Christian Thielemann/Munchner Philharmoniker: Bruckner - Symphony Nos. 4 & 7

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Overview

Maestro Christian Thielemann, widely regarded as one of the leading interpreters of Anton Bruckner in the world, headlines this classical concert release, wherein he conducts the Munchner Philharmoniker in interpretations of two Bruckner compositions. The first is Bruckner's 1874 "Symphony No. 4 in E Flat Major 'Romantic'," while the second is Bruckner's 1884 "Symphony No. 7 in E Major."
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Overview

Maestro Christian Thielemann, widely regarded as one of the leading interpreters of Anton Bruckner in the world, headlines this classical concert release, wherein he conducts the Munchner Philharmoniker in interpretations of two Bruckner compositions. The first is Bruckner's 1874 "Symphony No. 4 in E Flat Major 'Romantic'," while the second is Bruckner's 1884 "Symphony No. 7 in E Major."
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Product Details

  • Release Date: 4/27/2010
  • UPC: 814337010195
  • Original Release: 2007
  • Source: C Major
  • Region Code: 0
  • Sound: DTS 5.1-Channel Surround Sound
  • Time: 2:36:00
  • Format: DVD
  • Sales rank: 65,714

Cast & Crew

Technical Credits
Agnes Méth Director
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Scene Index

Disc #1 -- Christian Thielemann/Munchner Philharmoniker: Bruckner - Symphony Nos.
1. Opening [:53]
2. I Bewegt, Nicht Zu Schnell [20:46]
3. II Andante Quasi Allegretto [17:45]
4. III Scherzo, Bewegt - Trio, Nicht Zu Schnell, Keinesfalls Schleppend [12:10]
5. IV Finale, Bewegt, Doch Nicht Zu Schnell [24:09]
6. Applause & Credits [3:24]
1. Opening [:22]
2. I Allegro Moderato [23:36]
3. II Adagio, Sehr Feierlich Und Sehr Langsam [24:39]
4. III Scherzo, Sehr Schnell - Trio [10:09]
5. IV Finale, Bewegt, Doch Nicht Schnell [14:47]
6. Applause & Credits [2:54]
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Menu

Disc #1 -- Christian Thielemann/Munchner Philharmoniker: Bruckner - Symphony Nos.
   Play All
   Symphony No 4 "Romantic"
   Symphony No 7
   Audio
      PCM Stereo
      DTS 5.1
   Trailers
      Der Ring Des Nibelungen
      Turandot
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Customer Reviews

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  • Posted November 6, 2013

    In the accompanying essay, ¿The Art of Controlled Ecstasy¿, the

    In the accompanying essay, “The Art of Controlled Ecstasy”, the author confidently proclaims that Thielemann, more so than any other conductor on the current scene is the ideal exponent of the Germanic Bruckner tradition of performance. Whether or not one subscribes to this notion, there is no denying the excellence of this release. Thielemann does an admirable job with these two popular works. He is particularly sensitive to the perpetual ebb and flow of Bruckner’s syntax and sprawling architecture. The pacing, albeit somewhat deliberate is very effective. It’s remarkable how Thielemann’s Spartan podium presence elicits such intensity and concentration on the part of his players. The videography is finely etched and deft in its composition and editing. The sound pickup is rich and three dimensional. Observing this conductor and great orchestra only heightens the transcendent quality of the aural experience. Even those never convinced by this music may find themselves reconsidering.

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