9 1/2 Weeks

9 1/2 Weeks

4.3 6
Director: Adrian Lyne

Cast: Adrian Lyne, Mickey Rourke, Kim Basinger, Margaret Whitton

     
 

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The title refers to the duration of the relationship between self-absorbed Wall Street shark Mickey Rourke and divorced art gallery owner Kim Basinger. Kim is looking for true love, while Mickey is searching for...gosh knows what. His notions of lovemaking include blindfolds, ice cubes, chocolate syrup, and rolling around on spent peanut shells. When the alotted 9 1/2… See more details below

Overview

The title refers to the duration of the relationship between self-absorbed Wall Street shark Mickey Rourke and divorced art gallery owner Kim Basinger. Kim is looking for true love, while Mickey is searching for...gosh knows what. His notions of lovemaking include blindfolds, ice cubes, chocolate syrup, and rolling around on spent peanut shells. When the alotted 9 1/2 weeks are up, Kim has finally come to realize that Rourke has been using her. We could have told her that twenty minutes into the film. One of the definitive works in the Mickey Rourke ouevre, 9 1/2 Weeks is deliciously awful, and as such will probably endure as a Camp Classic for the next hundred years. The film is available in both R-rated and unrated versions; either way, it's a hoot.

Product Details

Release Date:
06/30/2009
UPC:
0883929075720
Original Release:
1986
Rating:
R
Source:
Warner Home Video
Region Code:
1
Presentation:
[Full Frame]
Time:
1:58:00
Sales rank:
8,636

Special Features

Closed Caption; Theatrical Trailer

Cast & Crew

Performance Credits
Mickey Rourke John
Kim Basinger Elizabeth
Margaret Whitton Molly
David Margulies Harvey
Christine Baranski Thea
Karen Young Sue
William de Acutis Ted
Dwight Weist Farnsworth
Roderick Cook Sinclair, the Critic
Peter Pagan Actor
Kim Chan Chinatown Butcher

Technical Credits
Adrian Lyne Director
Keith Barish Executive Producer
Caroline Biggerstaff Editor
Peter Biziou Cinematographer
Aude Bronson-Howard Costumes/Costume Designer
Linda Conaway-Parsloe Art Director
Bill Daly Sound/Sound Designer
Kenneth Ian Davis Production Designer
Michael Hoenig Score Composer
Antony Rufus Isaacs Producer
Christian Kelly Set Decoration/Design
Sarah Kernochan Screenwriter
Zalman King Producer,Screenwriter
Patricia Knop Screenwriter
Frank Konigsberg Executive Producer
Jack Nitzsche Score Composer
Bobbie Read Costumes/Costume Designer
Tom Rolf Editor
Kim Secrist Editor
Mark Winitsky Editor

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Scene Index

Disc #1, Side A -- 9 1/2 Weeks
1. Logos/Main Title [5:08]
2. Their Eyes Meet [2:39]
3. "DWF"/"Over-Sexed" [1:12]
4. Party Favors [1:14]
5. They Speak [2:45]
6. A "Family" Restaurant [1:55]
7. The Scarf [4:33]
8. The "Date" Date/Jaws [4:20]
9. Blindfolded [5:44]
10. Interpretive Art [1:26]
11. 'Tis Better To Give [4:22]
12. Hypnotized [3:35]
13. Elizabeth's Feast [6:08]
14. Sex With Lizzie's Ex [3:44]
15. Good Girls Don't Snoop [3:48]
16. Violence & Ursurpation [4:20]
17. Slave to Love [6:18]
18. "Stocking" John [3:40]
19. One of the Boys [7:23]
20. Shopping, John's Way [5:04]
21. You Can Leave Your Hat On [4:22]
22. Finding Farnsworth [3:05]
23. "Crawl"/Bruce [5:03]
24. At the Chelsea Hotel [6:56]
25. "Do You Wanna Know?" [2:50]
26. The Exhibit [3:30]
27. "You're Leaving?" [8:04]
28. End Credits [3:38]
Disc #1, Side B -- 9 1/2 Weeks
1. Logos/Main Title [5:08]
2. Their Eyes Meet [2:39]
3. "DWF"/"Over-Sexed" [1:12]
4. Party Favors [1:14]
5. They Speak [2:45]
6. A "Family" Restaurant [1:55]
7. The Scarf [4:33]
8. The "Date" Date/Jaws [4:20]
9. Blindfolded [5:44]
10. Interpretive Art [1:26]
11. 'Tis Better To Give [4:22]
12. Hypnotized [3:35]
13. Elizabeth's Feast [6:08]
14. Sex With Lizzie's Ex [3:44]
15. Good Girls Don't Snoop [3:48]
16. Violence & Ursurpation [4:20]
17. Slave to Love [6:18]
18. "Stocking" John [3:40]
19. One of the Boys [7:23]
20. Shopping, John's Way [5:04]
21. You Can Leave Your Hat On [4:22]
22. Finding Farnsworth [3:05]
23. "Crawl"/Bruce [5:03]
24. At the Chelsea Hotel [6:56]
25. "Do You Wanna Know?" [2:50]
26. The Exhibit [3:30]
27. "You're Leaving?" [8:04]
28. End Credits [3:38]

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