Dusk and Summer [Vagrant Bonus Tracks]

( 7 )

Editorial Reviews

All Music Guide - Corey Apar
Dusk and Summer -- a cohesive album divergent from the modern rock collection of songs on 2003's A Mark, A Brand, A Mission, A Scar -- finds Dashboard Confessional's path to maturity leading them, weirdly enough, back to their roots. Whether or not this is a reaction to mainstream success, Dashboard is still very much a full band, but the album is gentler and falls much closer to the feeling of The Places You Have Come to Fear the Most. Not only does it include more tracks with simpler arrangements that occasionally now include piano and violin, the general sonic vibe resembles more of its earlier work, just more seasoned. Though the lead track and single, "Don't Wait," has ...
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Editorial Reviews

All Music Guide - Corey Apar
Dusk and Summer -- a cohesive album divergent from the modern rock collection of songs on 2003's A Mark, A Brand, A Mission, A Scar -- finds Dashboard Confessional's path to maturity leading them, weirdly enough, back to their roots. Whether or not this is a reaction to mainstream success, Dashboard is still very much a full band, but the album is gentler and falls much closer to the feeling of The Places You Have Come to Fear the Most. Not only does it include more tracks with simpler arrangements that occasionally now include piano and violin, the general sonic vibe resembles more of its earlier work, just more seasoned. Though the lead track and single, "Don't Wait," has one of the most grating choruses on the album -- and the song also owns a weird underlying air of "Kiss Me" by Sixpence None the Richer -- the remainder of the suitably titled Dusk and Summer is very much full of satisfying heartfelt anthems that reflect its early evening beach artwork. Chris Carrabba's lyrical touchstone is again dominated by relationships, but that invigorating first date from 2003's "Hands Down" must have really taken off, since broken-heart brooding only appears sparingly. The gentle "Stolen" is a beautifully sincere song where the repeated "You have stolen my heart" is so tenderly spoken, it's like Carrabba is taking care to not wake his sweetheart sleeping beside him. Leaving one's hometown is delicately reflected upon in the piano-tinged "So Long, So Long," where Counting Crows' Adam Duritz provides wonderful guest vocals, while the band proves it can rock out in tracks like "Reason to Believe" and "Rooftops and Invitations." And damn if "Slow Decay" isn't the dirtiest, darkest song Dashboard Confessional has written to date "Heaven Here" might have been a contender with its trashy percussion, but the song quickly goes soft and remains a muddled mess that never quite gets worked out. Dashboard Confessional may have been embraced by the masses with the ├╝ber-success of Spider-Man 2's "Vindicated," but Dusk and Summer doesn't care about that. It's an album from a matured Carrabba now in his early thirties directly to his grassroots fan base. He may have grown beyond six-strings and a wooden stool, but when the result is this good, who can really complain? [Vagrant also released an edition of the album with four bonus tracks in 2006.]
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Product Details

  • Release Date: 5/22/2007
  • Label: Vagrant Records
  • UPC: 602517340046
  • Catalog Number: 000898102
  • Sales rank: 59,836

Tracks

Disc 1
  1. 1 Don't Wait (4:05)
  2. 2 Reason to Believe (3:43)
  3. 3 The Secret's in the Telling (3:24)
  4. 4 Vindicated (3:21)
  5. 5 Stolen (3:19)
  6. 6 Rooftops and Invitations (3:54)
  7. 7 So Long, So Long (4:15)
  8. 8 Currents (4:27)
  9. 9 Slow Decay (4:08)
  10. 10 Dusk and Summer (4:38)
  11. 11 Heaven Here (4:08)
  12. 12 Ghost of a Good Thing (4:11)
  13. 13 The Best Deceptions (5:30)
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Album Credits

Performance Credits
Dashboard Confessional Primary Artist
Adam Duritz Vocals
Mike Marsh Percussion, Drums
Scott Schoenbeck Bass
Chris Carrabba Guitar, Keyboards, Vocals
John Lefler Guitar, Keyboards
Susan Sherouse Violin, Vocals
Technical Credits
Don Gilmore Producer, Engineer
Ted Jensen Mastering
Daniel Lanois Producer, Vocal Producer
John O'Mahoney Digital Editing
Daniel Mendez Engineer, Digital Editing
Mark Kiczula Engineer
Fox Phelps Engineer
Adam Samuels Engineer
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Customer Reviews

Average Rating 4.5
( 7 )
Rating Distribution

5 Star

(3)

4 Star

(3)

3 Star

(1)

2 Star

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1 Star

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Sort by: Showing all of 7 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    surprised

    someone recommended them to me, so i bought this cd. i was amazed. i love it.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2010

    A reviewer

    i despise emo (the emo music that is) but chris carrabba is such a musical genius. i dont him consider him emo at all! but he's regarded as one so.. ok.. but for me he's an exemption. i love his creations.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 9, 2009

    No text was provided for this review.

  • Anonymous

    Posted July 22, 2010

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  • Anonymous

    Posted August 15, 2009

    No text was provided for this review.

  • Anonymous

    Posted October 29, 2008

    No text was provided for this review.

  • Anonymous

    Posted August 23, 2009

    No text was provided for this review.

Sort by: Showing all of 7 Customer Reviews