Benvenuto Cellini

Benvenuto Cellini

3.0 1
Director: Andreas Morell

Cast: Andreas Morell, Burkhard Fritz, Maija Kovalevska, Laurent Naouri

     
 

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Contrary to what one might assume, this highly unusual production of Hector Berlioz's 1838 opera Benvenuto Cellini -- about the life and exploits of the notoriously bawdy 16th century sculptor Cellini -- resists a straightforward operatic account of its subject. Instead, set designer and stage director

Overview

Contrary to what one might assume, this highly unusual production of Hector Berlioz's 1838 opera Benvenuto Cellini -- about the life and exploits of the notoriously bawdy 16th century sculptor Cellini -- resists a straightforward operatic account of its subject. Instead, set designer and stage director Philipp Stölzl creates a postmodern blend of Batman-esque fantasy, Metropolis-esque futurism, and Piranesi quotes displayed amid photomontages to relay its colorful story. The production stars Burkhard Fritz as the rake, Maija Kovalevska as Teresa, and Laurent Naouri as Fieramosca, as well as Brindley Sherratt as Giacomo Balducci. Valery Gergiev conducts the Wiener Philharmoniker orchestra, while Andreas Schüller serves as chorus master for the Konzertvereinigung Wiener Staatsopernchor.

Product Details

Release Date:
12/15/2009
UPC:
0747313527151
Original Release:
2007
Source:
Naxos
Region Code:
0
Sound:
[DTS 5.1-Channel Surround Sound, Dolby AC-3 Surround Sound]
Time:
2:43:00
Sales rank:
38,655

Related Subjects

Cast & Crew

Scene Index

Disc #1 -- Benvenuto Cellini
1. Opening Titles [1:38]
2. Overture [9:19]
3. Act. 1. "Teresa!" (Terasa, Balducci) [1:43]
4. "Enfin Il Est Sorti, Tout De Bon" (Teresa, Cellini, Balducci, Chorus) [4:38]
5. "Les Belles Fleurs!" (Teresa) [9:43]
6. "Cellini" (Teresa, Cellini, Fieramosca) [6:21]
7. "Demain Soir, Mardi Gras..." (Teresa, Cellini, Fieramosca) [5:42]
8. "Ciel, Nous Sommes Perdus" (Teresa, Cellini, Fieramosca, Balducci) [3:15]
9. "Ah! Maître Drôle! (Teresa, Fieramosca, Balducci, Chorus) [2:07]
10. "À Boire, à Boire!" (Cellini, Francesco, Bernardino, Chorus) [5:29]
11. "Amis, Avant Qu'on Recommence" (Bernardino, Cellini, Le Cabaretier, Francesco, Chorus) [3:32]
12. "Cette Somme T'est Due" (Ascanio, Cellini, Francesco, Bernardino, Le Cabaretier, Chorus) [6:19]
13. "C'est Trop Fort!" (Fieramosca, Pompeo) [2:33]
14. "Ah! Qui Pourrait Me Résister?" (Fieramosca) [3:34]
15. "Vous Voyez, J'espére (Balducci, Teresa, Ascanio, Cellini, Chorus) [7:08]
16. "Silence! Assez Dansé!" (Teresa, Balducci, Cellini, Fieramosca, Ascanio, Pompeo, Chorus) [2:05]
17. "Voici Maître Arlequin" (Teresa, Balducci, Chorus) [5:12]
18. "Bravo! Bravo!" (Teresa, Balducci, Cellini, Fieramosca, Chorus) [3:10]
19. "Assassiner Un Capucin!" (Teresa, Ascanio, Cellini, Fieramosca, Balducci, Chorus) [4:13]
20. "Ah, Qu'est-il Devenu?" (Teresa, Ascanio, Cellini, Chorus) [7:16]
21. "Ah! Le Ciel, Cher Époux" (Teresa, Cellini) [7:25]
22. "Ah! Je Te Trouve Enfin" (Teresa, Ascanio, Cellini, Fieramosca, Balducci) [1:35]
23. "Le Pape Ici!" (Teresa, Ascanio, Cellini, Fieramosca, The Pope, Balducci) [6:40]
24. "Ah! Que La Vierge Me Pardone" (Teresa, Ascanio, Cellini, Fieramosca, Balducci, The Pope) [4:55]
25. "Tra-la-la. Nais Qu'ai-je Donc?" (Ascanio) [5:37]
26. "Seul Pour Lutter" (Cellini) [8:07]
27. "Bienheureux Les Matelots" (Francesco, Bernardino, Chorus) [2:26]
28. "Vite, Au Travail, Sans Plus Attendre" (Cellini) [5:05]
29. "Quelle Colère!" (Teresa, Ascanio, Francesco, Bernardino, Chorus) [3:03]
30. "Ah! Ciel! Il Est Mort!" (Teresa, Fieramosca, Francesco, Bernardino, Chorus) [5:18]
31. "Teresa! Teresa, Ici!" (Teresa, Cellini, The Pope, Balducci) [1:57]
32. "Du Métal! Il Nous Faut Du Métal" (Cellini, Fieramosca, Balducci, Teresa, Ascanio, The Pope) [6:29]
33. "Ah! Quel Francas! Que Croire?" (Teresa, Cellini, The Pope, Balducci, Ascanio, Fieramosca, Chorus) [4:17]
34. Curtain Calls / End Titles [5:32]

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Benvenuto Cellini 3 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago
This production definitely gives you a sense of awe and spectacle. There is never a dull moment. I was truly impressed with the sheer production value of this opera. The performances given by this cast were truly tremendous...given with high energy and vocal clarity. While I enjoyed the production, it doesn't seem like it would've been what the composer had intended at all for his show. Doesn't really seem appropriate for the style/period of which the composer wrote for.