Brick

Brick

4.4 13
Director: Rian Johnson

Cast: Joseph Gordon-Levitt, Nora Zehetner, Lukas Haas

     
 

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A tough-talking teen attempts to uncover his ex-girlfriend's killer in director Rian Johnson's hard-boiled high-school noir, told in the style of a Dashiell Hammett mystery. An outsider by nature, Brendan (Joseph Gordon-Levitt) is forced to penetrate the elaborateSee more details below

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Overview

A tough-talking teen attempts to uncover his ex-girlfriend's killer in director Rian Johnson's hard-boiled high-school noir, told in the style of a Dashiell Hammett mystery. An outsider by nature, Brendan (Joseph Gordon-Levitt) is forced to penetrate the elaborate ranks of the high-school social scene and its more insidious underbelly when the body of his former girlfriend Emily is found lying lifeless in a remote creek. Though the pair had been on the outs, Brendan can't seem to shake the hysterical phone call that he received from Emily the day before her body was discovered, a call in which she rattled off a number of cryptic words: "brick," "pin," "tug," "poor Frisco." He's determined to find the guilty party, and to do that he'll need to uncover the meaning behind her enigmatic phone call. From the highest-ranking athlete to the lowest-level burnout, no one is above suspicion of leaving her in that creek or putting her in the position to end up there. Brendan's skill for getting the right attention from the right people leads him to a local drug dealer of urban-legendary status (Lukas Haas), who walks with a cane and lives with his mother. As Brendan infiltrates the social and political web more deeply, his theory solidifies and each player's role becomes clear, from the shifty-eyed pot slinger to an upper-crust innocent who may well be a femme fatale. Brendan may soon be ready to make his case, even if it's too late for him to get out.

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Editorial Reviews

All Movie Guide
A film noir that takes place at a high school sounds impossible to pull off. It smacks of a director mashing together disparate styles just to watch them clash. And yet, Brick transcends all of these trappings to become one of the best films in years. It might seem impossible, but only if you forget what the film noir approach really is. The style has become such a part of the historical lexicon, we start to characterize it through clichés, the superficial hallmarks that pop up in well-known examples. Soon we're defining it with the stereotyped voice-over narrative and pointlessly ambiguous dialogue that comedians employ when the audience calls out "film noir" on Whose Line Is It Anyway? But Brick goes to something much deeper; it relies on those well-worn artistic qualifiers only as they serve the story and all the characters in it, since they were all created in the noir world from the bottom up. What's far more fundamental to noir than its deadpan one-liners and femme fatales is the way it alludes to a dark, scary world that lurks just below the surface of the ordinary. Behind plain-looking streets, inscrutable men, and enigmatic women is a sinister web of deceit and betrayal, corruption and greed. Brick accomplishes this seamlessly, and makes the setting seem like a natural fit; the goings-on in high school can be just as arbitrary, complex, and potentially dangerous as drug-running or insurance fraud. The effortless use of rapid-fire slang -- a standard cinematic behavior both for 1930s gangsters and modern-day teenagers -- comes off as perfectly organic. The heroes of noir are flawed everymen, only smarter, quicker, and cooler, and leading actor Joseph Gordon-Levitt scores a home run in this role. His protagonist is bitingly intelligent and magnetically relatable, constantly prompting the audience to cheer him forward and fear for his peril. The real magic of film noir is how it subtly repaints its content, warping the frightening, brutal nature of the darkest human behavior and making it into something both dangerous and beautiful: the ultimate cool. The way Brick accomplishes this task is perhaps the most impressive of its feats. It avoids both gum-snapping trendiness and unreasonable characterizations, finding a middle ground where what you see is strange enough to draw you in but believable enough to keep you watching.

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Product Details

Release Date:
08/08/2006
UPC:
0025192866326
Original Release:
2005
Rating:
R
Source:
Focus Features
Region Code:
1
Presentation:
[Wide Screen]
Sound:
[Dolby AC-3 Surround Sound]
Time:
1:50:00
Sales rank:
24,298

Special Features

Over 20 minutes of deleted and extended scenes; The inside track: casting the roles; Feature commentary by cast and filmmakers

Cast & Crew

Performance Credits
Joseph Gordon-Levitt Brendan Fry
Nora Zehetner Laura
Lukas Haas The Pin
Noah Fleiss Tugg
Noah Segan Dode
Matt O'Leary The Brain
Meagan Good Kara
Emilie de Ravin Emily
Lucas Babin Big Stoner
Brian J. White Brad Bramish
Richard Roundtree VP Trueman
Reedy Gibbs The Pin's Mom

Technical Credits
Rian Johnson Director,Screenwriter
Ram Bergman Producer
Johnson Communications Executive Producer
Norman Dreyfuss Executive Producer
Susan Dynner Co-producer
Dennis Grzesik Sound/Sound Designer
Nathan Johnson Score Composer
Lisa Johnson Executive Producer
Craig Johnson Executive Producer
Dana Lustig Co-producer
Shannon Makhanian Casting
Mark Mathis Producer
Kristin Mente Asst. Director
Jonathan Miller Sound/Sound Designer
Michele Posch Costumes/Costume Designer
Angela Roessel Co-producer
Jodie Lynne Tillen Production Designer
Steve Yedlin Cinematographer

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Scene Index

Disc #1 -- Brick
1. Sarmentosa and Del Rio [8:36]
2. Fearless Flyer [5:31]
3. Coffee and Pie [3:37]
4. Lunch Is Difficult [6:11]
5. She's Gone [6:27]
6. Show of Hands [4:49]
7. Can't Trust You [4:22]
8. The Pin [7:24]
9. For Rub or Hire [4:44]
10. You Trust Me Now? [4:43]
11. The Lug [3:49]
12. The Beach [5:27]
13. The Brick of Brock [7:15]
14. In Over Your Head [2:54]
15. The Tunnel [4:20]
16. She Sprung It on Me [4:20]
17. Smooth Things Out [5:50]
18. War [5:29]
19. It's Not Over [9:13]
20. End Titles [4:43]

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