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Randall (musicology, Bucknell Univ.) explores the music and mystique of Dusty Springfield by first investigating her unique look-her big blond wigs and booming voice, Randall argues, make it difficult to think of her music without considering her style-in conjunction with the sound of new British soul in the 1960s. Randall also looks at the migration of transatlantic soul through her hit "You Don't Have To Say You Love Me" and through one of Springfield's best albums, Dusty in Memphis. Unique to this book is Randall's examination of Springfield as camp icon; she argues that her flair for the dramatic, in both singing style and bodily gestures, made Dusty a favorite among drag performers. Also of particular interest is the inclusion of a chapter devoted solely to Dusty's fans and the lasting impression she has made on them. This book is geared toward the music and popular culture scholar. For a more sensationalized account of Dusty's life, see Penny Valentine and Vicki Wickham's Dancing with Demons. Recommended for academic libraries and larger public libraries with extensive music collections.