Blade Runner

( 86 )

Overview

A blend of science fiction and noir detective fiction, Blade Runner 1982 was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, ...
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Overview

A blend of science fiction and noir detective fiction, Blade Runner 1982 was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard's former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior M. Emmett Walsh, Deckard is forced back into active duty. A quartet of replicants led by Roy Batty Rutger Hauer has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell Joe Turkel, creator of the replicants, Deckard finds and eliminates Zhora Joanna Cassidy, one of his targets. Attacked by another replicant, Leon Brion James, Deckard is about to be killed when he's saved by Rachael Sean Young, Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris Darryl Hannah use a dying inventor, J.F. Sebastian William Sanderson to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director's cut that removed Deckard's narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon.
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Special Features

Introduction by Director Ridley Scott; Three Filmmaker Commentaries: Ridley Scott; Executive Producer/Co-Screenwriter Hampton Fancher, Co-Screenwriter David Peoples, Producer Michael Deeley and Production Executive Katherine Haber; ; Visual Futurist Syd Mead, Production Designer Lawrence G. Paull, Art Director David L. Snyder and Special Photographic Effects Supervisors Douglas Trumbull, Richard Yuricich and David Dryer
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Editorial Reviews

All Movie Guide - Lucia Bozzola
Critics and audiences didn't care for it in 1982, but Ridley Scott's Blade Runner has since risen from cult object to classic of postmodern science fiction. A dystopian view of the future as a decaying, nostalgia-ridden junk culture, it features enormous neon billboards, ad blimps, and soaring Mayan temple-esque skyscrapers, evoking an infernal consumer society divided between those divinely living in the clouds and the multi-cultural exploited masses inhabiting the permanently dank streets. Only the robot "skin job" replicants understand the value of life and freedom. As Deckard's search for the replicants becomes a philosophical rumination on man, machine, and life, Blade Runner's striking production design and visual effects (supervised by FX maestro Douglas Trumbull) underline the cost to humanity of technology-obsessed late capitalism. Blade Runner's increasing stature merited the 10th anniversary release of the "Director's Cut," which rendered the film even more evocatively ambiguous by adding a brief unicorn dream and eliminating the studio-mandated voice-over narration and tacked-on "happy" ending.
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Product Details

  • Release Date: 1/4/2011
  • UPC: 883929146697
  • Original Release: 1982
  • Rating:

  • Source: Warner Home Video
  • Time: 1:57:00
  • Format: Blu-ray
  • Sales rank: 11,406

Cast & Crew

Performance Credits
Harrison Ford Rick Deckard
Rutger Hauer Roy Batty
Sean Young Rachael
Edward James Olmos Gaff
M. Emmet Walsh Harry Bryant
Daryl Hannah Pris
William Sanderson J.F. Sebastian
Brion James Leon
Joe Turkel Tyrell
Joanna Cassidy Zhora
James Hong Chew
Morgan Paull Holden
Kevin Thompson Bear
John E. Allen Kaiser
Hy Pyke Taffey Lewis
Kimiko Hiroshige Cambodian Woman
Charles Knapp Bartender
Robert Okazaki Sushi Master
Technical Credits
Ridley Scott Director
Bud Alper Sound/Sound Designer
Newt Arnold Asst. Director
Charles Breen Set Decoration/Design
Jordan S. Cronenweth Cinematographer
Peg Cummings Set Decoration/Design
Linda de Scenna Set Decoration/Design
Michael Deeley Producer
David Dryer Special Effects Supervisor
Hampton Fancher Executive Producer, Screenwriter
Jane Feinberg Casting
Mike Fenton Casting
Michael Kaplan Costumes/Costume Designer
Brian Kelly Executive Producer
Charles Knode Costumes/Costume Designer
Marci Liroff Casting
Louis Mann Set Decoration/Design
Lawrence G. Paull Production Designer, Set Decoration/Design
David Peoples Screenwriter
Gregory Pickrell Set Decoration/Design
Darryl Ponicsan Screenwriter
Ivor Powell Associate Producer
Terry Rawlings Editor
Thomas Roysden Set Decoration/Design
William Ladd Skinner Set Decoration/Design
David Snyder Art Director
Douglas Trumbull Special Effects Supervisor
Vangelis Score Composer
Marvin Westmore Makeup
Bud Yorkin Producer
Richard Yuricich Special Effects Supervisor
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Customer Reviews

Average Rating 4.5
( 86 )
Rating Distribution

5 Star

(55)

4 Star

(12)

3 Star

(12)

2 Star

(5)

1 Star

(2)

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See All Sort by: Showing 1 – 20 of 86 Customer Reviews
  • Anonymous

    Posted August 14, 2011

    unicorns and glitter.......

    the director,s cut and final cut are far superior films for many reasons...that being said i do wish there was some happy medium between the narration /unicorn scene....i like the narration but their should be less of it and the extra stuff makes it a better film by far, the unicorn and narraztion both make the film better because you as a viewer get insight into the thoughts of ford's charater and his doubts ....could he really be a replicant...the happy ending or possilble happy ending i think most will agree is poor at best .it takes a great dysotopian film and cuts off the hard edges, and makes the end result (the origanal release in theaters) an inferior product.

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  • Posted October 1, 2010

    One of the top 10 sci-fi films of 20th century.

    I remember watchinbg Blade Runner in the big screen theater when it first came out in the early 80's. Since then, over the past twenty plus years I have enjoyed watching it again many times on both tape and CD. Now with the release of the Blu-ray 5-disc version I have another reason to go back and watch it again. Also, I think it has one of the most fabulous sound tracks for a sci-fi film. I have the movie sound track CD and enjoy listening to it when I want some soothing relaxing listening.

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  • Anonymous

    Posted October 1, 2010

    Another Look

    I have taken another look at my past criticism of the Director’s cut. That fine-tuning improved and clarified the narrative. The added footage of the unicorn did the same. The two disc set was a great joy and the four disc set was well worth buying. I am tempted to write more, but the film deserves better than I can give it today. This is a great set to own. The film is a masterwork. The final cut is the best version. I think that the voice over can be fun to hear, but it adds nothing essential to the narration.

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  • Anonymous

    Posted October 1, 2010

    A Beginning and an End, Lacking Substance

    Blade Runner, while undoubtedly an imaginative feat, cannot be logically elevated to the position of "remarkable", and barely attains "passable". The beginning is compelling and forces the viewer immediately into the story, and Harrison Ford is quick to display his lovable roguish personality, yet gradually descends from there. In addition, the ending is masterful and heartrenching, as well as thought-provoking and intelligent. Yet the concept of humanoid robots, regardless of the fancy name "replicants" they are embellished with, is far from original (Look at I Robot, Robot Series, Foundation Series, 2001 Space Oddyssey, etc. etc.). Additonal concepts within the film, such as the gravitic cars, large digital billboards, etc. are present in films such as the Fifth Element, I Robot, Starship Troopers, and even Star Wars. In other words, the film lacked substance, and was often dull and repetitive. This is not to discredit Harrison Ford, however, who remains commanding in any role. In regards to those certain reviwers who refer to Star Wars fans as "childish", I personally very deeply regret that you lack the depth and penetration of thought to appreciate true art and a saga that embraces all of mankind when it is thrust so obviously before you.

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  • Anonymous

    Posted October 1, 2010

    Seminal sci-fi film noir

    This film remains one of the most influential and worthwhile of all time. It works because it can be simply a detective/sci-fi film that one enjoys with the theater popcorn and walks away from. Or it is an incredible film noir of a dark time where of lawlessness and where big business are more powerful than government and stays with you through the decades. The climax scene with Harrison Ford and Rutger Hauer on the roof in the rain is one of the most poignant cinematic moments of all time.What does it mean to be human? I hated this film the first time I saw it when it first arrived on screens in the 1980s, but grew to see more in it with each successive visit to the theater. It remains in my top five films now, 20+ years later. I'm a not sure removing Deckard's voiceovers in the Director's cut was the best move. In the original they provided an important backdrop to the film. Great performances by Edward James Olmos, Ford, Hauer, et al are not lost. Watch it more than once and you will pick up missed nuances that enhance one's understanding of the film.

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  • Anonymous

    Posted October 1, 2010

    blade runner

    i remember seeing a little bit of this i think on tv maybe scifi or something. but now i finally get the see the whole thing on dvd, and its the director's cut. this movie was weird but very very imaginative. and was seeing this because of hauer after seeing him in the hitcher and ladyhawke. harrison's cool too. anyway, this is about a guy who has to find 5 replicants in a city that seems almost too real but still in the future. it was interesting and glad that i saw the director's cut which was the only one i could find at my library. and batty was one bad ass yet sad villian and love the hair. but will always remember hauer from hitcher and ladyhawke and this of course. and harrison has always been in any classic ish movie from star wars to indiana to witness. same with kurt russell and keith david.

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  • Anonymous

    Posted October 1, 2010

    Check Disc Three!

    The four and five disc versions of Blade Runner DO have the narration and happy ending on them. On disc three, choose the US Theatrical Cut or the International Theatrical Cut (also known as the home video version). These releases include all versions of the film produced. The briefcase set (five discs) even includes a rough workprint cut, which has even more changes.

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  • Anonymous

    Posted October 1, 2010

    Waiting for the original

    I was going to buy but now I'm waiting for the original narration to come out.

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  • Anonymous

    Posted October 1, 2010

    Sci-Fi Gold

    The first time I saw this film, I didn't understand it, but I was so intrigued by the way it was done that I had to watch again to catch everything. After a while it grew on me, and it has become the benchmark for every sci-fi film I've watched afterwards. It's dark, broody, murky, abstract and even cozy. What a ride.

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  • Anonymous

    Posted October 1, 2010

    Voiceover

    But you can listen to the voiceover. It's on both the theatrical & international versions included in the set.

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  • Anonymous

    Posted October 1, 2010

    Any version you want

    Despite what the reviewer below says, the four and five disc editions of Blade Runner DO include, in addition to Scott's new 'Final Cut': the 'Original U.S. Theatrical' version of the film, complete with full narraton/voiceover, the International cut with more violence, AND the 1992 'Director's Cut'. The five disc suitcase edition even includes the rarely-seen 'Workprint' version from the first screenings, which has many different variances from the others. This is simply the best DVD release of '07 because it has everything a Blade Runner fan, whether he loves the narration or hates it, could want.

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  • Anonymous

    Posted October 1, 2010

    At least a narration OPTION please?

    If you don't like the original narration, fair enough and if you do, that's fair enough also. But it really seems to me like there should be an option of whether or not to have it. The other one-disc edition of the DVD doesn't have the narration either, and my fiancee really likes the narration. You'd think that over FOUR DISCS with all the crazy things they can do with DVDs they'd have an option to put the narration on, or another version of the DVD. Ridiculous, and a missed market.

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  • Anonymous

    Posted October 1, 2010

    Masterpiece

    Simply the best sci-fi I have ever seen. It never gets old. How ironic that the androids have a fail safe that if they develop emotions, they have a 7 year life span. It doesn't get much better than that! Special effects have remained timeless, the cast is flawless, and the story adapted from Philip Dicks, "Do androids dream of electic sheep," is absolutely superb. Classic. Gary

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  • Anonymous

    Posted October 1, 2010

    The Grandfather to SciFi films

    A great film, although I think the narrated version is better. Harrison Ford's voice sounds tired and disconnected. If he was trying to undermine the director, in my opinion it backfired. His voice spoke for all the extra's who wandered thru the Los Angeles streets of 2019. A nihilstic nightmare masterpiece of the future. Ironically I saw this in a theatre while it poured rain outside.

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  • Anonymous

    Posted October 1, 2010

    Let's hear it for that awful narration going bye-bye!!

    When Blade Runner came out in 1982 I was befuddled by the almost unbarable "narration". The images are beautiful, the story imaginative but that narration killed it for me. Then I learned that Ford hated the narration and vowed to do as bad a job as possible so that the studio couldn't use it. This just goes to prove what yutzes Most studio heads are. Even though Forf gave a zombie like voicover they decided to keep it in the film. It wasn't until they released the director's cut in 1992 that I realized just exactly what a wonderful film this is. I hate to be negative but those people who prefer the original are just wrong, wrong, wrong. This film is now what it needed to be when it was released and I'm just as pleased as punch

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  • Anonymous

    Posted October 1, 2010

    I want the Original !

    Why not offer both the Voice over and the directors cut? I like the original much better. This film is the closest I have come to some of my weird dreams. Dreamlike and mesmerizing. Rutger - absolutly nasty and wonderful at the same time. The menace he projects... "Not an easy man to see, I guess." True adult Science Fiction with not an Ewok in the house.

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  • Anonymous

    Posted October 1, 2010

    A reviewer

    I, too, miss the ending narration. This is one of the few times I think the studio's opinion was better than the director's.

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  • Anonymous

    Posted October 1, 2010

    A reviewer

    This movie is one of those life-changing experiences, where you see it, your jaw drops, and you feel different. My dad was a giant BR fan and I never wanted to see the movie, until I played (and fell in love with) the old PC game. After that, I finally sat through the movie, and...just wow. I love the story, the characters, and especially the setting. Just how everything is, dark and rainy, yet at the same time neon, is just awe-inspiring. Rutger Hauer makes Roy Batty one of the top villains EVER in the history of cinema, as you both hate and root him on. Words cannot express just how great this movie is, definitely check it out, in either the original form(with the voice overs, which for some reason I loved better) or the Director's Cut.

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  • Anonymous

    Posted October 1, 2010

    Director's cut is missing a great deal

    I, too, had the original on VHS. Unfortunately, it has fizzled away with time. The director's cut just does not have the same feel. Without the voice overs, much of the detail is lost. The viewer is left to guess at the characters' personalities and motives. Will not even address the unicorn insertion. We can only hope that the original theatrical release is finally put into DVD format.

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  • Anonymous

    Posted October 1, 2010

    Why Can We Not Get the Original Release?

    This release does have its charm, but Scott has not made the film better with the director's cut. The new ending is good. The added scene with the unicorn is an improvement. Deleting the voice over is a mistake.

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See All Sort by: Showing 1 – 20 of 86 Customer Reviews