Blue Velvet

Blue Velvet

4.4 14
Director: David Lynch

Cast: David Lynch, Kyle MacLachlan, Isabella Rossellini, Dennis Hopper

     
 

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Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking… See more details below

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Overview

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff's curiosity, and he is soon drawn into a dangerous drama that's being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy's young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he's drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the "disease" lying just under the surface of the small town, all-American façade in his later television series Twin Peaks (1990-91).

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Editorial Reviews

Barnes & Noble - John Guida
Joltingly original, lurid, and fascinating, David Lynch's Blue Velvet is probably the strangest coming-of-age tale in American cinema. Kyle MacLachlan is Jeffrey Beaumont, a college student who returns to his hometown of Lumberton, North Carolina, after his father suffers a stroke. When he finds a severed ear in a field, he begins investigating how and why it got there, with the help of fellow naif Sandy (Laura Dern). They stumble into the world of nightclub singer Dorothy Vallens (Isabella Rossellini), who is being emotionally, physically, and sexually abused by Frank Booth (played to psychotic perfection by Dennis Hopper). Lynch, who also carefully crafted the script, plunges Jeffrey into the dark, surreal depths beneath this stereotypically innocent small town, forcing him to encounter a shockingly perverse side of his own personality. The jarring juxtaposition of blandly charming Americana and jaw-dropping depravity leaves first-time viewers spellbound and made the film an instant cult classic. You'll never listen to Bobby Vinton's title song, "Blue Velvet," or see an oxygen mask, the same way again.
All Movie Guide - Michael Hastings
David Lynch's map of the terrain between wet dream and nightmare, Blue Velvet reaffirmed the director's status as one of the most vital talents in American filmmaking, and achieved a mood and tone which would indelibly influence popular culture for the remainder of the 20th century. Though much of the film revolves around a compelling, lurid mystery -- executed in a tense, economical manner that might have made Alfred Hitchcock proud -- Blue Velvet is more interested in the mysteries of desire and the horrors of unchecked deviance. Lynch uses the form, style, and mood of a film noir to challenge and ultimately subvert notions of innocence, sexuality, and love. Even the casting reflects the director's agenda: Lynch's fresh young heroes, as played by Kyle MacLachlan and Laura Dern, are like leads in a 1950s hygiene film; he pits them against two icons of a lost Hollywood, Isabella Rossellini and Dennis Hopper, the latter turning in a jolting, career-resuscitating performance. Though it specifies no particular time, Blue Velvet's "golly gee" milieu of Lumberton, replete with soda fountains, convertibles, and hardware stores, is a Reagan-era idyll, an exaggeration of the 1980s concept of the American Dream. But from the moment Lynch's camera delves underground (in a surreal, Buñuel-like moment) to take in a thriving community of ants, it's clear that the director is more interested in the Reagan of Kings Row (1941), and in the grotesque despair that lurks beneath the surface of placid middle-American life. The film was a breakthrough for Lynch in the way it melded the dream worlds of Eraserhead (1977) and Dune (1984) with the more literal, narrative approach of The Elephant Man (1980): its densely saturated, red-white-and-blue color scheme was stunningly photographed by Fredrick Elmes; the haunting, expressionistic soundscape was designed by frequent Lynch collaborator Alan Splet.
All Movie Guide - Lucia Bozzola
A neo-noir nightmare about a cheery town's "strange world," Blue Velvet (1986) is the quintessential David Lynch film. Delving into the sordid underside of heartland America, Lynch's tale of murder, greed, sexual deviance, and sado-masochism unequivocally revealed his cinematic gift for merging deadpan humor, aching sincerity, and unspeakable brutality. The indelible images of too-crisp suburban picket fences and flower beds and the insect-infested ground beneath are deeply unsettling long before nice boy Jeffrey Beaumont's discovery of a severed ear leads to the Lumberton netherworld inhabited by victimized torch singer Dorothy Vallens and fabric-obsessed, gas-inhaling über-psycho Frank Booth. Beaumont's struggle between the dark temptations of Booth's world and the luminous normality of his blonde girlfriend Sandy sharply divided critics over whether Blue Velvet was perverse filth, or a disturbing mélange of surrealism, noir, and 1950s kitsch that brilliantly punctured the smooth surface of traditional Americana. Still, Lynch's singular vision earned an Oscar nomination for Best Director and a devoted cult following for the box office flop; the National Society of Film Critics gave Blue Velvet several prizes including Best Film and Best Supporting Actor for Dennis Hopper's unnerving, career-resurrecting performance as Booth. By 1990, as Lynch was about to bring his warped version of small town America to TV on Twin Peaks, critical consensus declared Blue Velvet one of the three greatest films of the 1980s, alongside Raging Bull (1980) and Do The Right Thing (1989); traces of its influence can be seen from Quentin Tarantino's arch sadism to Todd Solondz's suburban misanthropy.

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Product Details

Release Date:
11/08/2011
UPC:
0883904238874
Original Release:
1986
Rating:
R
Source:
20Th Century Fox
Region Code:
A
Presentation:
[Wide Screen]
Sound:
[DTS 5.1-Channel Surround Sound, Dolby AC-3 Surround Sound]
Time:
2:00:00
Sales rank:
2,015

Special Features

Newly discovered lost footage; Mysteries of Love documentary ; Original Siskel & Ebert review; Vignettes; Trailer / TV spots ; A few outtakes

Cast & Crew

Performance Credits
Kyle MacLachlan Jeffrey Beaumont
Isabella Rossellini Dorothy Vallens
Dennis Hopper Frank Booth
Laura Dern Sandy Williams
Hope Lange Mrs. Williams
Dean Stockwell Ben
Brad Dourif Raymond
Jack Nance Paul
Frances Bay Aunt Barbara
George Dickerson Detective Williams
Jack Harvey Mr. Beaumont
Priscilla Pointer Mrs. Beaumont
Ken Stovitz Mike
Kate Reid Party Girl
Jean Pierre Viale Master of Ceremonies
J. Michael Hunter Hunter
Dick Green Don Vallens
Fred Pickler Yellow Man Detective T.R. Gordon
Philip Markert Dr. Gynde
Leonard Watkins Double Ed
Moses Gibson Double Ed
Selden Smith Nurse Cindy
Peter Carew Coroner
Jon Jon Snipes Little Donny
Angelo Badalamenti Piano Player
Donald Moore Desk Sergeant
A. Michelle Depland Party Girl
Michelle Sasser Party Girl

Technical Credits
David Lynch Director,Songwriter,Screenwriter
Angelo Badalamenti Score Composer,Songwriter,Musical Direction/Supervision
Fred Caruso Producer,Production Manager
Bill Doggett Songwriter
Duwayne Dunham Editor
Frederick Elmes Cinematographer
Pat Golden Casting
Jeff Goodwin Makeup
Edward Heyman Songwriter
Greg Hull Special Effects
Richard Langdon Stunts
Gloria Laughride Costumes/Costume Designer
Lee Morris Songwriter
Pat Norris Costumes/Costume Designer,Production Designer
Johanna Ray Casting
Edward Reyes Score Composer
Richard A. Roth Executive Producer
Clifford Scott Songwriter
Shep Shephard Songwriter
Alan Splet Sound/Sound Designer
Bernie Wayne Songwriter
Victor Young Songwriter

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