certain spots (won't say where in order to not give anything away). Highly recommend this book and congratulations to this new Author!
This book starts out on a subtle note. All of a sudden, I couldn't put it down. I found myself thinking about going home to read it while at work. It's written so well,all kinds of feelings were swirling around in my head and my heart. I think this book should be on High School reading lists everywhere .Please keep writing Anna
Awesome debut novel! The Dry Grass of August is honest. It is real life depth perfectly portrayed. Powerful! I read it in one sitting. Cats meowed to be fed, phones rang, storms blew over and I just read on. There is full, wonderful character development. I love that the book is told through Jubie, with the loyal and unjaded perspective of a child. I love the fierce loyalty of Mary Luther to the children in her charge. There is a clear reality portrayed of each of the accompanying characters. The characters are skillfully balanced with historical shadings of the times. This book is equal in passion and depth to The Help, but painted from its own palette of vivid colors. It stands alone in brilliance. I just love well written books! A rare few books are so wonderful that, upon finishing, I hug them. This book got a long hug as I cried. It is going on my 'forever favorites' bookshelf, but right now it has to stay on my nightstand so I can hug it a few more times. I want to keep Jubie and Mary Luther close to my heart awhile longer. Bravo! I cannot wait for AJ Mayhew’s next book!
A coming of age, slice of life novel. For those of us who grew up during segregation this book will feel different than for those who came after integration. There is a sadness I felt reading this, even with my love of the south, that people could treat another group of people so badly. I remember a sign in the laundromat window when I was a child that said Whites Only, I asked my mother why there was a place where you could only wash white clothes? She told me that wasn't what it meant, yetshe didn't explain to me the truth of what it was. Looking at life now it's hard to think that things were as bad as they were, this novel brought it back for me. We need these stories to remind us of how far we come.
Every bit as good as "The Help". Author tells a great emotional and interesting story. It was a fast read because it was an interesting story.
“A Riveting, Heart-Wrenching Tale You Won’t Forget” From the very first page, we are introduced to Miss June Bentley Watts; affectionately known as “Jubie”, an “older than her years” thirteen year old who is maturing through the early 1950’s with little to no help from her dysfunctional family. The Watts family unit includes her quick-tempered, abusive Father; Bill, her neglectful, demanding Mother; Paula and three siblings; older Sister, “Stell”, younger Sister, Carolina, better known as “Puddin” and baby Brother; Davey. The Watts family could not function without the loving, hardworking hands of their maid; Mary Luther. Mary is much more than a maid to Jubie. She is a trusted friend, sometimes protector, and confidante as she grows into young womanhood. Family life is complicated by the growing unrest over integration/segregation issues, especially how” Brown vs. the Board of Education “would affect the schools the Watts Sisters attend. As Paula, Mary and the Watts Children set out for Pensacola, Florida for a visit with Paula’s divorced Brother, Taylor (with a fruitcake buying stop in Claxton, Georgia) from their home in Charlotte, North Carolina , little did anyone imagine the trials, tribulations and terror they would encounter! Will Paula face the problems in her life? Especially where Husband, Bill is concerned? Can Jubie come to grips with love found and lost? Ms. Mayhew brings the characters to life so well that you will feel you know them personally. The Drama in this story grips you by the shoulders and won’t release you until you have finished the last page. The author has created a multi-faceted account including a family life which is monetarily comfortable but, sadly, poor in feelings and low on love, accented with courage, profound sadness, denial, infidelity, pride, lies, cheating, growth, duty, trust, responsibility, appreciation and realization. She takes you on this “roller coaster ride”, while touching the topics of alcohol and domestic abuse, racism and suicide with a firm, understanding hand. Above all, Ms. Mayhew had this reader spellbound and experiencing the same gut-wrenching feelings as dear, sweet, courageous and determined Jubie. I implore you to place this wonderful volume on your “To Be Read” list. I have given it five stars and wish I could give it more. Thank-you Ms. Mayhew for your persistence in writing this gem. Here’s hoping there will be others. Nancy Narma
Anna Jean Mayhew's debut novel, "The Dry Grass of August," is a "Priceless Read." Men, women, boys and girls--Everyone should read this book!
A great read!!! Loved it!!!
I liked it; you might
I like reads like this. Like to read about how people had to live back then. Not that it was good for some people alot of sad things went on back then. It is nice to see that we have moved forward but we still need to work on the furture for our children and their friends.
The book was written from the point of view of a 13 year old white girl during the racially divided era of the 1950's in the south. Her innocence and nievity were challenged by racism. It was her choice as to how to respond to her personal tragedy. Well done, Anna Jean Mayhew!
Very surprised by how much I loved this book. If you like books based in the past this is a must
It kept my interest!
This is a great book. It is a quick read and ended far too quickly for me. The story is tender, sweet, and sad. It pulls at your heart strings. It reaffirms the value of simple kindnesses and human dignity. Order it and prepare to be uplifted. I highly recommend!
Wonderful read, great voice. Enjoyed this historical fiction based upon segregation in this country in the 1960s. Interesting to witness the tumultuous changes desegregation brings to one family and community as told through the innocent voice of a young girl coming of age. Surprised that this book did not receive much attention. Think it was overshadowed by The Help, but very deserving of accolades for the story line and characters.
I enjoyed this story and I was impressed by her struggles to survive.
A wonderful book. Well written and very enjoyable. A must read.
I am really enjoying this book. I enjoyed the help so was in the mood for something similar. although, different...I think if you liked the help you would like this. I am not finished but am looking forward to where the story is going in the ending of this book.
Interesting drama set in a very dark era of US history. The tenacity shown by the main character- despite serious consequences- brings a much needed element of hope to an otherwise brutal (although very realistic) story line. Excellent reading for anyone who enjoys historical and / or southern fiction.
Spot on for the time, early 1950's, when I was a teen in the South. Warm. human story that makes one's heart ache. I recommend for readers of all ages. Kudows to the author.